Von dem Buch Tristan`s Shadow - *uality and the Total Work of Art after Wagner haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Barry Barnes: Tristan`s Shadow - *uality and the Total Work of Art after Wagner (ISBN: 9780226082271) 2013, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
77%: Daub, Adrian: Tristan's Shadow: *uality and the Total Work of Art after Wagner (ISBN: 9780226082134) 2013, University of Chicago Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
Tristan`s Shadow - *uality and the Total Work of Art after Wagner
8 Angebote vergleichen
| Preise | Aug. 15 | Sep. 15 | Nov. 15 | Mai 17 |
|---|---|---|---|---|
| Schnitt | € 42,24 | € 31,62 | € 35,45 | € 38,75 |
| Nachfrage |
1
Tristan`s Shadow - *uality and the Total Work of Art after Wagner
EN NWISBN: 9780226082271 bzw. 022608227X, in Englisch, University Of Chicago Press, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Tristan`s Shadow: Das Rheingold, Die Walkre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century`s most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "e total work of art"e -famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner`s strange theories on ***uality-like his ideas about *** acoustics and the metaphysics of ***ual difference.        Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner`s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d`Albert, Schreker, and Strauss. For decades after Wagner`s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan`s shadow. Englisch, Ebook.
Tristan`s Shadow: Das Rheingold, Die Walkre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century`s most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "e total work of art"e -famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner`s strange theories on ***uality-like his ideas about *** acoustics and the metaphysics of ***ual difference.        Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner`s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d`Albert, Schreker, and Strauss. For decades after Wagner`s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan`s shadow. Englisch, Ebook.
2
Tristan's Shadow (2013)
EN NW EB DLISBN: 9780226082271 bzw. 022608227X, in Englisch, University of Chicago Press, University of Chicago Press, University of Chicago Press, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "total work of art"-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on ***uality-like his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan's shadow.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "total work of art"-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on ***uality-like his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan's shadow.
3
Tristan's Shadow
EN NW EBISBN: 9780226082134 bzw. 022608213X, in Englisch, University of Chicago Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, E-Book zum download.
Literary Criticism, Das Rheingold , Die Walkre , and Siegfried . Parsifal . Tristan und Isolde . Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operasand created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk the total work of artfamously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on ***ualitylike his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan 's shadow.
Literary Criticism, Das Rheingold , Die Walkre , and Siegfried . Parsifal . Tristan und Isolde . Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operasand created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk the total work of artfamously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on ***ualitylike his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan 's shadow.
4
Tristan's Shadow : Sexuality and the Total Work of Art after Wagner
EN NW EB DLISBN: 9780226082271 bzw. 022608227X, in Englisch, University of Chicago Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on sexuality—like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on sexuality—like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow.
5
Tristan's Shadow
EN NW EBISBN: 9780226082134 bzw. 022608213X, in Englisch, University of Chicago Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, E-Book zum download.
Literary Criticism, Das Rheingold , Die Walkre , and Siegfried . Parsifal . Tristan und Isolde . Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operasand created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk the total work of artfamously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on sexualitylike his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan 's shadow. eBook.
Literary Criticism, Das Rheingold , Die Walkre , and Siegfried . Parsifal . Tristan und Isolde . Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operasand created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk the total work of artfamously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on sexualitylike his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan 's shadow. eBook.
6
Tristan's Shadow: *uality and the Total Work of Art after Wagner (2013)
EN HC USISBN: 9780226082134 bzw. 022608213X, in Englisch, 240 Seiten, University Of Chicago Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, glenthebookseller.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on ***uality—like his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow., Hardcover, Label: University Of Chicago Press, University Of Chicago Press, Produktgruppe: Book, Publiziert: 2013-11-25, Studio: University Of Chicago Press, Verkaufsrang: 1905338.
Von Händler/Antiquariat, glenthebookseller.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on ***uality—like his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow., Hardcover, Label: University Of Chicago Press, University Of Chicago Press, Produktgruppe: Book, Publiziert: 2013-11-25, Studio: University Of Chicago Press, Verkaufsrang: 1905338.
7
Tristan's Shadow: *uality and the Total Work of Art after Wagner (2013)
EN HC NWISBN: 9780226082134 bzw. 022608213X, in Englisch, 240 Seiten, University Of Chicago Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, allnewbooks.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on ***uality—like his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow., Hardcover, Label: University Of Chicago Press, University Of Chicago Press, Produktgruppe: Book, Publiziert: 2013-11-25, Studio: University Of Chicago Press, Verkaufsrang: 1905338.
Von Händler/Antiquariat, allnewbooks.
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on ***uality—like his ideas about *** acoustics and the metaphysics of ***ual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and ***ism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow., Hardcover, Label: University Of Chicago Press, University Of Chicago Press, Produktgruppe: Book, Publiziert: 2013-11-25, Studio: University Of Chicago Press, Verkaufsrang: 1905338.
8
Tristan's Shadow: *uality and the Total Work of Art after Wagner
EN NW EB DLISBN: 9780226082271 bzw. 022608227X, in Englisch, University of Chicago Press, University of Chicago Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
Adrian Daub, NOOK Book (eBook), English-language edition, Pub by University of Chicago Press on 11-25-2013.
Adrian Daub, NOOK Book (eBook), English-language edition, Pub by University of Chicago Press on 11-25-2013.
Lade…