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ISBN: 9780226091181
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1
Paul Klee (2015)
~EN HC NWISBN: 9780226091181 bzw. 022609118X, vermutlich in Englisch, The University of Chicago Press, gebundenes Buch, neu.
Lieferung aus: Deutschland, Lieferbar in 1 - 2 Wochen.
The Visible and the Legible The fact that Paul Klee (1879 - 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered - until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee´s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written, and his concern for literary aspects of visual art was both the motive for and the means of his ironic play with modernist art theories and practices. Through his unique approach, he subverted forms of modernist painting that were generally seen - along with film and other new technologies - as threats to a mode of slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in early twentieth-century Germany, Bourneuf ultimately shows how Klee reimagined abstraction at a key moment in its development. 18.08.2015, gebundene Ausgabe.
The Visible and the Legible The fact that Paul Klee (1879 - 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered - until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee´s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written, and his concern for literary aspects of visual art was both the motive for and the means of his ironic play with modernist art theories and practices. Through his unique approach, he subverted forms of modernist painting that were generally seen - along with film and other new technologies - as threats to a mode of slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in early twentieth-century Germany, Bourneuf ultimately shows how Klee reimagined abstraction at a key moment in its development. 18.08.2015, gebundene Ausgabe.
2
Paul Klee
EN NWISBN: 9780226091181 bzw. 022609118X, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
The fact that Paul Klee (1879 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee s works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
The fact that Paul Klee (1879 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee s works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
3
Symbolbild
Paul Klee
EN NW EBISBN: 9780226091181 bzw. 022609118X, in Englisch, University of Chicago Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, Ebook for download.
Art, The fact that Paul Klee (18791940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answereduntil now. In Paul Klee , Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development. eBook.
Art, The fact that Paul Klee (18791940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answereduntil now. In Paul Klee , Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development. eBook.
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Symbolbild
Paul Klee: The Visible And The Legible
EN NWISBN: 9780226091181 bzw. 022609118X, in Englisch, University of Chicago Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Annie Bourneuf, Books, Paul Klee: The Visible And The Legible, The fact that Paul Klee (1879–1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered—until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee’s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
Annie Bourneuf, Books, Paul Klee: The Visible And The Legible, The fact that Paul Klee (1879–1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered—until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee’s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
5
Paul Klee: The Visible and the Legible
EN NWISBN: 9780226091181 bzw. 022609118X, in Englisch, University of Chicago Press, United States of America, neu.
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