Posing Modernity: The Black Model from Manet and Matisse to Today
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1
Posing Modernity: The Black Model from Manet and Matisse to Today (2018)
~EN HC USISBN: 9780300229066 bzw. 0300229062, vermutlich in Englisch, Yale University Press, gebundenes Buch, gebraucht, akzeptabler Zustand.
Von Händler/Antiquariat, GlassFrogBooks [64674448], Hawthorne, CA, U.S.A.
A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
2
Posing Modernity: The Black Model from Manet and Matisse to Today (2018)
~EN HC USISBN: 9780300229066 bzw. 0300229062, vermutlich in Englisch, Yale University Press, gebundenes Buch, gebraucht, akzeptabler Zustand, mit Einband.
Von Händler/Antiquariat, destinationCME LLC [72756168], Chicago, IL, U.S.A.
Yale University Press, 2018. Hardcover. An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet s Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic other. Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet s reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. Books.
Yale University Press, 2018. Hardcover. An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet s Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic other. Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet s reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. Books.
3
Posing Modernity: The Black Model from Manet and Matisse to Today (2018)
~EN HC NWISBN: 9780300229066 bzw. 0300229062, vermutlich in Englisch, Yale University Press, gebundenes Buch, neu, mit Einband.
Von Händler/Antiquariat, destinationCME LLC [72756168], Chicago, IL, U.S.A.
Yale University Press, 2018. Hardcover. An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet s Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic other. Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet s reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty.
Yale University Press, 2018. Hardcover. An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet s Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic other. Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet s reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty.
4
Posing Modernity The Black Model from Manet and Matisse to Today (2018)
~EN HC US FEISBN: 9780300229066 bzw. 0300229062, vermutlich in Englisch, Yale University Press, New Haven & London, gebundenes Buch, gebraucht, Erstausgabe, mit Einband.
Von Händler/Antiquariat, Marcus Campbell Art Books [31934], London, United Kingdom.
27 x 24 cm 206 pp with 175 colour and b&w illustrations. Hbk. fine in fine dustwrapper.
27 x 24 cm 206 pp with 175 colour and b&w illustrations. Hbk. fine in fine dustwrapper.
5
Posing Modernity (1863)
~EN HC NWISBN: 9780300229066 bzw. 0300229062, vermutlich in Englisch, Yale University Press, gebundenes Buch, neu.
An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aime Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it.Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New YorkExhibition Schedule:Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18-02/10/19)Musee d'Orsay (03/25/19-07/14/19).
6
Posing Modernity (1863)
~EN HC NWISBN: 9780300229066 bzw. 0300229062, vermutlich in Englisch, Yale University Press, Vereinigte Staaten von Amerika, gebundenes Buch, neu.
An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aime Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it.Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New YorkExhibition Schedule:Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18-02/10/19)Musee d'Orsay (03/25/19-07/14/19).
7
Posing Modernity (1863)
EN NWISBN: 9780300229066 bzw. 0300229062, in Englisch, Yale University Press, Vereinigte Staaten von Amerika, neu.
An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet&;s Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic &;other.&; Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet&;s reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane &;New Negro&; portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet&;s and Matisse&;s depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it.
8
Posing Modernity: The Black Model from Manet and Matisse to Today (2018)
EN HC NWISBN: 9780300229066 bzw. 0300229062, in Englisch, 224 Seiten, Yale University Press, gebundenes Buch, neu.
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Von Händler/Antiquariat, rosecrown.
Yale University Press, Hardcover, Published: 2018-11-27T00:00:01Z, Product group: Book, Sales rank: 1147591.
Von Händler/Antiquariat, rosecrown.
Yale University Press, Hardcover, Published: 2018-11-27T00:00:01Z, Product group: Book, Sales rank: 1147591.
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