The American Cinema: Directors and Directions, 1929-1968
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Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: USA.
Von Händler/Antiquariat, Better World Books.
Plume. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
arts music and photography,biographies,direction and production,education and reference,film and television,history and criticism,humanities,humor and entertainment,movies,performing arts, The American Cinema; Directors and Directions, 1929-1968. Since its publication in 1968, The American Cinema has been the manifesto of the auteur theory. Written by Andrew Sarris, the theory's chief advocate, the book traces the history of movies by examining the careers of more than 200 film directors. Covering everyone from D.W. Griffith to Francis Coppola, Orson Welles to Roman Polanski, Sarris argues that directorial greatness is marked by a personal style and consistency of excellence that can be traced throughout a career. Sarris's commentary is sometimes worshipful, sometimes acrid, but almost always quotable. Alfred Hitchcock is "the supreme technician of the American cinema." John Huston coasted "on his reputation as a wronged individualist with an alibi for every bad movie." Stanley Kubrick holds "a naive faith in the power of images to transcend fuzzy feelings and vague ideas." Michelangelo Antonioni makes films so pessimistic and alienating that Sarris dubs him "Antoniennui." You may not agree with all of Sarris's assessments, but this book provides the best possible opportunity to consider auteurism, an approach to cinema that, in an age that reveres Scorsese, Spielberg, and Tarantino, seems more relevant than ever. The book closes with an essay called "The Auteur Theory Revised," Sarris's attempt at a definitive theoretical statement. --Raphael Shargel.

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
arts music and photography,biographies,direction and production,education and reference,film and television,history and criticism,humanities,humor and entertainment,movies,performing arts, Since its publication in 1968, The American Cinema has been the manifesto of the auteur theory. Written by Andrew Sarris, the theory's chief advocate, the book traces the history of movies by examining the careers of more than 200 film directors. Covering everyone from D.W. Griffith to Francis Coppola, Orson Welles to Roman Polanski, Sarris argues that directorial greatness is marked by a personal style and consistency of excellence that can be traced throughout a career. Sarris's commentary is sometimes worshipful, sometimes acrid, but almost always quotable. Alfred Hitchcock is "the supreme technician of the American cinema." John Huston coasted "on his reputation as a wronged individualist with an alibi for every bad movie." Stanley Kubrick holds "a naive faith in the power of images to transcend fuzzy feelings and vague ideas." Michelangelo Antonioni makes films so pessimistic and alienating that Sarris dubs him "Antoniennui." You may not agree with all of Sarris's assessments, but this book provides the best possible opportunity to consider auteurism, an approach to cinema that, in an age that reveres Scorsese, Spielberg, and Tarantino, seems more relevant than ever. The book closes with an essay called "The Auteur Theory Revised," Sarris's attempt at a definitive theoretical statement. --Raphael Shargel.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Discover Books.
Octagon Books. Hardcover. POOR. Acceptable copy with heavy wear to cover and pages. Pages have writing and or highlighting. Might be an ex-library copy and not include CD or accessories.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, worldreaders.
The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject., Paperback, Ausgabe: First Edition, Label: Plume, Plume, Produktgruppe: Book, Publiziert: 1969-01-31, Freigegeben: 1969-01-31, Studio: Plume, Verkaufsrang: 4022339.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, Hippo Books, OH, Toledo, [RE:4].
Pages may have contain writing, highlighting or notes. May be an ex library copy with library markings. Dust jacket or accessories may not be included. Hardcover.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, hippo_books.
The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject., Hardcover, Label: Octagon Books, Octagon Books, Produktgruppe: Book, Publiziert: 1982-03, Studio: Octagon Books, Verkaufsrang: 10841765.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, Hippo Books [50294793], Toledo, OH, U.S.A.
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Von Händler/Antiquariat, Ergodebooks.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen