Baroque Naples and the Industry of Painting. The World in the Workbench.
8 Angebote vergleichen

Lieferung aus: Irland, Costi di spedizione verso: ITA.
Von Händler/Antiquariat, MW Books Ltd.
New Haven ; London : Yale University Press, 2016. First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap.. Physical description; xi, 339 pages : illustrations (some color) ; 29 cm. Summary; ""The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy."" Subjects; 1500-1699. Painting, Baroque — Italy — Naples. Painting — Economic aspects — Italy — Naples — History — 16th century. Painting — Economic aspects — Italy — Naples — History — 17th century. Art and society — Italy — Naples — History — 16th century. Art and society — Italy — Naples — History — 17th century.

Von Händler/Antiquariat, MW Books Ltd. [3249244], Galway, Ireland.
Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; xi, 339 pages : illustrations (some color) ; 29 cm. Summary; "The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy." Subjects; 1500-1699. Painting, Baroque — Italy — Naples. Painting — Economic aspects — Italy — Naples — History — 16th century. Painting — Economic aspects — Italy — Naples — History — 17th century. Art and society — Italy — Naples — History — 16th century. Art and society — Italy — Naples — History — 17th century. 2 Kg.

Lieferung aus: Vereinigte Staaten von Amerika, Spedizione gratuita.
Von Händler/Antiquariat, MW Books Ltd [50409043], New York, NY, U.S.A.
Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; xi, 339 pages : illustrations (some color) ; 29 cm. Summary; "The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy." Subjects; 1500-1699. Painting, Baroque — Italy — Naples. Painting — Economic aspects — Italy — Naples — History — 16th century. Painting — Economic aspects — Italy — Naples — History — 17th century. Art and society — Italy — Naples — History — 16th century. Art and society — Italy — Naples — History — 17th century. 2 Kg.

Lieferung aus: Deutschland, più spese di spedizione.
Von Händler/Antiquariat, Brungs & Hönicke Medienversand, 10247 Berlin.
352 Seiten, mit zahlreichen Abbildungen. Gebundene Ausgabe. Leinenband mit illustriertem Schutzumschlag in neuwertigem Zustand. - The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy. (Verlagsanzeige) Versand D: 5,95 EUR Kunst. Kunstgeschichte. Kunstwissenschaft. Bildende Kunst. Malerei. Barock.

Von Händler/Antiquariat, Brungs und Hönicke Medienversand, [3437067].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Von Händler/Antiquariat, Brungs und Hönicke Medienversand GbR [53814954], Berlin, Germany.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen