Bayreuth, A History of the Wagner Festival - 12 Angebote vergleichen

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Museum of Books.
Yale University Press, 1994 hardcover, dust jacket with faint water stain in rear, slight edge crimping, scuffing, new covers (sharp corners, bright spine titles), clean unmarked text pages, binding tight as new and unread (clean page edge). Inked inscription on blank front page. ... . Shipped in a padded envelope and packaged in bubble wrap.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, Better World Books Ltd.
Yale University Press. Used - Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Your purchase also supports literacy charities.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3-5 Days.
The operatic festival Richard Wagner founded in 1876 is the oldest and most famous in the world. It is also the most controversial, for it became the cultural showcase of the Third Reich. In this prize-winning and generously-illustrated book - the first to provide a frank and fully rounded history of Bayreuth - Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement into 'Hitler's court theatre', and its postwar liberation from its chauvinistic, anti-Semitic past. Provocative and compelling, the book will fascinate all Wagner enthusiasts as well as those interested in European cultural and intellectual history since 1876. 'A vast body of historic data - musical, personal, political, and generally artistic - presented in smooth, witty prose ... Spotts tells in absorbing detail the complex story of the relationship between the Third Reich and Bayreuth ... As reliable a guide to Bayreuth as we shall ever have.' Michael Tanner, 'The New York Times Book Review' 'Bayreuth is not just a spiritual and political history of the Festival but a sustained attempt to explain the place, uniquely emblematic, that it holds, and has always held, in German cultural life.' Richard Law, 'Opera' 'A readable, authoritative account of the Wagner festival that is compelling and chilling, sketching the cult's evolution and surveying its achievements ... Definitive.' Edward Rothstein, 'The New York Times' 'Spotts knows his Wagner as well as any professional musician ... he writes illuminatingly about the political as well as the musical context of the Bayreuth phenomenon.' David Mellor, 'The Daily Telegraph' 'Music history, cultural comment, and such issues as the family's embrace of Nazism are all deftly combined.' 'Time' Winner of the Royal Philharmonic Society Award for the best music book of 1994. Frederic Spotts is an Associate of the Center for European Studies at Harvard University, and a former member of the American Foreign Service.

Lieferung aus: Niederlande, 5-10 werkdagen.
bol.com.
The operatic festival Richard Wagner founded in 1876 is the oldest and most famous in the world. It is also the most controversial, for it became the cultural showcase of the Third Reich. In this prize-winning and generously-illustrated book - the first to provide a frank and fully rounded history of Bayreuth - Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement into 'Hitler's court theatre', and its postwar liberation from its... The operatic festival Richard Wagner founded in 1876 is the oldest and most famous in the world. It is also the most controversial, for it became the cultural showcase of the Third Reich. In this prize-winning and generously-illustrated book - the first to provide a frank and fully rounded history of Bayreuth - Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement into 'Hitler's court theatre', and its postwar liberation from its chauvinistic, anti-Semitic past. Provocative and compelling, the book will fascinate all Wagner enthusiasts as well as those interested in European cultural and intellectual history since 1876. 'A vast body of historic data - musical, personal, political, and generally artistic - presented in smooth, witty prose ...Spotts tells in absorbing detail the complex story of the relationship between the Third Reich and Bayreuth ...As reliable a guide to Bayreuth as we shall ever have.' Michael Tanner, 'The New York Times Book Review' 'Bayreuth is not just a spiritual and political history of the Festival but a sustained attempt to explain the place, uniquely emblematic, that it holds, and has always held, in German cultural life.' Richard Law, 'Opera' 'A readable, authoritative account of the Wagner festival that is compelling and chilling, sketching the cult's evolution and surveying its achievements ...Definitive.' Edward Rothstein, 'The New York Times' 'Spotts knows his Wagner as well as any professional musician ...he writes illuminatingly about the political as well as the musical context of the Bayreuth phenomenon.' David Mellor, 'The Daily Telegraph' 'Music history, cultural comment, and such issues as the family's embrace of Nazism are all deftly combined.' 'Time' Winner of the Royal Philharmonic Society Award for the best music book of 1994. Frederic Spotts is an Associate of the Center for European Studies at Harvard University, and a former member of the American Foreign Service.Soort: Met illustraties;Taal: Engels;Afmetingen: 18x244x170 mm;Gewicht: 553,00 gram;Verschijningsdatum: april 1996;ISBN10: 0300066651;ISBN13: 9780300066654; Engelstalig | Paperback | 1996.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, worldreaders.
The operatic festival Richard Wagner founded at Bayreuth in 1876 is the oldest, most famous and most influential in the world. Its productions and musical standards have been a model for opera houses everywhere, and Bayreuth has become a place of pilgrimage for music lovers, and the ultimate objective for singers and conductors. The story of the festival is however not just about an opera house but about a family, a society and an art form. The creation of a fervent German chauvinist, Bayreuth came to epitomize the tortured development of the German nation after unification in 1871. The festival became a citadel of racism and reaction, and the cultural showpiece of the Third Reich and Hitler's artistic centre. Here for the first time is a full-scale, serious, narrative account of the festival, based on wide-ranging research and interviews, which explains the political, managerial, social and artistic context of the Festival. It provides candid, sharply-etched portraits of the members of the Wagner family, their friends, enemies and critics, and of the controversy that has characterised it for over a century. Hardcover, Ausgabe: New edition, Label: Yale University Press, Yale University Press, Produktgruppe: Book, Publiziert: 1994-05-25, Studio: Yale University Press, Verkaufsrang: 335233.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, HPB-Kansas City, MO, Kansas City, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority! Hardcover.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: USA.
Von Händler/Antiquariat, Better World Books.
Yale University Press. Used - Very Good. Ships from Reno, NV. Former Library book. Great condition for a used book! Minimal wear. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Germany's cultural glory - Germany's political shame: the opera festival established by Richard Wagner in 1876 is one of the most intriguing phenomena of modern European cultural history. The oldest and best known of music festivals, Bayreuth was from the beginning not simply a place for model performances of Wagner's works but equally the centre of an ideological cult, with the Festspielhaus its sacred shrine and audiences its devout pilgrims. This book is the first to provide a frank and comprehensive account of the institutions's history and functioning. The core of the study is a critical analysis of the performances and productions, brought alive with illustrations of stage settings, conductors and singers in costume. Around this artistic history is woven the remarkable story of why Wagner established the Festival and how his controversial descendants have managed it after him. At the same time the book traces Bayreuth's connection with the political fate of the German nation. It explains why the Festival became enmeshed in nationalism, racism and fascism until it was ultimately debased into what Thomas Mann labelled 'Hitler's court theatre'. The work concludes with a discussion of the postwar revolutionary productions of Wagner's operas that eventually liberated Bayreuth from its disgraceful political associations and that have made it the most exciting of operatic institutions. Exploring the links among Wagner's art, the Festival, the personalities of the Wagner dynasty and Germany's ideological development, this provocative study provides compelling reading not only for Wagner enthusiasts but also for anyone interested in European intellectual history since the mid-nineteenthcentury.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ergodebooks.
Yale University Press, 1996-04-24. Paperback. Used:Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. Expedite Shipping Available.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Green Forest Books.
Yale University Press, 1996-04-24. Paperback. Good.