Von dem Buch A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint) (Paperback) haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: John and Mable Ringling Museum of Art: A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint) (Paperback) (ISBN: 9780282867683) 2018, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
82%: John and Mable Ringling Museum of Art: A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint) (Hardback) (ISBN: 9780266582427) 2018, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint) (Paperback)
8 Angebote vergleichen
Bester Preis: € 8,05 (vom 02.12.2017)1
Symbolbild
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint) (Paperback) (2018)
~EN PB NW RPISBN: 9780282867683 bzw. 0282867686, vermutlich in Englisch, Forgotten Books, United Kingdom, Taschenbuch, neu, Nachdruck.
Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English. Brand new Book. Excerpt from A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida OF all late 15th century Florentine painters, Piero di Cosimo was one of the few gifted with a sense of humor. Apart from its intrinsic beauty and documentary interest as an illustration of the building procedures of that day, there is to be noted in this painting the disarming wit of the busy figures at their various pursuits. The 15th century's interest in science is reflected in the correct rendering of the perspective, and the artist's almost naive pride in his knowledge of its laws. Figures become smaller as they recede into the distance; parallel lines converge at the so-called vanishing point - here, the central pivot of the composition. The foreshortened stone figure of the child in the left foreground is yet another indication of the passionate interest of the Renaissance mind in transcribing visual reality to the painted surface. The Italian Renaissance was an age of inquiry into the significance of man and his works. Its birthplace was Florence, where all the arts began then to blossom nourished by intellectuals, and patronized by wealthy princes, bankers and merchants. Renaissance means rebirth: the rebirth (so its proponents contended) of classical antiquity, of the glories of Greece and Rome, the age-old heritage of the Mediterranean. Furthermore, the movement developed in reaction to the Gothic styles of the North, which had been imported into, and in a sense foisted on, Italy during the 13th and 14th centuries. That northern concept, called by Italians lo stile tedesco or style of the barbarians, was opposed in every way to the inherited classical ways of thinking. It was irrational without repose or geometric harmony, and ill-suited to a land still dotted with the ruins of the Roman builders. The Gothic style, in a deeply mystical period, had empha sized the glory oi God as the center of man's universe, and the relatively unimportant place of man, His anonymous and regimented servant. The Renaissance brought rational man once again to the center of the stage. He emerged once more as an individual, deeply engrossed in the way he looked, the way he moved, what he thought about, and how he felt. Renaissance art inevitably embodied these concepts, and Piero di Cosimo's Building of a Palace shows this concern with the creative pursuits of man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. ***** Print on Demand *****. Books.
Language: English. Brand new Book. Excerpt from A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida OF all late 15th century Florentine painters, Piero di Cosimo was one of the few gifted with a sense of humor. Apart from its intrinsic beauty and documentary interest as an illustration of the building procedures of that day, there is to be noted in this painting the disarming wit of the busy figures at their various pursuits. The 15th century's interest in science is reflected in the correct rendering of the perspective, and the artist's almost naive pride in his knowledge of its laws. Figures become smaller as they recede into the distance; parallel lines converge at the so-called vanishing point - here, the central pivot of the composition. The foreshortened stone figure of the child in the left foreground is yet another indication of the passionate interest of the Renaissance mind in transcribing visual reality to the painted surface. The Italian Renaissance was an age of inquiry into the significance of man and his works. Its birthplace was Florence, where all the arts began then to blossom nourished by intellectuals, and patronized by wealthy princes, bankers and merchants. Renaissance means rebirth: the rebirth (so its proponents contended) of classical antiquity, of the glories of Greece and Rome, the age-old heritage of the Mediterranean. Furthermore, the movement developed in reaction to the Gothic styles of the North, which had been imported into, and in a sense foisted on, Italy during the 13th and 14th centuries. That northern concept, called by Italians lo stile tedesco or style of the barbarians, was opposed in every way to the inherited classical ways of thinking. It was irrational without repose or geometric harmony, and ill-suited to a land still dotted with the ruins of the Roman builders. The Gothic style, in a deeply mystical period, had empha sized the glory oi God as the center of man's universe, and the relatively unimportant place of man, His anonymous and regimented servant. The Renaissance brought rational man once again to the center of the stage. He emerged once more as an individual, deeply engrossed in the way he looked, the way he moved, what he thought about, and how he felt. Renaissance art inevitably embodied these concepts, and Piero di Cosimo's Building of a Palace shows this concern with the creative pursuits of man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. ***** Print on Demand *****. Books.
2
Symbolbild
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint) (Hardback) (2018)
~EN HC NW RPISBN: 9780266582427 bzw. 0266582427, vermutlich in Englisch, Forgotten Books, United Kingdom, gebundenes Buch, neu, Nachdruck.
Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English. Brand new Book. Excerpt from A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida OF all late 15th century Florentine painters, Piero di Cosimo was one of the few gifted with a sense of humor. Apart from its intrinsic beauty and documentary interest as an illustration of the building procedures of that day, there is to be noted in this painting the disarming wit of the busy figures at their various pursuits. The 15th century's interest in science is reflected in the correct rendering of the perspective, and the artist's almost naive pride in his knowledge of its laws. Figures become smaller as they recede into the distance; parallel lines converge at the so-called vanishing point - here, the central pivot of the composition. The foreshortened stone figure of the child in the left foreground is yet another indication of the passionate interest of the Renaissance mind in transcribing visual reality to the painted surface. The Italian Renaissance was an age of inquiry into the significance of man and his works. Its birthplace was Florence, where all the arts began then to blossom nourished by intellectuals, and patronized by wealthy princes, bankers and merchants. Renaissance means rebirth: the rebirth (so its proponents contended) of classical antiquity, of the glories of Greece and Rome, the age-old heritage of the Mediterranean. Furthermore, the movement developed in reaction to the Gothic styles of the North, which had been imported into, and in a sense foisted on, Italy during the 13th and 14th centuries. That northern concept, called by Italians lo stile tedesco or style of the barbarians, was opposed in every way to the inherited classical ways of thinking. It was irrational without repose or geometric harmony, and ill-suited to a land still dotted with the ruins of the Roman builders. The Gothic style, in a deeply mystical period, had empha sized the glory oi God as the center of man's universe, and the relatively unimportant place of man, His anonymous and regimented servant. The Renaissance brought rational man once again to the center of the stage. He emerged once more as an individual, deeply engrossed in the way he looked, the way he moved, what he thought about, and how he felt. Renaissance art inevitably embodied these concepts, and Piero di Cosimo's Building of a Palace shows this concern with the creative pursuits of man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. ***** Print on Demand *****. Books.
Language: English. Brand new Book. Excerpt from A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida OF all late 15th century Florentine painters, Piero di Cosimo was one of the few gifted with a sense of humor. Apart from its intrinsic beauty and documentary interest as an illustration of the building procedures of that day, there is to be noted in this painting the disarming wit of the busy figures at their various pursuits. The 15th century's interest in science is reflected in the correct rendering of the perspective, and the artist's almost naive pride in his knowledge of its laws. Figures become smaller as they recede into the distance; parallel lines converge at the so-called vanishing point - here, the central pivot of the composition. The foreshortened stone figure of the child in the left foreground is yet another indication of the passionate interest of the Renaissance mind in transcribing visual reality to the painted surface. The Italian Renaissance was an age of inquiry into the significance of man and his works. Its birthplace was Florence, where all the arts began then to blossom nourished by intellectuals, and patronized by wealthy princes, bankers and merchants. Renaissance means rebirth: the rebirth (so its proponents contended) of classical antiquity, of the glories of Greece and Rome, the age-old heritage of the Mediterranean. Furthermore, the movement developed in reaction to the Gothic styles of the North, which had been imported into, and in a sense foisted on, Italy during the 13th and 14th centuries. That northern concept, called by Italians lo stile tedesco or style of the barbarians, was opposed in every way to the inherited classical ways of thinking. It was irrational without repose or geometric harmony, and ill-suited to a land still dotted with the ruins of the Roman builders. The Gothic style, in a deeply mystical period, had empha sized the glory oi God as the center of man's universe, and the relatively unimportant place of man, His anonymous and regimented servant. The Renaissance brought rational man once again to the center of the stage. He emerged once more as an individual, deeply engrossed in the way he looked, the way he moved, what he thought about, and how he felt. Renaissance art inevitably embodied these concepts, and Piero di Cosimo's Building of a Palace shows this concern with the creative pursuits of man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. ***** Print on Demand *****. Books.
3
A Short Guide als Taschenbuch von John and Mable Ringling Museum of Art
EN PB NW RPISBN: 9780282867683 bzw. 0282867686, in Englisch, Forgotten Books, Taschenbuch, neu, Nachdruck.
A Short Guide ab 10.49 EURO 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint).
5
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint)
EN HC NW RPISBN: 9780266582427 bzw. 0266582427, in Englisch, FB&C Ltd, gebundenes Buch, neu, Nachdruck.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
A-Short-Guide~~John-and-Mable-Ringling-Museum-of-Art, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), Hardcover.
A-Short-Guide~~John-and-Mable-Ringling-Museum-of-Art, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), Hardcover.
6
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint)
EN NW RPISBN: 9780282867683 bzw. 0282867686, in Englisch, FB&C Ltd, neu, Nachdruck.
Lieferung aus: Kanada, In Stock, plus shipping.
John and Mable Ringling Museum of Art, Books, Art and Architecture, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint).
John and Mable Ringling Museum of Art, Books, Art and Architecture, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint).
7
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint)
EN NW RPISBN: 9780266582427 bzw. 0266582427, in Englisch, FB&C Ltd, neu, Nachdruck.
Lieferung aus: Kanada, In Stock, plus shipping.
John and Mable Ringling Museum of Art, Books, Art and Architecture, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint).
John and Mable Ringling Museum of Art, Books, Art and Architecture, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint).
8
A Short Guide: 50 Masterpieces in the Sarasota, Florida (Classic Reprint)
EN PB NW RPISBN: 9780282867683 bzw. 0282867686, in Englisch, FB&C Ltd, Taschenbuch, neu, Nachdruck.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
A-Short-Guide~~John-and-Mable-Ringling-Museum-of-Art, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), Paperback.
A-Short-Guide~~John-and-Mable-Ringling-Museum-of-Art, A Short Guide: 50 Masterpieces in the John and Mable Ringling Museum of Art, Sarasota, Florida (Classic Reprint), Paperback.
Lade…