Handbook of Recording Engineering - 6 Angebote vergleichen
Bester Preis: € 75,16 (vom 15.03.2017)1
Music, Sound, and Technology (2012)
NL PB NWISBN: 9789401170727 bzw. 940117072X, in Holländisch, Springer, Taschenbuch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special... This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and technicians in- volved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments. the student must have a basic working knowledge of physical and architectural acoustics. The book begins with a review of the elements of acoustics. stressing the nature of sound fields and phenomena that are wavelength-dependent. The book then moves on to a discussion of those aspects of psychological acoustics that are of special concern to music technicians. most notably concepts of stereophonic imaging. loudness-related phenomena. and critical band theory.Taal: Engels;Afmetingen: 16x235x191 mm;Gewicht: 577,00 gram;Verschijningsdatum: april 2012;ISBN10: 940117072X;ISBN13: 9789401170727; Engelstalig | Paperback | 2012.
bol.com.
This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special... This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and technicians in- volved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments. the student must have a basic working knowledge of physical and architectural acoustics. The book begins with a review of the elements of acoustics. stressing the nature of sound fields and phenomena that are wavelength-dependent. The book then moves on to a discussion of those aspects of psychological acoustics that are of special concern to music technicians. most notably concepts of stereophonic imaging. loudness-related phenomena. and critical band theory.Taal: Engels;Afmetingen: 16x235x191 mm;Gewicht: 577,00 gram;Verschijningsdatum: april 2012;ISBN10: 940117072X;ISBN13: 9789401170727; Engelstalig | Paperback | 2012.
2
Music, Sound, and Technology (2013)
EN PB NWISBN: 9789401170727 bzw. 940117072X, in Englisch, 304 Seiten, Springer, Taschenbuch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, exclusief verzendkosten (indien geleverd).
Von Händler/Antiquariat, UKPaperbackshop.
This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and technicians in- volved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments. the student must have a basic working knowledge of physical and architectural acoustics. The book begins with a review of the elements of acoustics. stressing the nature of sound fields and phenomena that are wavelength-dependent. The book then moves on to a discussion of those aspects of psychological acoustics that are of special concern to music technicians. most notably concepts of stereophonic imaging. loudness-related phenomena. and critical band theory. Paperback, Editie: Softcover reprint of the original 1st ed. 1990, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
Von Händler/Antiquariat, UKPaperbackshop.
This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and technicians in- volved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments. the student must have a basic working knowledge of physical and architectural acoustics. The book begins with a review of the elements of acoustics. stressing the nature of sound fields and phenomena that are wavelength-dependent. The book then moves on to a discussion of those aspects of psychological acoustics that are of special concern to music technicians. most notably concepts of stereophonic imaging. loudness-related phenomena. and critical band theory. Paperback, Editie: Softcover reprint of the original 1st ed. 1990, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
3
Music, Sound, and Technology (2013)
EN PB USISBN: 9789401170727 bzw. 940117072X, in Englisch, 304 Seiten, Springer, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, exclusief verzendkosten (indien geleverd).
Von Händler/Antiquariat, Herb Tandree Philosophy Books.
This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and technicians in- volved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments. the student must have a basic working knowledge of physical and architectural acoustics. The book begins with a review of the elements of acoustics. stressing the nature of sound fields and phenomena that are wavelength-dependent. The book then moves on to a discussion of those aspects of psychological acoustics that are of special concern to music technicians. most notably concepts of stereophonic imaging. loudness-related phenomena. and critical band theory. Paperback, Editie: Softcover reprint of the original 1st ed. 1990, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
Von Händler/Antiquariat, Herb Tandree Philosophy Books.
This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical physics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and technicians in- volved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments. the student must have a basic working knowledge of physical and architectural acoustics. The book begins with a review of the elements of acoustics. stressing the nature of sound fields and phenomena that are wavelength-dependent. The book then moves on to a discussion of those aspects of psychological acoustics that are of special concern to music technicians. most notably concepts of stereophonic imaging. loudness-related phenomena. and critical band theory. Paperback, Editie: Softcover reprint of the original 1st ed. 1990, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
4
Handbook of Recording Engineering (2012)
NL PB NWISBN: 9789401093682 bzw. 9401093687, in Holländisch, 4. Ausgabe, Springer, Taschenbuch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As A... John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.Taal: Engels;Oorspronkelijke titel: Handbook of Recording Engineering;Afmetingen: 22x234x156 mm;Gewicht: 581,00 gram;Verschijningsdatum: april 2012;ISBN10: 9401093687;ISBN13: 9789401093682; Engelstalig | Paperback | 2012.
bol.com.
John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As A... John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.Taal: Engels;Oorspronkelijke titel: Handbook of Recording Engineering;Afmetingen: 22x234x156 mm;Gewicht: 581,00 gram;Verschijningsdatum: april 2012;ISBN10: 9401093687;ISBN13: 9789401093682; Engelstalig | Paperback | 2012.
5
Handbook of Recording Engineering (2013)
EN PB NWISBN: 9789401093682 bzw. 9401093687, in Englisch, 416 Seiten, Springer, Taschenbuch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, exclusief verzendkosten (indien geleverd).
Von Händler/Antiquariat, UKPaperbackshop.
The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.", Paperback, Editie: Softcover reprint of the original 1st ed. 1986, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
Von Händler/Antiquariat, UKPaperbackshop.
The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.", Paperback, Editie: Softcover reprint of the original 1st ed. 1986, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
6
Handbook of Recording Engineering (2013)
EN PB USISBN: 9789401093682 bzw. 9401093687, in Englisch, 416 Seiten, Springer, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, exclusief verzendkosten (indien geleverd).
Von Händler/Antiquariat, ShineWood.
The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.", Paperback, Editie: Softcover reprint of the original 1st ed. 1986, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
Von Händler/Antiquariat, ShineWood.
The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.", Paperback, Editie: Softcover reprint of the original 1st ed. 1986, Label: Springer, Springer, Productgroep: Book, Gepubliceerd: 2013-10-04, Releasedatum: 2013-10-04, Studio: Springer.
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