Albion's Classicism: The Visual Arts Britain, 1550-1660
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Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Elliot's Books, Since 1957.
New Haven: Yale University Press. New in New dust jacket. 1995. CLOTHBOUND. 0300063814 . Studies in British Art ; 2; 4to 11" - 13" tall; viii, 470 p. pages; A new, unopened and unread copy. Dust jacket shows ever so slight signs of shelf wear. Based on a conference held at the Warburg Institute, University of London, Nov. 19-20, 1993. Authors : Paul Mellon Centre for Studies in British Art. Yale Center for British Art. Warburg Institute. Subject : Art, Renaissance -- England. Art, Tudor. Art, Stuart. .

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: USA.
Von Händler/Antiquariat, Apollo Books.
Bx-258: Yale University Press. Very Good in Very Good dust jacket. 1996. First Edition; First Printing. Hardcover. Hardcover. 8vo. Yale University Press. Viii, 478 pgs. DJ in excellent shape, unclipped and with no tears present. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. From the inside flap: "Distinguished scholars from a variety of disciplines examine the visual arts in Britain between 1550 and 1660 and demonstrate that approaches to art at the time were not limited to the classical Italian Renaissance canon, as has been supposed. On the contrary, art, architecture, and literature in Britain were subject to local influences, habits, and visual sensibilities that interacted with classicism and the work of such masters as Inigo Jones." Photos sent upon request. Bx-258; Studies in British Art; 1.51 x 10.31 x 7.32 Inches; 478 pages .

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bol.com.
Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey. Inhoud:Taal: Engelstalig;EAN: 9780300063813;Bindwijze: Hardcover;Verschijningsdatum: 1995-10-02;Aantal pagina's: 478;Illustraties: Nee;ISBN10: 0300063814; Betrokkenen:Auteur: Lucy Gent | Paul Mellon Centre For Studies In Britis; Engelstalig | Hardcover | 1995 | 9780300063813 | 478.

Lieferung aus: Niederlande, 1 - 2 weken.
Books2Anywhere.
Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey. Inhoud:Taal: Engelstalig;EAN: 9780300063813;Bindwijze: Hardcover;Verschijningsdatum: 1995-10-02;Aantal pagina's: 478;Illustraties: Nee;ISBN10: 0300063814; Betrokkenen:Auteur: Lucy Gent | Paul Mellon Centre For Studies In Britis; Engelstalig | Hardcover | 1995 | 9780300063813 | 478.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, booklab, VA, Chantilly, [RE:3].
Great customer service. You will be happy! Hardcover.