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Come in and Hear the Truth : Jazz and Race on 52nd Street
EN HC US
ISBN: 9780226080710 bzw. 0226080714, in Englisch, University of Chicago Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780226080710,0226080714,come,hear,truth,jazz,race,52nd,street,patrick,burke, Excellent Marketplace listings for "Come in and Hear the Truth : Jazz and Race on 52nd Street" by Patrick Burke starting as low as $4.62! Hardback, Shipping to USA only!
9780226080710,0226080714,come,hear,truth,jazz,race,52nd,street,patrick,burke, Excellent Marketplace listings for "Come in and Hear the Truth : Jazz and Race on 52nd Street" by Patrick Burke starting as low as $4.62! Hardback, Shipping to USA only!
2
Come in and Hear the Truth
EN NW
ISBN: 9780226080710 bzw. 0226080714, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Between the mid-1930s and the late 40s, the center of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs between Fifth and Seventh avenues played host to legends such as Billie Holiday and Charlie Parker, as well as to innumerable professional musicians whose names aren t quite so well known. Together, these musicians and their audiences defied the traditional border between serious art and commercial entertainment and between the races, as 52nd Street was home to some of the first nightclubs in New York to allow racially integrated bands and audiences. Patrick Burke argues that the jazz played on 52nd Street complicated simplistic distinctions between musical styles such as Dixieland, swing, and bebop. And since these styles were defined along racial lines, the music was itself a powerful challenge to racist ideology. Come In and Hear the Truth uses a range of materials, from classic photographs to original interviews with musicians, to bring the street s vibrant history to life and to shed new light on the interracial contacts and collaborations it generated.
Between the mid-1930s and the late 40s, the center of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs between Fifth and Seventh avenues played host to legends such as Billie Holiday and Charlie Parker, as well as to innumerable professional musicians whose names aren t quite so well known. Together, these musicians and their audiences defied the traditional border between serious art and commercial entertainment and between the races, as 52nd Street was home to some of the first nightclubs in New York to allow racially integrated bands and audiences. Patrick Burke argues that the jazz played on 52nd Street complicated simplistic distinctions between musical styles such as Dixieland, swing, and bebop. And since these styles were defined along racial lines, the music was itself a powerful challenge to racist ideology. Come In and Hear the Truth uses a range of materials, from classic photographs to original interviews with musicians, to bring the street s vibrant history to life and to shed new light on the interracial contacts and collaborations it generated.
3
Come in and Hear the Truth: Jazz and Race on 52nd Street Patrick Burke Author
~EN HC NW
ISBN: 9780226080710 bzw. 0226080714, vermutlich in Englisch, University of Chicago Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Between the mid-1930s and the late ’40s, the center of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs between Fifth and Seventh avenues played host to legends such as Billie Holiday and Charlie Parker, as well as to innumerable professional musicians whose names aren’t quite so well known. Together, these musicians and their audiences defied the traditional border between serious art and commercial entertainment—and between the races, as 52nd Street was home to some of the first nightclubs in New York to allow racially integrated bands and audiences. Patrick Burke argues that the jazz played on 52nd Street complicated simplistic distinctions between musical styles such as Dixieland, swing, and bebop. And since these styles were defined along racial lines, the music was itself a powerful challenge to racist ideology.Come In and Hear the Truth uses a range of materials, from classic photographs to original interviews with musicians, to bring the street’s vibrant history to life and to shed new light on the interracial contacts and collaborations it generated.
Between the mid-1930s and the late ’40s, the center of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs between Fifth and Seventh avenues played host to legends such as Billie Holiday and Charlie Parker, as well as to innumerable professional musicians whose names aren’t quite so well known. Together, these musicians and their audiences defied the traditional border between serious art and commercial entertainment—and between the races, as 52nd Street was home to some of the first nightclubs in New York to allow racially integrated bands and audiences. Patrick Burke argues that the jazz played on 52nd Street complicated simplistic distinctions between musical styles such as Dixieland, swing, and bebop. And since these styles were defined along racial lines, the music was itself a powerful challenge to racist ideology.Come In and Hear the Truth uses a range of materials, from classic photographs to original interviews with musicians, to bring the street’s vibrant history to life and to shed new light on the interracial contacts and collaborations it generated.
4
Come In and Hear the Truth: Jazz and Race on 52nd Street
EN US
ISBN: 0226080714 bzw. 9780226080710, in Englisch, University Of Chicago Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
african-american studies,americas,arts and photography,history,history and criticism,humanities,jazz,music,musical genres,performing arts, Between the mid-1930s and the late '40s, the center of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs between Fifth and Seventh avenues played host to legends such as Billie Holiday and Charlie Parker, as well as to innumerable professional musicians whose names aren't quite so well known. Together, these musicians and their audiences defied the traditional border between serious art and commercial entertainment-and between the races, as 52nd Street was home to some of the first nightclubs in New York to allow racially integrated bands and audiences. Patrick Burke argues that the jazz played on 52nd Street complicated simplistic distinctions between musical styles such as Dixieland, swing, and bebop. And since these styles were defined along racial lines, the music was itself a powerful challenge to racist ideology.Come In and Hear the Truth uses a range of materials, from classic photographs to original interviews with musicians, to bring the street's vibrant history to life and to shed new light on the interracial contacts and collaborations it generated.
african-american studies,americas,arts and photography,history,history and criticism,humanities,jazz,music,musical genres,performing arts, Between the mid-1930s and the late '40s, the center of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs between Fifth and Seventh avenues played host to legends such as Billie Holiday and Charlie Parker, as well as to innumerable professional musicians whose names aren't quite so well known. Together, these musicians and their audiences defied the traditional border between serious art and commercial entertainment-and between the races, as 52nd Street was home to some of the first nightclubs in New York to allow racially integrated bands and audiences. Patrick Burke argues that the jazz played on 52nd Street complicated simplistic distinctions between musical styles such as Dixieland, swing, and bebop. And since these styles were defined along racial lines, the music was itself a powerful challenge to racist ideology.Come In and Hear the Truth uses a range of materials, from classic photographs to original interviews with musicians, to bring the street's vibrant history to life and to shed new light on the interracial contacts and collaborations it generated.
5
Come in and Hear the Truth: Jazz and Race on 52nd Street
EN HC NW
ISBN: 9780226080710 bzw. 0226080714, in Englisch, University of Chicago Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Come-in-and-Hear-the-Truth~~Patrick-Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street, Hardcover.
Come-in-and-Hear-the-Truth~~Patrick-Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street, Hardcover.
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