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100%: Nassau, Kurt (Editor): Color for Science, Art and Technology, Volume 1 (AZimuth) (ISBN: 9780444898463) Erstausgabe, in Englisch, Band: 1, Broschiert.
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82%: Nassau, K.: Color for Science, Art and Technology (ISBN: 9780080529370) 1997, in Englisch, auch als eBook.
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Color for Science, Art and Technology, Volume 1 (AZimuth)
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Bester Preis: € 63,74 (vom 19.10.2016)1
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Color for Science, Art and Technology (Hardback) (1998)
EN HC NW
ISBN: 9780444898463 bzw. 0444898468, in Englisch, ELSEVIER SCIENCE TECHNOLOGY, United States, gebundenes Buch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository US [58762574], London, United Kingdom.
Language: English . Brand New Book. The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist, there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: the measurement of color still has unresolved complexities (Chapter 2); many of the fine details of color vision remain unknown (Chapter 3); every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5); the philosophical approach to color has not yet crystallized (Chapter 7); new pigments and dyes continue to be discovered (Chapters 10 and 11); and the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.
Von Händler/Antiquariat, The Book Depository US [58762574], London, United Kingdom.
Language: English . Brand New Book. The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist, there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: the measurement of color still has unresolved complexities (Chapter 2); many of the fine details of color vision remain unknown (Chapter 3); every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5); the philosophical approach to color has not yet crystallized (Chapter 7); new pigments and dyes continue to be discovered (Chapters 10 and 11); and the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.
2
Color for Science, Art and Technology (1997)
EN NW EB
ISBN: 9780080529370 bzw. 0080529372, in Englisch, North Holland, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist, there are details on the causes, measurement, perception, and reproduction of ... The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist, there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: the measurement of color still has unresolved complexities (Chapter 2); many of the fine details of color vision remain unknown (Chapter 3); every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5); the philosophical approach to color has not yet crystallized (Chapter 7); new pigments and dyes continue to be discovered (Chapters 10 and 11); and the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge. Productinformatie:Taal: Engels;Vertaald uit het: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 67.81 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van de pagina's is niet toegestaan;Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0080529372;ISBN13: 9780080529370; Engels | Ebook | 1997.
bol.com.
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist, there are details on the causes, measurement, perception, and reproduction of ... The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist, there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: the measurement of color still has unresolved complexities (Chapter 2); many of the fine details of color vision remain unknown (Chapter 3); every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5); the philosophical approach to color has not yet crystallized (Chapter 7); new pigments and dyes continue to be discovered (Chapters 10 and 11); and the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge. Productinformatie:Taal: Engels;Vertaald uit het: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 67.81 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van de pagina's is niet toegestaan;Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0080529372;ISBN13: 9780080529370; Engels | Ebook | 1997.
3
Color for Science, Art and Technology, Volume 1 (AZimuth) (1998)
EN HC US FE
ISBN: 9780444898463 bzw. 0444898468, Band: 1, in Englisch, 490 Seiten, North Holland, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, southlandplace.
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because:• the measurement of color still has unresolved complexities (Chapter 2)• many of the fine details of color vision remain unknown (Chapter 3)• every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5)• the philosophical approach to color has not yet crystallized (Chapter 7)• new pigments and dyes continue to be discovered (Chapters 10 and 11)• the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2).Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge. , Hardcover, Ausgabe: 1, Label: North Holland, North Holland, Produktgruppe: Book, Publiziert: 1998-01-01, Studio: North Holland, Verkaufsrang: 3847205.
Von Händler/Antiquariat, southlandplace.
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because:• the measurement of color still has unresolved complexities (Chapter 2)• many of the fine details of color vision remain unknown (Chapter 3)• every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5)• the philosophical approach to color has not yet crystallized (Chapter 7)• new pigments and dyes continue to be discovered (Chapters 10 and 11)• the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2).Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge. , Hardcover, Ausgabe: 1, Label: North Holland, North Holland, Produktgruppe: Book, Publiziert: 1998-01-01, Studio: North Holland, Verkaufsrang: 3847205.
4
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Color for Science, Art and Technology, Volume 1 (Azimuth) (1998)
EN HC US
ISBN: 9780444898463 bzw. 0444898468, Band: 1, in Englisch, North Holland, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, booklab, VA, Chantilly, [RE:4].
Great customer service. You will be happy! Hardcover.
Von Händler/Antiquariat, booklab, VA, Chantilly, [RE:4].
Great customer service. You will be happy! Hardcover.
5
Symbolbild
Color for Science, Art and Technology, Volume 1 (Azimuth) (1998)
EN HC NW
ISBN: 9780444898463 bzw. 0444898468, Band: 1, in Englisch, North Holland, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, Lyric Vibes, IL, Geneva, [RE:4].
Hardcover.
Von Händler/Antiquariat, Lyric Vibes, IL, Geneva, [RE:4].
Hardcover.
6
Symbolbild
Color for Science, Art and Technology (1997)
EN HC NW
ISBN: 9780444898463 bzw. 0444898468, in Englisch, North Holland, gebundenes Buch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, zzgl. Versandkosten, Verandgebiet: EUR.
Von Händler/Antiquariat, Herb Tandree Philosophy Books, Stroud, Glos, [RE:4].
Hardback.
Von Händler/Antiquariat, Herb Tandree Philosophy Books, Stroud, Glos, [RE:4].
Hardback.
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