The "public" Life Of Photographs - 5 Angebote vergleichen

Lieferung aus: Deutschland, Lieferzeit: 6 Tage.
Do we understand a photograph differently if we encounter it in a newspaper rather than a book? In a photo album as opposed to framed on a museum wall? The "Public" Life of Photographs explores how the various ways that photographs have been made available to the public have influenced their reception. The reproducibility of photography has been the necessary tool in the creation ofa mass visual culture. This generously illustrated book explores historical instances of the "public" life of photographic images-tracing the steps from the creation of photographs to their reception. The contributors examine the emergence of photography as mass culture: through studios and public spaces by the press through editorial strategies promoting popular and vernacular photography and through the dissemination of photographic images in the art world. They discuss such topics as how photographic images became objects of appropriation and collection the faith in photographic truthfulness Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony" and the curatorial challenges of making vernacular photographs accessible in an artistic environment.

Lieferung aus: Kanada, In Stock, plus shipping.
Books, Art and Architecture, The "public" Life Of Photographs, Do we understand a photograph differently if we encounter it in a newspaper rather than a book? In a photo album as opposed to framed on a museum wall? The Public Life of Photographs explores how the various ways that photographs have been made available to the public have influenced their reception. The reproducibility of photography has been the necessary tool in the creation of a mass visual culture. This generously illustrated book explores historical instances of the public life of photographic images -- tracing the steps from the creation of photographs to their reception. The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's media hegemony; and the curatorial challenges of making vernacular photographs accessible in an artistic environment. The Public Life of Photographs is the first volume in a series called RIC Books, which is copublished by MIT Press and the Ryerson Image Centre (RIC). The RIC, located at Ryerson University in Toronto, Canada, is a museum dedicated to the exhibition, research, study and teaching of photography and related disciplines. ContributorsGeoffrey Batchen, Nathalie Boulouch, Heather Diack, André Gunthert, Sophie Hackett, Vincent Lavoie, Olivier Lugon, Mary Panzer, Joel Snyder.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3 - 5 working days.
Do we understand a photograph differently if we encounter it in a newspaper rather than a book? In a photo album as opposed to framed on a museum wall? The Public Life of Photographs explores how the various ways that photographs have been made available to the public have influenced their reception. The reproducibility of photography has been the necessary tool in the creation of a mass visual culture. This generously illustrated book explores historical instances of the public life of photographic images -- tracing the steps from the creation of photographs to their reception. The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's media hegemony; and the curatorial challenges of making vernacular photographs accessible in an artistic environment. The Public Life of Photographs is the first volume in a series called RIC Books, which is copublished by MIT Press and the Ryerson Image Centre (RIC). The RIC, located at Ryerson University in Toronto, Canada, is a museum dedicated to the exhibition, research, study and teaching of photography and related disciplines. ContributorsGeoffrey Batchen, Nathalie Boulouch, Heather Diack, Andre Gunthert, Sophie Hackett, Vincent Lavoie, Olivier Lugon, Mary Panzer, Joel Snyder.

Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, Agrios-Buch [57449362], Bergisch Gladbach, Germany.
Neuware - Do we understand a photograph differently if we encounter it in a newspaper rather than a book In a photo album as opposed to framed on a museum wall The 'Public' Life of Photographs explores how the various ways that photographs have been made available to the public have influenced their reception. The reproducibility of photography has been the necessary tool in the creation ofa mass visual culture. This generously illustrated book explores historical instances of the 'public' life of photographic images-tracing the steps from the creation of photographs to their reception. The contributors examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. They discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's 'media hegemony'; and the curatorial challenges of making vernacular photographs accessible in an artistic environment. Englisch.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Do we understand a photograph differently if we encounter it in a newspaper rather than a book? In a photo album as opposed to framed on a museum wall? The "Public" Life of Photographs explores how the various ways that photographs have been made available to the public have influenced their reception. The reproducibility of photography has been the necessary tool in the creation of a mass visual culture. This generously illustrated book explores historical instances of the "public" life of photographic images - tracing the steps from the creation of photographs to their reception. The contributors - international curators and scholars from a range of disciplines - examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment. ContributorsGeoffrey Batchen, Nathalie Boulouch, Heather Diack, André Gunthert, Sophie Hackett, Vincent Lavoie, Olivier Lugon, Mary Panzer, Joel Snyder.