Death On The Cheap: The Lost B Movies Of Film Noir - 5 Angebote vergleichen
Bester Preis: € 5,50 (vom 22.01.2016)1
Death On The Cheap: The Lost B Movies Of Film Noir
~EN NW
ISBN: 9780306809965 bzw. 0306809966, vermutlich in Englisch, Consultants Bureau, and Kluwer Academic (NY), Vereinigte Staaten von Amerika, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn''t know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story linesabout con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglectedlost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn''t know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story linesabout con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglectedlost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap.
2
Death On The Cheap: The Lost B Movies Of Film Noir (2000)
EN PB NW
ISBN: 9780306809965 bzw. 0306809966, in Englisch, 256 Seiten, 2. Ausgabe, Da Capo Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 2-3 business days.
Von Händler/Antiquariat, TOTAL BOOKS.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap., Paperback, Ausgabe: 2nd, Label: Da Capo Press, Da Capo Press, Produktgruppe: Book, Publiziert: 2000-10-25, Studio: Da Capo Press, Verkaufsrang: 344326.
Von Händler/Antiquariat, TOTAL BOOKS.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap., Paperback, Ausgabe: 2nd, Label: Da Capo Press, Da Capo Press, Produktgruppe: Book, Publiziert: 2000-10-25, Studio: Da Capo Press, Verkaufsrang: 344326.
3
Death On The Cheap: The Lost B Movies Of Film Noir (2000)
EN PB US
ISBN: 9780306809965 bzw. 0306809966, in Englisch, 256 Seiten, 2. Ausgabe, Da Capo Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, yogalovebooks.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap., Paperback, Ausgabe: 2nd, Label: Da Capo Press, Da Capo Press, Produktgruppe: Book, Publiziert: 2000-10-25, Studio: Da Capo Press, Verkaufsrang: 344326.
Von Händler/Antiquariat, yogalovebooks.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap., Paperback, Ausgabe: 2nd, Label: Da Capo Press, Da Capo Press, Produktgruppe: Book, Publiziert: 2000-10-25, Studio: Da Capo Press, Verkaufsrang: 344326.
4
Death On The Cheap: The Lost B Movies Of Film Noir (2000)
EN PB US
ISBN: 9780306809965 bzw. 0306809966, in Englisch, 256 Seiten, 2. Ausgabe, Da Capo Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, -Daily Deals-.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap., Paperback, Ausgabe: 2nd, Label: Da Capo Press, Da Capo Press, Produktgruppe: Book, Publiziert: 2000-10-25, Studio: Da Capo Press, Verkaufsrang: 344326.
Von Händler/Antiquariat, -Daily Deals-.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap., Paperback, Ausgabe: 2nd, Label: Da Capo Press, Da Capo Press, Produktgruppe: Book, Publiziert: 2000-10-25, Studio: Da Capo Press, Verkaufsrang: 344326.
5
Death on the Cheap: The Lost B Movies of Film Noir
EN PB NW
ISBN: 9780306809965 bzw. 0306809966, in Englisch, Da Capo Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Death-on-the-Cheap~~Arthur-Lyons, Death on the Cheap: The Lost B Movies of Film Noir.
Death-on-the-Cheap~~Arthur-Lyons, Death on the Cheap: The Lost B Movies of Film Noir.
Lade…