Von dem Buch Behind the Picture: Art and Evidence in the Italian Renaissance (Paperback) haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Mr Martin Kemp: Behind the Picture: Art and Evidence in the Italian Renaissance (Paperback) (ISBN: 9780300082814) 2011, Yale University Press, in Englisch, Taschenbuch.
Nur diese Ausgabe anzeigen…
Nur diese Ausgabe anzeigen…
100%: Martin Kemp: Behind the Picture: Art and Evidence in the Italian Renaissance (ISBN: 9780300071955) in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
Behind the Picture: Art and Evidence in the Italian Renaissance (Paperback)
7 Angebote vergleichen
Bester Preis: € 25,30 (vom 20.08.2016)1
Behind the Picture: Art and Evidence in the Italian Renaissance
EN PB NWISBN: 9780300082814 bzw. 0300082819, in Englisch, Yale University Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, BuySomeBooks.
Yale University Press. Paperback. New. Paperback. 324 pages. Dimensions: 9.5in. x 6.6in. x 1.0in.The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience. Kemp examines a wealth of visual and written evidence, making sense of the often contradictory implications of the contemporary sources that survive for the same artist and indeed for the same work of art. He points out that whereas artists contracts suggest the cobbler at work and inventories suggest that the products of painters were considerably less valued than those of bed manufacturers, the rise of written theory and the web of criticism woven by humanist authors increasingly depict the artist as an intellectual, as a philosopher-poet with respect to subject matter, and as a scientific investigator of natural appearances. Kemp provides us with an introductory text on Italian Renaissance art that brings the period alive through extensive quotations from original sources. Giving access to a range of traditional and more recent concerns in art history through the application of various approaches to specific sets of raw material, this book is an important and illuminating contribution to current debates in cultural history. Martin Kemp is professor of art history at the University of Oxford and author of Leonardo on Painting, Leonardo da Vinci and The Science of Art, all published by Yale University Press. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
Von Händler/Antiquariat, BuySomeBooks.
Yale University Press. Paperback. New. Paperback. 324 pages. Dimensions: 9.5in. x 6.6in. x 1.0in.The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience. Kemp examines a wealth of visual and written evidence, making sense of the often contradictory implications of the contemporary sources that survive for the same artist and indeed for the same work of art. He points out that whereas artists contracts suggest the cobbler at work and inventories suggest that the products of painters were considerably less valued than those of bed manufacturers, the rise of written theory and the web of criticism woven by humanist authors increasingly depict the artist as an intellectual, as a philosopher-poet with respect to subject matter, and as a scientific investigator of natural appearances. Kemp provides us with an introductory text on Italian Renaissance art that brings the period alive through extensive quotations from original sources. Giving access to a range of traditional and more recent concerns in art history through the application of various approaches to specific sets of raw material, this book is an important and illuminating contribution to current debates in cultural history. Martin Kemp is professor of art history at the University of Oxford and author of Leonardo on Painting, Leonardo da Vinci and The Science of Art, all published by Yale University Press. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
2
Behind the Picture, Art and Evidence in the Italian Renaissance (2011)
EN PB NWISBN: 9780300082814 bzw. 0300082819, in Englisch, Yale University Press, Taschenbuch, neu.
Lieferung aus: Niederlande, 5-10 werkdagen.
bol.com.
The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience. Kemp examines a wealth of visual and written eviden... The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience. Kemp examines a wealth of visual and written evidence, making sense of the often contradictory implications of the contemporary sources that survive for the same artist and indeed for the same work of art. He points out that whereas artists' contracts suggest the cobbler at work and inventories suggest that the products of painters were considerably less valued than those of bed manufacturers, the rise of written theory and the web of criticism woven by humanist authors increasingly depict the artist as an intellectual, as a philosopher-poet with respect to subject matter, and as a scientific investigator of natural appearances. Kemp provides us with an introductory text on Italian Renaissance art that brings the period alive through extensive quotations from original sources. Giving access to a range of traditional and more recent concerns in art history through the application of various approaches to specific sets of raw material, this book is an important and illuminating contribution to current debates in cultural history. Martin Kemp is professor of art history at the University of Oxford and author of 'Leonardo on Painting', 'Leonardo da Vinci' and 'The Science of Art', all published by Yale University Press.Taal: Engels;Afmetingen: 17x244x170 mm;Gewicht: 544,00 gram;Verschijningsdatum: juli 2011;ISBN10: 0300082819;ISBN13: 9780300082814; Engelstalig | Paperback | 2011.
bol.com.
The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience. Kemp examines a wealth of visual and written eviden... The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience. Kemp examines a wealth of visual and written evidence, making sense of the often contradictory implications of the contemporary sources that survive for the same artist and indeed for the same work of art. He points out that whereas artists' contracts suggest the cobbler at work and inventories suggest that the products of painters were considerably less valued than those of bed manufacturers, the rise of written theory and the web of criticism woven by humanist authors increasingly depict the artist as an intellectual, as a philosopher-poet with respect to subject matter, and as a scientific investigator of natural appearances. Kemp provides us with an introductory text on Italian Renaissance art that brings the period alive through extensive quotations from original sources. Giving access to a range of traditional and more recent concerns in art history through the application of various approaches to specific sets of raw material, this book is an important and illuminating contribution to current debates in cultural history. Martin Kemp is professor of art history at the University of Oxford and author of 'Leonardo on Painting', 'Leonardo da Vinci' and 'The Science of Art', all published by Yale University Press.Taal: Engels;Afmetingen: 17x244x170 mm;Gewicht: 544,00 gram;Verschijningsdatum: juli 2011;ISBN10: 0300082819;ISBN13: 9780300082814; Engelstalig | Paperback | 2011.
3
Behind the Picture ? Art and Evidence in the Italian Renaissance (2011)
EN NW RPISBN: 9780300082814 bzw. 0300082819, in Englisch, Yale University Press, neu, Nachdruck.
Von Händler/Antiquariat, Books2Anywhere [190245], Fairford, GLOS, United Kingdom.
New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
4
Behind the Picture
EN HC USISBN: 9780300071955 bzw. 0300071957, in Englisch, Triliteral, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780300071955,0300071957,behind,picture,kemp, Excellent Marketplace listings for "Behind the Picture" by Kemp starting as low as $25.00! Hardback, Shipping to USA only!
9780300071955,0300071957,behind,picture,kemp, Excellent Marketplace listings for "Behind the Picture" by Kemp starting as low as $25.00! Hardback, Shipping to USA only!
5
Behind the Picture: Art and Evidence in the Italian Renaissance (2011)
EN PBISBN: 9780300082814 bzw. 0300082819, in Englisch, Yale University Press, Taschenbuch.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ergodebooks.
Yale University Press, 2011-01-10. Paperback. Used:Good. Ships Fast. Expedite Shipping Available.
Von Händler/Antiquariat, Ergodebooks.
Yale University Press, 2011-01-10. Paperback. Used:Good. Ships Fast. Expedite Shipping Available.
6
Behind the Picture: Art and Evidence in the Italian Renaissance
EN HC NWISBN: 9780300071955 bzw. 0300071957, in Englisch, Yale University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Behind-the-Picture~~Mr-Martin-Kemp, Behind the Picture: Art and Evidence in the Italian Renaissance, Hardcover.
Behind-the-Picture~~Mr-Martin-Kemp, Behind the Picture: Art and Evidence in the Italian Renaissance, Hardcover.
7
Behind the Picture: Art and Evidence in the Italian Renaissance
EN PB NWISBN: 9780300082814 bzw. 0300082819, in Englisch, Yale University Press, Taschenbuch, neu.
Lieferung aus: Kanada, Versandkosten nach: USA.
Von Händler/Antiquariat, Russell Books Ltd.
Yale University Press. PAPERBACK. 0300082819 Special order direct from the distributor . New.
Von Händler/Antiquariat, Russell Books Ltd.
Yale University Press. PAPERBACK. 0300082819 Special order direct from the distributor . New.
Lade…