Dada East: The Romanians of Cabaret Voltaire - 8 Angebote vergleichen
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Dada East: The Romanians of Cabaret Voltaire (2006)
EN HC USISBN: 9780262195072 bzw. 0262195070, in Englisch, 448 Seiten, The MIT Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, hippo_books.
Dada -- perhaps the most famous and outrageous of modernism's artistic movements -- is said to have begun at the Cabaret Voltaire, a literary evening staged at the restaurant Meierei in Zurich on February 5, 1916. The evening featured stamping, roaring, banging on the lids of pots and pans, and the recitation of incomprehensible "poemes simultanes" Thus a global revolution in art and culture was born in a Swiss restaurant. Or was it?In Dada East, Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe -- particularly Romania -- that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who began his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara -- who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint -- was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group were Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions.For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots., Hardcover, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2006-02-24, Studio: The MIT Press, Verkaufsrang: 442696.
Von Händler/Antiquariat, hippo_books.
Dada -- perhaps the most famous and outrageous of modernism's artistic movements -- is said to have begun at the Cabaret Voltaire, a literary evening staged at the restaurant Meierei in Zurich on February 5, 1916. The evening featured stamping, roaring, banging on the lids of pots and pans, and the recitation of incomprehensible "poemes simultanes" Thus a global revolution in art and culture was born in a Swiss restaurant. Or was it?In Dada East, Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe -- particularly Romania -- that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who began his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara -- who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint -- was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group were Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions.For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots., Hardcover, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2006-02-24, Studio: The MIT Press, Verkaufsrang: 442696.
2
Dada East: The Romanians of Cabaret Voltaire (2006)
EN HC NWISBN: 9780262195072 bzw. 0262195070, in Englisch, 448 Seiten, The MIT Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, mgb1125.
Dada -- perhaps the most famous and outrageous of modernism's artistic movements -- is said to have begun at the Cabaret Voltaire, a literary evening staged at the restaurant Meierei in Zurich on February 5, 1916. The evening featured stamping, roaring, banging on the lids of pots and pans, and the recitation of incomprehensible "poemes simultanes" Thus a global revolution in art and culture was born in a Swiss restaurant. Or was it?In Dada East, Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe -- particularly Romania -- that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who began his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara -- who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint -- was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group were Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions.For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots., Hardcover, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2006-02-24, Studio: The MIT Press, Verkaufsrang: 442696.
Von Händler/Antiquariat, mgb1125.
Dada -- perhaps the most famous and outrageous of modernism's artistic movements -- is said to have begun at the Cabaret Voltaire, a literary evening staged at the restaurant Meierei in Zurich on February 5, 1916. The evening featured stamping, roaring, banging on the lids of pots and pans, and the recitation of incomprehensible "poemes simultanes" Thus a global revolution in art and culture was born in a Swiss restaurant. Or was it?In Dada East, Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe -- particularly Romania -- that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who began his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara -- who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint -- was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group were Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions.For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots., Hardcover, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2006-02-24, Studio: The MIT Press, Verkaufsrang: 442696.
3
Dada East: The Romanians of Cabaret Voltaire
ENISBN: 9780262195072 bzw. 0262195070, in Englisch, MIT Press (MA).
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Dada East: The Romanians of Cabaret Voltaire Sandqvist, Tom, Dada--perhaps the most famous and outrageous of modernism's artistic movements--is said to have begun at the Cabaret Voltaire, a literary evening staged at the restaurant Meierei in Zurich on February 5, 1916. The evening featured stamping, roaring, banging on the lids of pots and pans, and the recitation of incomprehensible "poemes simultanes" Thus a global revolution in art and culture was born in a Swiss restaurant. Or was it? In "Dada East," Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe--particularly Romania--that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who began his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara--who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint--was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group were Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions. For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots.
Dada East: The Romanians of Cabaret Voltaire Sandqvist, Tom, Dada--perhaps the most famous and outrageous of modernism's artistic movements--is said to have begun at the Cabaret Voltaire, a literary evening staged at the restaurant Meierei in Zurich on February 5, 1916. The evening featured stamping, roaring, banging on the lids of pots and pans, and the recitation of incomprehensible "poemes simultanes" Thus a global revolution in art and culture was born in a Swiss restaurant. Or was it? In "Dada East," Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe--particularly Romania--that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who began his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara--who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint--was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group were Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions. For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots.
4
Ahasuerus at the Easel. Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century. (2014)
DEISBN: 9783631651636 bzw. 3631651635, in Deutsch, Frankfurt/Main: Peter Lang 2014.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Von Händler/Antiquariat, Antiquariat Bergische Bücherstube, 51491 Overath.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Antiquariat Bergische Bücherstube, 51491 Overath.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
5
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Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century (2014)
DE HC NW FEISBN: 9783631651636 bzw. 3631651635, in Deutsch, Peter Lang Pub Inc, gebundenes Buch, neu, Erstausgabe.
Von Händler/Antiquariat, Revaluation Books [2134736], Exeter, United Kingdom.
1st edition. 542 pages. 8.50x6.00x1.50 inches. In Stock.
1st edition. 542 pages. 8.50x6.00x1.50 inches. In Stock.
6
Symbolbild
Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century (2014)
DE HCISBN: 9783631651636 bzw. 3631651635, in Deutsch, Peter Lang GmbH, Internationaler Verlag der Wissenschaften, gebundenes Buch.
Von Händler/Antiquariat, Book Deals [60506629], Lewiston, NY, U.S.A.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
7
Symbolbild
Ahasuerus at the Easel
DE HC NWISBN: 9783631651636 bzw. 3631651635, in Deutsch, Lang, Frankfurt am Main/Berlin/Bern/Bruxelles/New York/Oxford/Wien, Deutschland, gebundenes Buch, neu.
Von Händler/Antiquariat, Ria Christie Collections [59718070], Uxbridge, United Kingdom.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Symbolbild
Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century
DE USISBN: 9783631651636 bzw. 3631651635, in Deutsch, Peter Lang GmbH, Internationaler Verlag der Wissenschaften, gebraucht.
Von Händler/Antiquariat, Firehouse Liquidation [53003159], Vancouver, WA, U.S.A.
Item is in good condition. Ships next business day!
Item is in good condition. Ships next business day!
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