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100%: Scott-Baumann, Elizabeth: Forms of Engagement: Women, Poetry and Culture 1640-1680 (Oxford English Monographs) (ISBN: 9780199676521) 2013, Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Elizabeth Scott-Baumann: Forms of Engagement: Women, Poetry and Culture 1640-1680 (ISBN: 9780191664229) in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
Forms of Engagement: Women, Poetry and Culture 1640-1680 (Oxford English Monographs)
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| Preise | Sep. 15 | Okt. 15 | Jan. 22 |
|---|---|---|---|
| Schnitt | € 92,91 | € 68,47 | € 110,87 |
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1
Forms of Engagement
EN NWISBN: 9780199676521 bzw. 0199676526, in Englisch, Oxford University Press, Vereinigtes Königreich Großbritannien und Nordirland, neu.
What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century? How does their reading affect women's use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read? Forms of Engagement shows how the aesthetic qualities of early modern women's poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philips re-worked Donne's lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of women's print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement with the culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture.
2
Forms of Engagement: Women, Poetry and Culture 1640-1680 (Oxford English Monographs) (2013)
EN HC NW FEISBN: 9780199676521 bzw. 0199676526, in Englisch, 248 Seiten, Oxford University Press, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, Amazon.com.
What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century? How does their reading affect women's use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read? Forms of Engagement shows how the aesthetic qualities of early modern women's poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philips re-worked Donne's lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of women's print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement with the culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture. Hardcover, Ausgabe: 1, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 2013-08-16, Studio: Oxford University Press, Verkaufsrang: 2400739.
Von Händler/Antiquariat, Amazon.com.
What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century? How does their reading affect women's use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read? Forms of Engagement shows how the aesthetic qualities of early modern women's poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philips re-worked Donne's lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of women's print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement with the culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture. Hardcover, Ausgabe: 1, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 2013-08-16, Studio: Oxford University Press, Verkaufsrang: 2400739.
3
Forms of Engagement: Women, Poetry and Culture 1640-1680 (Oxford English Monographs) (2013)
EN HC US FEISBN: 9780199676521 bzw. 0199676526, in Englisch, 248 Seiten, Oxford University Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, glenthebookseller.
What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century? How does their reading affect women's use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read? Forms of Engagement shows how the aesthetic qualities of early modern women's poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philips re-worked Donne's lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of women's print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement with the culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture. Hardcover, Ausgabe: 1, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 2013-08-16, Studio: Oxford University Press, Verkaufsrang: 2400739.
Von Händler/Antiquariat, glenthebookseller.
What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century? How does their reading affect women's use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read? Forms of Engagement shows how the aesthetic qualities of early modern women's poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philips re-worked Donne's lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of women's print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement with the culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture. Hardcover, Ausgabe: 1, Label: Oxford University Press, Oxford University Press, Produktgruppe: Book, Publiziert: 2013-08-16, Studio: Oxford University Press, Verkaufsrang: 2400739.
4
Forms of Engagement: Women, Poetry and Culture 1640-1680
EN NWISBN: 9780191664229 bzw. 0191664227, in Englisch, OUP Oxford, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Forms of Engagement: Women, Poetry and Culture 1640-1680: What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century How does their reading affect womens use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read Forms of Engagement shows how the aesthetic qualities of early modern womens poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philipsre-worked Donnes lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of womens print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement withthe culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture. Englisch, Ebook.
Forms of Engagement: Women, Poetry and Culture 1640-1680: What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century How does their reading affect womens use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read Forms of Engagement shows how the aesthetic qualities of early modern womens poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philipsre-worked Donnes lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of womens print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement withthe culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture. Englisch, Ebook.
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Symbolbild
Forms of Engagement Women, Poetry and Culture 1640-1680
EN HC NWISBN: 9780199676521 bzw. 0199676526, in Englisch, Oxford University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Nicht lagernd, zzgl. Versandkosten.
Forms of Engagement Women, Poetry and Culture 1640-1680, 9780199676521, Book, Textbook, No Synopsis Available.
Forms of Engagement Women, Poetry and Culture 1640-1680, 9780199676521, Book, Textbook, No Synopsis Available.
6
Symbolbild
Forms of Engagement Women, Poetry and Culture 1640-1680
EN HC NWISBN: 9780199676521 bzw. 0199676526, in Englisch, Oxford University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Nicht lagernd, zzgl. Versandkosten.
Forms of Engagement Women, Poetry and Culture 1640-1680, 9780199676521, Book, Textbook, No Synopsis Available.
Forms of Engagement Women, Poetry and Culture 1640-1680, 9780199676521, Book, Textbook, No Synopsis Available.
7
Forms of Engagement: Women, Poetry and Culture 1640-1680
EN USISBN: 9780199676521 bzw. 0199676526, in Englisch, Oxford University Press, Oxford University Press, Oxford University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
Elizabeth Scott-Baumann, Hardcover, English-language edition, Pub by Oxford University Press.
Elizabeth Scott-Baumann, Hardcover, English-language edition, Pub by Oxford University Press.
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