The Codrus Painter: Iconography and Reception of Athenian Vases in the Age of Pericles
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Lieferung aus: Deutschland, zzgl. Versandkosten.
Von Händler/Antiquariat, Fundus-Online GbR Borkert, Schwarz, Zerfaß, 10785 Berlin.
XIII; 237 p. Original cloth with dustjacket. Originalleinen mit Schutzumschlag. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Very good and clean. - Sehr gut und sauber. - Content: Introduction 3 -- History of Research 3 -- Dating the Work of the Codrus Painter 5 -- Defining the Style of the Codrus Painter -- Details of the Drawing -- The Style of Painters Near the Codrus Painter 10 -- Recurrent Motifs and Figure-Types 13 -- Palmettes 14 -- Tondo Bands 16 -- Reconsidering Some Attributions 17 -- The Oxford Chous 17 -- The Dresden Cup 18 -- The Cape Town Cup 18 -- The Cambridge Athletes Cup 19 -- The Timandra Fragments 20 -- The Cup Once in the Basel Market 20 -- Shapes, Style, and Chronology 22 -- Shapes 22 -- Stylistic and Chronological Arrangement of the Vases 23 -- The Circle of the Codrus Painter 25 -- Manner of the Codrus Painter 25 -- Compare to the Codrus Painter and -- Aison 26 -- Near the Codrus Painter 26 -- The Painter of Cambridge 72 26 -- The Codrus Painter and His Contemporaries 28 -- The Codrus Painter and the Eretria Painter 28 -- The Codrus Painter, Aison, and the Meidias Painter 29 -- The Codrus Painter and the Group of Polygnotos 30 -- Conclusion 30 -- Mythological Subjects 31 -- Heroic Kings and Royal Heroes: The Codrus Cup 31 -- From the Attic Land: The Erichthonios Cup 33 -- The Attic Hero: The Theseus Cup 36 -- Consulting the Oracle: The Themis Cup 39 -- A Theban Myth as a Platform for Athenian Ideals: The Basel Cup 40 -- Divine Assemblies 43 -- The Divine Banquet Cup 43 -- Local Deities: The Brauron Cup 46 -- Other Mythological Subjects 47 -- The Triton Cup 47 -- The Phrixos Cup 48 -- The Cassandra Cup 49 -- The Astarita Cup 49 -- The Amazomachy Cup 50 -- Dionysiac Subjects 52 -- Representations of Thiasoi 52 -- Dramatic Performances 53 -- The Herakles Cup 54. ISBN 9780299247805 Versand D: 4,50 EUR, Angelegt am: 08.12.2021.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west. Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou s iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.

Lieferung aus: Deutschland, zzgl. Versandkosten.
Von Händler/Antiquariat, Fundus-Online GbR.
Madison, University of Wisconsin Press, XIII; 237 p. Original cloth with dustjacket. Originalleinen mit Schutzumschlag. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Very good and clean. - Sehr gut und sauber. - Content: Introduction 3 -- History of Research 3 -- Dating the Work of the Codrus Painter 5 -- Defining the Style of the Codrus Painter -- Details of the Drawing -- The Style of Painters Near the Codrus Painter 10 -- Recurrent Motifs and Figure-Types 13 -- Palmettes 14 -- Tondo Bands 16 -- Reconsidering Some Attributions 17 -- The Oxford Chous 17 -- The Dresden Cup 18 -- The Cape Town Cup 18 -- The Cambridge Athletes Cup 19 -- The Timandra Fragments 20 -- The Cup Once in the Basel Market 20 -- Shapes, Style, and Chronology 22 -- Shapes 22 -- Stylistic and Chronological Arrangement of the Vases 23 -- The Circle of the Codrus Painter 25 -- Manner of the Codrus Painter 25 -- Compare to the Codrus Painter and -- Aison 26 -- Near the Codrus Painter 26 -- The Painter of Cambridge 72 26 -- The Codrus Painter and His Contemporaries 28 -- The Codrus Painter and the Eretria Painter 28 -- The Codrus Painter, Aison, and the Meidias Painter 29 -- The Codrus Painter and the Group of Polygnotos 30 -- Conclusion 30 -- Mythological Subjects 31 -- Heroic Kings and Royal Heroes: The Codrus Cup 31 -- From the Attic Land: The Erichthonios Cup 33 -- The Attic Hero: The Theseus Cup 36 -- Consulting the Oracle: The Themis Cup 39 -- A Theban Myth as a Platform for Athenian Ideals: The Basel Cup 40 -- Divine Assemblies 43 -- The Divine Banquet Cup 43 -- Local Deities: The Brauron Cup 46 -- Other Mythological Subjects 47 -- The Triton Cup 47 -- The Phrixos Cup 48 -- The Cassandra Cup 49 -- The Astarita Cup 49 -- The Amazomachy Cup 50 -- Dionysiac Subjects 52 -- Representations of Thiasoi 52 -- Dramatic Performances 53 -- The Herakles Cup 54. ISBN 9780299247805Bildende Kunst 2011.

Lieferung aus: Kanada, In Stock, plus shipping.
Amalia Avramidou, Books, History, The Codrus Painter: Iconography and Reception of Athenian Vases in the Age of Pericles, The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west.    Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou’s iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
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