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100%: Lippard, Lucy R.: Eva Hesse (ISBN: 9780814749722) 1976, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Lucy R. Lippard: Eva Hesse (ISBN: 9780306804847) 1992, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Lucy R. Lippard: Eva Hesse (ISBN: 8601300187624) 1992, Da Capo Press, Erstausgabe, in Italienisch.Nur diese Ausgabe anzeigen…
100%: Lippard, Lucy R.: Eva Hesse (ISBN: 9780814749715) New York University Press, New York, Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
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ISBN: 9780814749722
Bester Preis: € 21,39 (vom 21.01.2017)1
Eva Hesse (1976)
EN HCISBN: 9780814749715 bzw. 0814749712, in Englisch, New York University Press, New York, gebundenes Buch, mit Einband.
Von Händler/Antiquariat, Crossroad Books [68150], Eau Claire, WI, U.S.A.
Ex-Library copy; with typical markings. Tape stains on board edges and endpapers. No other library markings on binding exterior. Spine lean. Else binding fairly clean. Pages clean, but for library markings. Library label on DJ spine tail. Some light surface rubbing to DJ. Else DJ clean. ; B&W and a few Color Photographs; 11 x 7"; 249 pages; Ex-Library.
Ex-Library copy; with typical markings. Tape stains on board edges and endpapers. No other library markings on binding exterior. Spine lean. Else binding fairly clean. Pages clean, but for library markings. Library label on DJ spine tail. Some light surface rubbing to DJ. Else DJ clean. ; B&W and a few Color Photographs; 11 x 7"; 249 pages; Ex-Library.
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Eva Hesse (1976)
EN PB USISBN: 9780814749722 bzw. 0814749720, in Englisch, NYU Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Maya Jones Books.
New York: NYU Press, 1976 249 pp., 263 illus. (some color). Spine cocked, creased, and scuffed at rear edge; wrappers handled and edgeworn, lower front wrapper corner and first few page corners gently creased, corners bumped, stains to fore-edge. Interior clean and unmarked. Size: 4to. Paperback. Good/N/A.
Von Händler/Antiquariat, Maya Jones Books.
New York: NYU Press, 1976 249 pp., 263 illus. (some color). Spine cocked, creased, and scuffed at rear edge; wrappers handled and edgeworn, lower front wrapper corner and first few page corners gently creased, corners bumped, stains to fore-edge. Interior clean and unmarked. Size: 4to. Paperback. Good/N/A.
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Eva Hesse (1976)
EN PB USISBN: 9780814749722 bzw. 0814749720, in Englisch, New York University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, Delectus Books.
New York: New York University Press, 1976 Eva Hesse (January 11, 1936 - May 29, 1970), was a German-born American sculptor, known for her pioneering work in materials such as latex, fiberglass, and plastics. After graduating from New York's School of Industrial Art in 1952, Hesse studied at New York's Pratt Institute (1952-1953) and Cooper Union (1954-1957), then at the Yale School of Art and Architecture (1957-1959), where she studied under Josef Albers and received a B.F.A. Upon returning to New York she made friends with many young artists. In 1961, she met and married fellow sculptor Tom Doyle. In August 1962 Eva Hesse and Tom Doyle participated in an Allan Kaprow Happening at the Art Students League in Woodstock, New York. There Hesse made her first three dimensional piece: a costume for the Happening. In 1963 Eva Hesse had a one-person show of works on paper at the Allen Stone Gallery on New York's Upper East Side. The couple, whose marriage was coming apart, lived and worked in an abandoned textile mill in the Ruhr region of Germany for about a year during 1964-1965. Hesse was not happy to be back in Germany, but began sculpting with materials that had been left behind in the abandoned factory: first relief sculptures made of cloth-covered cord, electrical wire, and masonite, with playful titles like Eighter from Decatur and Oomamaboomba. Returning to New York City in 1965 she began working in the materials that would become characteristic of her work: latex, fiberglass, and plastics. She was associated with the mid-1960s "anti-form" trend in sculpture, participating in New York exhibits such as "Eccentric Abstraction" and "Abstract Inflationism and Stuffed Expressionism" (both 1966). In September 1968 Eva Hesse began teaching at the School of Visual Arts. Her only one-person show of sculpture in her lifetime was "Chain Polymers" at the Fischbach Gallery on W. 57th Street in New York in November 1968; her large piece Expanded Expansion showed at the Whitney Museum in the 1969 exhibit "Anti-Illusion: Process/Materials". There have been dozens of major posthumous exhibitions in the United States and Europe, including at The Guggenheim Museum (1972, the San Francisco Museum of Modern Art (2002), and the Jewish Museum of New York (2006). Except for fiberglass, most of her favored materials age badly, so much of her work presents conservators with an enormous challenge. Arthur Danto, writing of the Jewish Museum's 2006 retrospective, refers to "the discolorations, the slackness in the membrane-like latex, the palpable aging of the material. Yet somehow the work does not feel tragic. Instead it is full of life, of eros, even of comedy, Each piece in the show vibrates with originality and mischief." In 1969 she was diagnosed with a brain tumor. Her death in 1970 ended a career spanning only ten years.. First Edition. Paperback. Fine. 4to - over 9¾" - 12" tall.
Von Händler/Antiquariat, Delectus Books.
New York: New York University Press, 1976 Eva Hesse (January 11, 1936 - May 29, 1970), was a German-born American sculptor, known for her pioneering work in materials such as latex, fiberglass, and plastics. After graduating from New York's School of Industrial Art in 1952, Hesse studied at New York's Pratt Institute (1952-1953) and Cooper Union (1954-1957), then at the Yale School of Art and Architecture (1957-1959), where she studied under Josef Albers and received a B.F.A. Upon returning to New York she made friends with many young artists. In 1961, she met and married fellow sculptor Tom Doyle. In August 1962 Eva Hesse and Tom Doyle participated in an Allan Kaprow Happening at the Art Students League in Woodstock, New York. There Hesse made her first three dimensional piece: a costume for the Happening. In 1963 Eva Hesse had a one-person show of works on paper at the Allen Stone Gallery on New York's Upper East Side. The couple, whose marriage was coming apart, lived and worked in an abandoned textile mill in the Ruhr region of Germany for about a year during 1964-1965. Hesse was not happy to be back in Germany, but began sculpting with materials that had been left behind in the abandoned factory: first relief sculptures made of cloth-covered cord, electrical wire, and masonite, with playful titles like Eighter from Decatur and Oomamaboomba. Returning to New York City in 1965 she began working in the materials that would become characteristic of her work: latex, fiberglass, and plastics. She was associated with the mid-1960s "anti-form" trend in sculpture, participating in New York exhibits such as "Eccentric Abstraction" and "Abstract Inflationism and Stuffed Expressionism" (both 1966). In September 1968 Eva Hesse began teaching at the School of Visual Arts. Her only one-person show of sculpture in her lifetime was "Chain Polymers" at the Fischbach Gallery on W. 57th Street in New York in November 1968; her large piece Expanded Expansion showed at the Whitney Museum in the 1969 exhibit "Anti-Illusion: Process/Materials". There have been dozens of major posthumous exhibitions in the United States and Europe, including at The Guggenheim Museum (1972, the San Francisco Museum of Modern Art (2002), and the Jewish Museum of New York (2006). Except for fiberglass, most of her favored materials age badly, so much of her work presents conservators with an enormous challenge. Arthur Danto, writing of the Jewish Museum's 2006 retrospective, refers to "the discolorations, the slackness in the membrane-like latex, the palpable aging of the material. Yet somehow the work does not feel tragic. Instead it is full of life, of eros, even of comedy, Each piece in the show vibrates with originality and mischief." In 1969 she was diagnosed with a brain tumor. Her death in 1970 ended a career spanning only ten years.. First Edition. Paperback. Fine. 4to - over 9¾" - 12" tall.
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Eva Hesse (1976)
EN PB USISBN: 9780814749722 bzw. 0814749720, in Englisch, NYU Press, New York, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Maya Jones Books [83005], Cerrillos, NM, U.S.A.
249 pp., 263 illus. (some color). Spine cocked, creased, and scuffed at rear edge; wrappers handled and edgeworn, lower front wrapper corner and first few page corners gently creased, corners bumped, stains to fore-edge. Interior clean and unmarked. Size: 4to.
249 pp., 263 illus. (some color). Spine cocked, creased, and scuffed at rear edge; wrappers handled and edgeworn, lower front wrapper corner and first few page corners gently creased, corners bumped, stains to fore-edge. Interior clean and unmarked. Size: 4to.
5
Eva Hesse (1976)
EN HC USISBN: 9780814749715 bzw. 0814749712, in Englisch, 249 Seiten, New York University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, CherryCreekBooks.
As Lippard points out, Hesse's use of obsessive repetition in her works served to increase and exaggerate the absurdity she saw in her life. In many ways, her works were ”psychic models,” as Robert Smithson has said, of ”a very interior person.” In pioneering the use of ”soft” materials, her sculptures betrayed her awareness of the manner in which her experience as a woman altered her art and career. Although she died before feminism affected the art world to any great extent, her major works have since become talismans for succeeding generations of women artists. Eva Hesse was designed by Hesse's friends and colleagues Sol LeWitt and Pat Stier; her sculptures, drawings, and paintings are reproduced and discussed; and the text includes numerous quotations from her diaries. First published in 1976 but long out-of-print, this classic text is both an insightful critical analysis and a tribute to an artist whose genius has become increasingly apparent with the passage of time., Hardcover, Format: Illustrated, Label: New York University Press, New York University Press, Produktgruppe: Book, Publiziert: 1976-12-01, Studio: New York University Press, Verkaufsrang: 3426498.
Von Händler/Antiquariat, CherryCreekBooks.
As Lippard points out, Hesse's use of obsessive repetition in her works served to increase and exaggerate the absurdity she saw in her life. In many ways, her works were ”psychic models,” as Robert Smithson has said, of ”a very interior person.” In pioneering the use of ”soft” materials, her sculptures betrayed her awareness of the manner in which her experience as a woman altered her art and career. Although she died before feminism affected the art world to any great extent, her major works have since become talismans for succeeding generations of women artists. Eva Hesse was designed by Hesse's friends and colleagues Sol LeWitt and Pat Stier; her sculptures, drawings, and paintings are reproduced and discussed; and the text includes numerous quotations from her diaries. First published in 1976 but long out-of-print, this classic text is both an insightful critical analysis and a tribute to an artist whose genius has become increasingly apparent with the passage of time., Hardcover, Format: Illustrated, Label: New York University Press, New York University Press, Produktgruppe: Book, Publiziert: 1976-12-01, Studio: New York University Press, Verkaufsrang: 3426498.
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Eva Hesse
EN HC USISBN: 9780814749715 bzw. 0814749712, in Englisch, New York University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Discover Books.
New York University Press. Hardcover. POOR. Acceptable copy with heavy wear to cover and pages. Pages have writing and or highlighting. Might be an ex-library copy and not include CD or accessories.
Von Händler/Antiquariat, Discover Books.
New York University Press. Hardcover. POOR. Acceptable copy with heavy wear to cover and pages. Pages have writing and or highlighting. Might be an ex-library copy and not include CD or accessories.
7
Eva Hesse (1977)
EN HC US FEISBN: 9780814749715 bzw. 0814749712, in Englisch, New York Univ Press, gebundenes Buch, gebraucht, Erstausgabe, mit Einband.
Von Händler/Antiquariat, Keith Wilson Books [50528544], San Rafael, CA, U.S.A.
New York University Press, 1976. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Important book on Eva Hesse combining biography and criticism, formal analysis and psychological readings by a well-known art world author and long-time friend of the artist.
New York University Press, 1976. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Important book on Eva Hesse combining biography and criticism, formal analysis and psychological readings by a well-known art world author and long-time friend of the artist.
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Eva Hesse
EN HC USISBN: 9780814749715 bzw. 0814749712, in Englisch, New York University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, OwlsBooks [51218811], Hammond, IN, U.S.A.
Good clean copy with no missing pages might be an ex library copy; Possibly may have minor marginal notes and or highlighting.
Von Händler/Antiquariat, OwlsBooks [51218811], Hammond, IN, U.S.A.
Good clean copy with no missing pages might be an ex library copy; Possibly may have minor marginal notes and or highlighting.
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Eva Hesse (1992)
FR PB USISBN: 0306804840 bzw. 9780306804847, in Französisch, Consultants Bureau, and Kluwer Academic (NY), Vereinigte Staaten von Amerika, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Thomas Heneage Art Books, Londres.
Lippard, Lucy: Eva Hesse. New York: Da Capo Press, 1992. 254 pages. illustrated throughout in black and white. Paperback. 28 x 18cms.
Lippard, Lucy: Eva Hesse. New York: Da Capo Press, 1992. 254 pages. illustrated throughout in black and white. Paperback. 28 x 18cms.
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Eva Hesse (1992)
IT US FEEAN: 8601300187624, in Italienisch, Da Capo Press, gebraucht, Erstausgabe.
Lieferung aus: Italien, Generalmente spedito in 1-2 giorni lavorativi.
Von Händler/Antiquariat, JB World.
Copertina flessibile, Ausgabe: First Edition, Label: Da Capo Press, Da Capo Press, Produktgruppe: Libro, Publiziert: 1992, Studio: Da Capo Press.
Von Händler/Antiquariat, JB World.
Copertina flessibile, Ausgabe: First Edition, Label: Da Capo Press, Da Capo Press, Produktgruppe: Libro, Publiziert: 1992, Studio: Da Capo Press.
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