The Power Of Pictures: Early Soviet Photography, Early Soviet Film
6 Angebote vergleichen
Preise | 2017 | 2023 |
---|---|---|
Schnitt | € 31,67 | € 33,84 |
Nachfrage |
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Symbolbild
The Power of Pictures: Early Soviet Photography, Early Soviet Film (2015)
~EN HC NW
ISBN: 9780300207682 bzw. 0300207689, vermutlich in Englisch, Jewish Museum, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, The Anthropologists Closet.
Jewish Museum, 2015. Hardcover. New. New oversized hardcover in decorative paper over boards. Pages are clean and free of marks or underlining. (11.2 x 9 x 0.9 inches) Includes a bibliography, index, b&w photos, and prints. 240 pp. Fast shipping in a secure book box mailer with tracking. A fascinating account of the avant-garde photo-based arts from the early Soviet Union, featuring many previously unpublished images Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.
Von Händler/Antiquariat, The Anthropologists Closet.
Jewish Museum, 2015. Hardcover. New. New oversized hardcover in decorative paper over boards. Pages are clean and free of marks or underlining. (11.2 x 9 x 0.9 inches) Includes a bibliography, index, b&w photos, and prints. 240 pp. Fast shipping in a secure book box mailer with tracking. A fascinating account of the avant-garde photo-based arts from the early Soviet Union, featuring many previously unpublished images Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.
2
The Power of Pictures
EN NW
ISBN: 9780300207682 bzw. 0300207689, in Englisch, Yale University Press, Vereinigte Staaten von Amerika, neu.
Covering the period from the Revolution to the beginning of World War II, this book considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective,and an extraordinary sense of the power of the photograph to change the world--Provided by publisher.
3
The Power of Pictures
EN NW
ISBN: 9780300207682 bzw. 0300207689, in Englisch, Yale University Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.
4
The Power Of Pictures: Early Soviet Photography, Early Soviet Film
EN NW
ISBN: 9780300207682 bzw. 0300207689, in Englisch, Yale University Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
5
The Power of Pictures: Early Soviet Photography, Early Soviet Film
EN NW
ISBN: 9780300207682 bzw. 0300207689, in Englisch, Yale University Press, United States of America, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
The Power of Pictures: Early Soviet Photography, Early Soviet Film
EN HC NW
ISBN: 9780300207682 bzw. 0300207689, in Englisch, Yale University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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