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The Tradition of the New (1982)
~EN PB US FEISBN: 9780226726847 bzw. 0226726843, vermutlich in Englisch, University of Chicago Press, Taschenbuch, gebraucht, guter Zustand, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, LEFT COAST BOOKS.
Chicago: University of Chicago Press, 1982. 285 pages; 21 cm. Near fine. Tight, clean copy. Light edgewear. First edition thus. "For many years Harold Rosenberg was art critic for The New Yorker and professor in the Committee on Social Thought and in the Department of Art at the University of Chicago. His imaginative grasp of the contemporary artist's aesthetic and cultural situation influenced not only the field of art criticism but also the practice of art and the process selection that proclaimed the importance of such major postwar figures as Barnett Newman, Arshille Gorky, Jackson Pollock, Franz Kline, Mark Rothko and Willem de Kooning." - Publisher.. 1st. Paperback. Very Good. 8vo.
Von Händler/Antiquariat, LEFT COAST BOOKS.
Chicago: University of Chicago Press, 1982. 285 pages; 21 cm. Near fine. Tight, clean copy. Light edgewear. First edition thus. "For many years Harold Rosenberg was art critic for The New Yorker and professor in the Committee on Social Thought and in the Department of Art at the University of Chicago. His imaginative grasp of the contemporary artist's aesthetic and cultural situation influenced not only the field of art criticism but also the practice of art and the process selection that proclaimed the importance of such major postwar figures as Barnett Newman, Arshille Gorky, Jackson Pollock, Franz Kline, Mark Rothko and Willem de Kooning." - Publisher.. 1st. Paperback. Very Good. 8vo.
2
The Tradition of the New
EN USISBN: 0226726843 bzw. 9780226726847, in Englisch, Univ of Chicago Pr (T), gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
architecture,art,arts music and photography,criticism,history,history and criticism,literary,literature and fiction,politics and social sciences,science and math, Harold Rosenberg was undoubtedly the most important American art critic of the twentieth century. It was he who first coined the term "Action Painters" to refer to the American Abstract Expressionists such as Pollock, Kline, and de Kooning. Rosenberg's seminal writings on this movement, as well as on other artists such as Newman and Rothko, appear in The Tradition of the New (1959), his first and most influential book; its effects on subsequent art criticism, and the practice of art itself, are still felt today. The essays in this book are not limited to the art world, however: He also discusses poetry, political and cultural theory, and popular culture. As wide-ranging, independent, and deeply probing as the essays of Walter Benjamin, Harold Rosenberg's The Tradition of the New is a true classic of twentieth-century criticism.
architecture,art,arts music and photography,criticism,history,history and criticism,literary,literature and fiction,politics and social sciences,science and math, Harold Rosenberg was undoubtedly the most important American art critic of the twentieth century. It was he who first coined the term "Action Painters" to refer to the American Abstract Expressionists such as Pollock, Kline, and de Kooning. Rosenberg's seminal writings on this movement, as well as on other artists such as Newman and Rothko, appear in The Tradition of the New (1959), his first and most influential book; its effects on subsequent art criticism, and the practice of art itself, are still felt today. The essays in this book are not limited to the art world, however: He also discusses poetry, political and cultural theory, and popular culture. As wide-ranging, independent, and deeply probing as the essays of Walter Benjamin, Harold Rosenberg's The Tradition of the New is a true classic of twentieth-century criticism.
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