Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form
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9781130095630 - Thomas Handel Bertenshaw: Elements of Music, Harmony Counterpoint, Rhythm, Analysis, Musical Form
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Thomas Handel Bertenshaw

Elements of Music, Harmony Counterpoint, Rhythm, Analysis, Musical Form (1896)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika EN PB NW RP

ISBN: 9781130095630 bzw. 1130095630, in Englisch, RareBooksClub, Taschenbuch, neu, Nachdruck.

30,14 ($ 35,66)¹ + Versand: 3,34 ($ 3,95)¹ = 33,48 ($ 39,61)¹
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Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
This item is printed on demand. Paperback. 88 pages. Dimensions: 9.7in. x 7.4in. x 0.2in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: . . . ninth of the supertonic) while the rest of the chord remains as at (b) above. In practice this chord usually resolves on the second inversion of the tonic common chord. 636. Inversions. The two notes which form the interval of the augmented sixth are rarely inverted to form a diminished third, except in the case of the German sixth. The other notes of the chords may be placed in the bass, so that there are different forms of inversion corresponding to the different forms of the chord. These are shown in fig. 318, the forms most frequently used being shown in open notes. It will not be necessary to show the resolutions of these inversions; the constituent notes are subject to the same rules of resolution as in the original forms of the chord. Fig. 318. Inversions of the augmented sixth. 637. The augmented sixth on the minor second is not so frequently used as that on the minor sixth. It occurs in the same three forms. It consists of the minor ninth of the tonic, with the third and seventh of the dominant. To these are added, in the French and German sixths, the root and minor ninth of the dominant respectively. Thus the two roots of these chords are tonic and dominant. 638. With the one exception, that in minor keys this chord may not resolve on the common chord of the tonic, each of the notes of this augmented sixth proceeds in resolving just like the corresponding notes of the augmented sixth on the minor sixth. It will therefore not be necessary to show all possible resolutions. 639. The chord of the augmented sixth is sometimes written inaccurately, one of its notes being written enharmonically for convenience in reading ( 566). In the example below E Q is written for Fb (the minor ninth of the snpertonic in Db major). CHAPTER XLVII. THE DISSONANT. . . This item ships from La Vergne,TN.
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9781130095630 - Thomas Handel Bertenshaw: Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form
Thomas Handel Bertenshaw

Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form (2012)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika EN PB NW

ISBN: 9781130095630 bzw. 1130095630, in Englisch, 88 Seiten, RareBooksClub.com, Taschenbuch, neu.

19,46 ($ 23,03)¹ + Versand: 3,37 ($ 3,99)¹ = 22,83 ($ 27,02)¹
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: ... ninth of the supertonic) while the rest of the chord remains as at (b) above. In practice this chord usually resolves on the second inversion of the tonic common chord. 636. Inversions. The two notes which form the interval of the augmented sixth are rarely inverted to form a diminished third, except in the case of the German sixth. The other notes of the chords may be placed in the bass, so that there are different forms of inversion corresponding to the different forms of the chord. These are shown in fig. 318, the forms most frequently used being shown in open notes. It will not be necessary to show the resolutions of these inversions; the constituent notes are subject to the same rules of resolution as in the original forms of the chord. Fig. 318. Inversions of the augmented sixth. 637. The augmented sixth on the minor second is not so frequently used as that on the minor sixth. It occurs in the same three forms. It consists of the minor ninth of the tonic, with the third and seventh of the dominant. To these are added, in the French and German sixths, the root and minor ninth of the dominant respectively. Thus the two roots of these chords are tonic and dominant. 638. With the one exception, that in minor keys this chord may not resolve on the common chord of the tonic, each of the notes of this augmented sixth proceeds in resolving just like the corresponding notes of the augmented sixth on the minor sixth. It will therefore not be necessary to show all possible resolutions. 639. The chord of the augmented sixth is sometimes written inaccurately, one of its notes being written enharmonically for convenience in reading (§ 566). In the example below E Q is written for Fb (the minor ninth of the snpertonic in Db major). CHAPTER XLVII. THE DISSONANT... Paperback, Label: RareBooksClub.com, RareBooksClub.com, Product group: Book, Published: 2012-03-06, Studio: RareBooksClub.com, Sales rank: 15699428.
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9781130095630 - Bertenshaw, Thomas Handel: Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form
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Bertenshaw, Thomas Handel

Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form (2012)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika EN PB NW

ISBN: 9781130095630 bzw. 1130095630, in Englisch, Rarebooksclub.com, Miami FL, Taschenbuch, neu.

50,70 ($ 59,99)¹
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Von Händler/Antiquariat, Through The Stacks LLC, NY, Brockport, [RE:3].
We ship worldwide with delivery confirmation. We answer all e-mails within one business day. Trade paperback.
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9781130095630 - Thomas Handel Bertenshaw: Elements of music, harmony & counterpoint, rhythm, analysis, & musical form
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Thomas Handel Bertenshaw

Elements of music, harmony & counterpoint, rhythm, analysis, & musical form (2012)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika EN PB RP

ISBN: 9781130095630 bzw. 1130095630, in Englisch, RareBooksClub.com, Taschenbuch, Nachdruck.

34,60 ($ 40,94)¹ + Versand: 3,37 ($ 3,99)¹ = 37,97 ($ 44,93)¹
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Von Händler/Antiquariat, Ergodebooks [8304062], RICHMOND, TX, U.S.A.
This item is printed on demand.
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9781130095630 - Thomas Handel Bertenshaw: Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form
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Thomas Handel Bertenshaw

Elements of Music, Harmony & Counterpoint, Rhythm, Analysis, & Musical Form (2012)

Lieferung erfolgt aus/von: Vereinigte Staaten von Amerika EN PB US

ISBN: 9781130095630 bzw. 1130095630, in Englisch, RareBooksClub. com, Taschenbuch, gebraucht.

34,18 ($ 40,44)¹
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Von Händler/Antiquariat, ExtremelyReliable, TX, Richmond, [RE:4].
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