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Aesthetics as Philosophy of Perception Format: Hardcover
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Bester Preis: € 28,25 (vom 08.10.2016)Aesthetics as Philosophy of Perception
ISBN: 9780191077449 bzw. 0191077445, in Englisch, Oup Oxford, neu, E-Book.
bol.com.
Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackl... Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the book talks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict and interplay between distributed and focused attention is an important feature of many artworks. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0191077445;ISBN13: 9780191077449; Engels | Ebook.
Aesthetics as Philosophy of Perception (2016)
ISBN: 9780199658442 bzw. 0199658447, in Englisch, Oxford University Press, gebundenes Buch, neu.
bol.com.
Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackl... Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the book talks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict and interplay between distributed and focused attention is an important feature of many artworks.Taal: Engels;Afmetingen: 20x223x148 mm;Gewicht: 404,00 gram;Verschijningsdatum: januari 2016;Druk: 1;ISBN10: 0199658447;ISBN13: 9780199658442; Engelstalig | Hardcover | 2016.
Aesthetics as Philosophy of Perception
ISBN: 9780198811619 bzw. 0198811616, in Englisch, OUP Oxford, neu, E-Book.
Philosophy, Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and experience. He focuses on the ways in which the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. eBook.
Aesthetics as Philosophy of Perception
ISBN: 9780198811619 bzw. 0198811616, in Englisch, Oxford University Press, neu.
Bence Nanay, Books, Religion and Spirituality, Aesthetics as Philosophy of Perception, Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make realprogress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may beAesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but alsonature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanayexplores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributedin an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the booktalks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict andinterplay between distributed and focused attention is an important feature of many artworks.
Aesthetics as Philosophy of Perception (2016)
ISBN: 9780199658442 bzw. 0199658447, in Englisch, OUP Oxford, gebundenes Buch, neu.
Von Händler/Antiquariat, El Pinarillo Books.
OUP Oxford, 2016. Book. New. Hardcover. New and in stock.
Aesthetics as Philosophy of Perception (2016)
ISBN: 9780199658442 bzw. 0199658447, in Englisch, Oxford University Press, gebundenes Buch, neu.
Von Händler/Antiquariat, Media Mall.
Oxford University Press, 2016. Hardcover. New. SKU: MM-60798417; EAN: 9780199658442.
Aesthetics as Philosophy of Perception (2016)
ISBN: 9780199658442 bzw. 0199658447, in Englisch, Oxford University Press, Oxford, gebundenes Buch, neu.
Von Händler/Antiquariat, The Saint Bookstore, MERSEYSIDE, Southport, [RE:5].
Hard cover.
Aesthetics as Philosophy of Perception (2016)
ISBN: 9780199658442 bzw. 0199658447, in Englisch, OUP Oxford, gebundenes Buch, neu.
Von Händler/Antiquariat, AwesomeBooksUK, OXON, PO BOX 318, [RE:5].
Hardcover.
Aesthetics as Philosophy of Perception
ISBN: 9780198811619 bzw. 0198811616, in Englisch, Oxford University Press, Taschenbuch, neu.
Aesthetics-as-Philosophy-of-Perception~~Bence-Nanay, Aesthetics as Philosophy of Perception, Paperback.