The Aesthetics of Dress - 8 Angebote vergleichen
Preise | 2017 | 2019 | 2023 |
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Schnitt | € 44,99 | € 52,26 | € 53,36 |
Nachfrage |
The Aesthetics of Dress (2017)
ISBN: 9783319543215 bzw. 3319543210, vermutlich in Englisch, Springer / Springer International Publishing / Springer, Berlin, Taschenbuch, neu.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel. We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics. 1st ed. 2017. 2017. xiii, 77 S. XIII, 77 p. 2 illus. 235 mm Versandfertig in 6-10 Tagen, Softcover, Neuware, Offene Rechnung (Vorkasse vorbehalten).
The Aesthetics of Dress
ISBN: 9783319543215 bzw. 3319543210, in Deutsch, Springer Shop, Taschenbuch, neu.
This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body’s movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body’s role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body ‘feels’ through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel. We ‘dress’ our bodies to communicate – to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this – for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos – cumulatively these constitute how we ‘dress’ our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics. Soft cover.
The Aesthetics of Dress (2017)
ISBN: 9783319543215 bzw. 3319543210, vermutlich in Englisch, Springer International Publishing, Taschenbuch, neu.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Druck auf Anfrage Neuware - Printed after ordering - This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel.We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics. 92 pp. Englisch, Books.
The Aesthetics of Dress
ISBN: 9783319543215 bzw. 3319543210, in Deutsch, neu.
This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel.We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics.
The Aesthetics of Dress (2017)
ISBN: 9783319543215 bzw. 3319543210, vermutlich in Englisch, 92 Seiten, Springer International Publishing, Taschenbuch, neu.
Von Händler/Antiquariat, AHA-BUCH GmbH, [4009276].
Neuware - This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel.We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics.- Besorgungstitel - vorauss. Lieferzeit 3-5 Tage. 31.03.2017, Taschenbuch, Neuware, 235x155x5 mm, 174g, 92, Internationaler Versand, Banküberweisung, Offene Rechnung, Kreditkarte, PayPal, Offene Rechnung (Vorkasse vorbehalten).
The Aesthetics of Dress, 2017 (2017)
ISBN: 9783319543215 bzw. 3319543210, in Deutsch, Springer International Publishing AG, Taschenbuch, neu.
bol.com.
This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with co... This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel. We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics.Taal: Engels;Afmetingen: 235x155 mm;Verschijningsdatum: april 2017;Druk: 1;ISBN10: 3319543210;ISBN13: 9783319543215; Engelstalig | Paperback | 2017.
Gebr. - The Aesthetics of Dress (SpringerBriefs in Philosophy) (2017)
ISBN: 9783319543215 bzw. 3319543210, in Deutsch, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
The Aesthetics of Dress (2017)
ISBN: 9783319543215 bzw. 3319543210, in Deutsch, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen