New subjectivism : Art in the 1980s by Reprint Published by Da Capo Press in 1993. Foreword by Paperback Book, OP
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| Preise | 2016 | 2023 |
|---|---|---|
| Schnitt | € 4,75 | € 13,94 |
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The New Subjectivism: Art in the 1980s (Studies in the Fine Arts Criticism)
EN USISBN: 9780306805387 bzw. 0306805383, in Englisch, Da Capo Pr, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: USA.
Von Händler/Antiquariat, Better World Books.
Da Capo Pr. Used - Good. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
Von Händler/Antiquariat, Better World Books.
Da Capo Pr. Used - Good. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
2
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The New Subjectivism: Art in the 1980's (1993)
~EN PB USISBN: 9780306805387 bzw. 0306805383, vermutlich in Englisch, Da Capo Press, Taschenbuch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, LEFT COAST BOOKS.
New York: Da Capo Press, 1993. xxiv, 578 pages, illustrations; 23 cm. Studies in the fine arts: criticism, 28. First published, 1988. Tight, clean copy. Corner crease/front cover. CONTENTS: PART ONE: EUROPEAN SELF-ASSERTION. ACTS OF AGGRESSION: GERMAN PAINTING TODAY: The new expressionism: art as damaged goods; The night mind; When collage was young: Kurt Schwitters; Psychotic realism in Max Beckmann; Chaos in expressionism; Diagnostic malpractice: the Nazis on modern art; Transmuting externalization in Anselm Kiefer; The archaic self of Georg Baselitz; Pandemonium: the root of Georg Baselitz's imagery; At the tomb of the unknown picture: Sigmar Polke's art; Arnulf Rainer: self exposures; Imi Knoebel's triangle; Alive in the alchemical emptiness: Jannis Kounellis's art; Hysterical painting; Victor Hugo's ink drawings. PART TWO: THE SUBJECTIVITY OF AMERICAN ARTISTS: Arshile Gorky: images in support of the invented self; The pascalian spiral: Robert Smithson's drunken boat; Dan Graham: Prometheus mediabound; Bill Viola: deconstructing presence; From existence to essence: Nancy Spero; James Rosenquist: the fragments of a romance, the romance of a fragment; Voyeurism, American-style: Eric Fischl's vision of the perverse; The rhetoric of rawness: its effect on meaning in Julian Schnabel's paintings; Julian Schnabel: the last rarefied romantic; David Salle's aesthetic of discontent; Jacopo Borges's creation of potential space; Louise Bourgeois: where angels fear to tread; Lucas Samaras: master of the uncanny; Lucas Samaras's death instinct; Robert Arneson's sense of self: squirming in procrustean place; The Ars Moriendi according to Robert Morris; Inside Cindy Sherman; Andy's feelings; Beuys or Warhol?; Regressive reproduction and throwaway conscience; Crowding the picture: notes on American activist art today; Chris Burden: the feel of power; Young necrophiliacs, old narcissists: art about the death of art; "Suffer the little children to come unto me": twentieth-century folk art; Robert Kushner's happy consciousness. PART THREE: TOWARD A SUBJECTIVIST CRITICISM. ART, CRITICISM, AND IDEOLOGY: Avant-garde and audience; Collage: the organizing principle of art in the age of the relativity of art; The emptiness of pluralism, the end of the new; Archaeologism: postmodernism as excavation; The narcissistic justification of art criticism; The subjective aspect of critical evaluation.. Paperback. Very Good. 8vo.
Von Händler/Antiquariat, LEFT COAST BOOKS.
New York: Da Capo Press, 1993. xxiv, 578 pages, illustrations; 23 cm. Studies in the fine arts: criticism, 28. First published, 1988. Tight, clean copy. Corner crease/front cover. CONTENTS: PART ONE: EUROPEAN SELF-ASSERTION. ACTS OF AGGRESSION: GERMAN PAINTING TODAY: The new expressionism: art as damaged goods; The night mind; When collage was young: Kurt Schwitters; Psychotic realism in Max Beckmann; Chaos in expressionism; Diagnostic malpractice: the Nazis on modern art; Transmuting externalization in Anselm Kiefer; The archaic self of Georg Baselitz; Pandemonium: the root of Georg Baselitz's imagery; At the tomb of the unknown picture: Sigmar Polke's art; Arnulf Rainer: self exposures; Imi Knoebel's triangle; Alive in the alchemical emptiness: Jannis Kounellis's art; Hysterical painting; Victor Hugo's ink drawings. PART TWO: THE SUBJECTIVITY OF AMERICAN ARTISTS: Arshile Gorky: images in support of the invented self; The pascalian spiral: Robert Smithson's drunken boat; Dan Graham: Prometheus mediabound; Bill Viola: deconstructing presence; From existence to essence: Nancy Spero; James Rosenquist: the fragments of a romance, the romance of a fragment; Voyeurism, American-style: Eric Fischl's vision of the perverse; The rhetoric of rawness: its effect on meaning in Julian Schnabel's paintings; Julian Schnabel: the last rarefied romantic; David Salle's aesthetic of discontent; Jacopo Borges's creation of potential space; Louise Bourgeois: where angels fear to tread; Lucas Samaras: master of the uncanny; Lucas Samaras's death instinct; Robert Arneson's sense of self: squirming in procrustean place; The Ars Moriendi according to Robert Morris; Inside Cindy Sherman; Andy's feelings; Beuys or Warhol?; Regressive reproduction and throwaway conscience; Crowding the picture: notes on American activist art today; Chris Burden: the feel of power; Young necrophiliacs, old narcissists: art about the death of art; "Suffer the little children to come unto me": twentieth-century folk art; Robert Kushner's happy consciousness. PART THREE: TOWARD A SUBJECTIVIST CRITICISM. ART, CRITICISM, AND IDEOLOGY: Avant-garde and audience; Collage: the organizing principle of art in the age of the relativity of art; The emptiness of pluralism, the end of the new; Archaeologism: postmodernism as excavation; The narcissistic justification of art criticism; The subjective aspect of critical evaluation.. Paperback. Very Good. 8vo.
3
Symbolbild
The New Subjectivism: Art in the 1980's (1993)
~EN PB USISBN: 9780306805387 bzw. 0306805383, vermutlich in Englisch, Da Capo Press, Taschenbuch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, LEFT COAST BOOKS.
New York: Da Capo Press, 1993. xxiv, 578 pages, illustrations; 23 cm. Studies in the fine arts: criticism, 28. First published, 1988. Tight, clean copy. Corner crease/front cover. CONTENTS: PART ONE: EUROPEAN SELF-ASSERTION. ACTS OF AGGRESSION: GERMAN PAINTING TODAY: The new expressionism: art as damaged goods; The night mind; When collage was young: Kurt Schwitters; Psychotic realism in Max Beckmann; Chaos in expressionism; Diagnostic malpractice: the Nazis on modern art; Transmuting externalization in Anselm Kiefer; The archaic self of Georg Baselitz; Pandemonium: the root of Georg Baselitz's imagery; At the tomb of the unknown picture: Sigmar Polke's art; Arnulf Rainer: self exposures; Imi Knoebel's triangle; Alive in the alchemical emptiness: Jannis Kounellis's art; Hysterical painting; Victor Hugo's ink drawings. PART TWO: THE SUBJECTIVITY OF AMERICAN ARTISTS: Arshile Gorky: images in support of the invented self; The pascalian spiral: Robert Smithson's drunken boat; Dan Graham: Prometheus mediabound; Bill Viola: deconstructing presence; From existence to essence: Nancy Spero; James Rosenquist: the fragments of a romance, the romance of a fragment; Voyeurism, American-style: Eric Fischl's vision of the perverse; The rhetoric of rawness: its effect on meaning in Julian Schnabel's paintings; Julian Schnabel: the last rarefied romantic; David Salle's aesthetic of discontent; Jacopo Borges's creation of potential space; Louise Bourgeois: where angels fear to tread; Lucas Samaras: master of the uncanny; Lucas Samaras's death instinct; Robert Arneson's sense of self: squirming in procrustean place; The Ars Moriendi according to Robert Morris; Inside Cindy Sherman; Andy's feelings; Beuys or Warhol?; Regressive reproduction and throwaway conscience; Crowding the picture: notes on American activist art today; Chris Burden: the feel of power; Young necrophiliacs, old narcissists: art about the death of art; "Suffer the little children to come unto me": twentieth-century folk art; Robert Kushner's happy consciousness. PART THREE: TOWARD A SUBJECTIVIST CRITICISM. ART, CRITICISM, AND IDEOLOGY: Avant-garde and audience; Collage: the organizing principle of art in the age of the relativity of art; The emptiness of pluralism, the end of the new; Archaeologism: postmodernism as excavation; The narcissistic justification of art criticism; The subjective aspect of critical evaluation.. Paperback. Very Good. 8vo - over 7 " - 9 " tall.
Von Händler/Antiquariat, LEFT COAST BOOKS.
New York: Da Capo Press, 1993. xxiv, 578 pages, illustrations; 23 cm. Studies in the fine arts: criticism, 28. First published, 1988. Tight, clean copy. Corner crease/front cover. CONTENTS: PART ONE: EUROPEAN SELF-ASSERTION. ACTS OF AGGRESSION: GERMAN PAINTING TODAY: The new expressionism: art as damaged goods; The night mind; When collage was young: Kurt Schwitters; Psychotic realism in Max Beckmann; Chaos in expressionism; Diagnostic malpractice: the Nazis on modern art; Transmuting externalization in Anselm Kiefer; The archaic self of Georg Baselitz; Pandemonium: the root of Georg Baselitz's imagery; At the tomb of the unknown picture: Sigmar Polke's art; Arnulf Rainer: self exposures; Imi Knoebel's triangle; Alive in the alchemical emptiness: Jannis Kounellis's art; Hysterical painting; Victor Hugo's ink drawings. PART TWO: THE SUBJECTIVITY OF AMERICAN ARTISTS: Arshile Gorky: images in support of the invented self; The pascalian spiral: Robert Smithson's drunken boat; Dan Graham: Prometheus mediabound; Bill Viola: deconstructing presence; From existence to essence: Nancy Spero; James Rosenquist: the fragments of a romance, the romance of a fragment; Voyeurism, American-style: Eric Fischl's vision of the perverse; The rhetoric of rawness: its effect on meaning in Julian Schnabel's paintings; Julian Schnabel: the last rarefied romantic; David Salle's aesthetic of discontent; Jacopo Borges's creation of potential space; Louise Bourgeois: where angels fear to tread; Lucas Samaras: master of the uncanny; Lucas Samaras's death instinct; Robert Arneson's sense of self: squirming in procrustean place; The Ars Moriendi according to Robert Morris; Inside Cindy Sherman; Andy's feelings; Beuys or Warhol?; Regressive reproduction and throwaway conscience; Crowding the picture: notes on American activist art today; Chris Burden: the feel of power; Young necrophiliacs, old narcissists: art about the death of art; "Suffer the little children to come unto me": twentieth-century folk art; Robert Kushner's happy consciousness. PART THREE: TOWARD A SUBJECTIVIST CRITICISM. ART, CRITICISM, AND IDEOLOGY: Avant-garde and audience; Collage: the organizing principle of art in the age of the relativity of art; The emptiness of pluralism, the end of the new; Archaeologism: postmodernism as excavation; The narcissistic justification of art criticism; The subjective aspect of critical evaluation.. Paperback. Very Good. 8vo - over 7 " - 9 " tall.
4
Symbolbild
The New Subjectivism: Art in the 1980s (Studies in the Fine Arts Criticism)
EN PB USISBN: 9780306805387 bzw. 0306805383, in Englisch, Da Capo Pr, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Discover Books.
Da Capo Pr. Paperback. VERY GOOD. Cover and pages show some wear from reading and storage.
Von Händler/Antiquariat, Discover Books.
Da Capo Pr. Paperback. VERY GOOD. Cover and pages show some wear from reading and storage.
5
Symbolbild
The New Subjectivism: Art in the 1980s (Studies in the Fine Arts Criticism) (1993)
EN PB USISBN: 9780306805387 bzw. 0306805383, in Englisch, Da Capo Pr, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ergodebooks.
Da Capo Pr, 1993-09. Paperback. Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service.
Von Händler/Antiquariat, Ergodebooks.
Da Capo Pr, 1993-09. Paperback. Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service.
6
Symbolbild
The New Subjectivism: Art in the 1980s (Studies in the Fine Arts Criticism)
EN PB USISBN: 9780306805387 bzw. 0306805383, in Englisch, Da Capo Pr, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, HawkingBooks.
Da Capo Pr. PAPERBACK. 0306805383 Good Condition. Has some writing/highlighting. Five star seller - Buy with confidence! . Good.
Von Händler/Antiquariat, HawkingBooks.
Da Capo Pr. PAPERBACK. 0306805383 Good Condition. Has some writing/highlighting. Five star seller - Buy with confidence! . Good.
7
New subjectivism : Art in the 1980s by Reprint Published by Da Capo Press in 1993. Foreword by Paperback Book, OP (1993)
~EN PB US RPISBN: 9780306805387 bzw. 0306805383, vermutlich in Englisch, Da Capo, Taschenbuch, gebraucht, guter Zustand, Nachdruck.
Von Händler/Antiquariat, Brothertown Books [65188519], Deansboro, NY, U.S.A.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Symbolbild
The New Subjectivism: Art in the 1980s (Studies in the Fine Arts Criticism) (1993)
EN PB USISBN: 9780306805387 bzw. 0306805383, in Englisch, Da Capo Pr, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Blind Pig Books.
Da Capo Pr. Paperback. 0306805383 Unmarked text . Good. 9/1/1993.
Von Händler/Antiquariat, Blind Pig Books.
Da Capo Pr. Paperback. 0306805383 Unmarked text . Good. 9/1/1993.
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