Tragic Failures, Alexandrian Responses to Tragedy and the Tragic
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This study focuses on the reception of tragedy and the tragic in Hellenistic poetry. It illustrates how classical tragedy and the tragic idea were incorporated in the poems of Callimachus and Theocritus, Apollonius' Argonautica, the iambic Alexandra and late Hellenistic poetry. It demonstrates that 'the tragic' was not doomed to failure in the postclassical world but lived on through the works of the great Alexandrian poets and their followers.Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;Verschijningsdatum: juli 2016;ISBN10: 3110480638;ISBN13: 9783110480634; Engelstalig | Ebook | 2016.

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This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius' epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius' Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics. 11.07.2016.

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This study focuses on the reception of tragedy and the tragic in Hellenistic poetry. It illustrates how classical tragedy and the tragic idea were incorporated in the poems of Callimachus and Theocritus, Apollonius' Argonautica, the iambic Alexandra and late Hellenistic poetry. It demonstrates that 'the tragic' was not doomed to failure in the postclassical world but lived on through the works of the great Alexandrian poets and their followers.

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This study focuses on the reception of tragedy and the tragic in Hellenistic poetry. It illustrates how classical tragedy and the tragic idea were incorporated in the poems of Callimachus and Theocritus, Apollonius’ Argonautica , the iambic Alexandra and late Hellenistic poetry. It demonstrates that ‘the tragic’ was not doomed to failure in the postclassical world but lived on through the works of the great Alexandrian poets and their followers. Evina Sistakou , Aristotle University, This study focuses on the reception of tragedy and the tragic in Hellenistic poetry. It illustrates how classical tragedy and the tragic idea were incorporated in the poems of Callimachus and Theocritus, Apollonius’ Argonautica , the iambic Alexandra and late Hellenistic poetry. It demonstrates that ‘the tragic’ was not doomed to failure in the postclassical world but lived on through the works of the great Alexandrian poets and their followers. Evina Sistakou , Aristotle University, Thessaloniki, Greece. Lieferzeit 1-2 Werktage.

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This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius' epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius' Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.

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