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The Musical Legacy of Wartime France - 10 Angebote vergleichen
Preise | 2016 | 2017 | 2020 |
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Schnitt | € 78,16 | € 86,36 | € 72,75 |
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The Musical Legacy of Wartime France (2013)
ISBN: 9780520275300 bzw. 0520275306, in Englisch, University of California Press, gebundenes Buch, neu.
Von Händler/Antiquariat, The First Edition.
University of California Press, 2013. First edition. . Hard cover. New in new dust jacket. Sewn binding. Cloth over boards. With dust jacket. 280 p. Contains: Illustrations, black & white, Tables, black & white, Figures. California Studies in 20th-Century Music, 16. Audience: General/trade.
The Musical Legacy of Wartime France (2013)
ISBN: 9780520955271 bzw. 0520955277, in Englisch, University Of California, neu, E-Book.
bol.com.
For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout... For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen’s Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Duruflé’s Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky’s Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell—in textbooks, program notes, liner notes, historical monographs, and biographies—about music, France, and World War II. Productinformatie:Soort: Met illustraties;Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 7.81 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van de pagina's is niet toegestaan;Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0520955277;ISBN13: 9780520955271; Engels | Ebook | 2013.
The Musical Legacy of Wartime France (2013)
ISBN: 9780520275300 bzw. 0520275306, in Englisch, University Of California, gebundenes Buch, neu.
Books2Anywhere.
For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout... For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II.Soort: Met illustraties;Taal: Engels;Afmetingen: 25x229x152 mm;Gewicht: 476,00 gram;Verschijningsdatum: juli 2013;Druk: 1;ISBN10: 0520275306;ISBN13: 9780520275300; Engelstalig | Hardcover | 2013.
The Musical Legacy of Wartime France (1945)
ISBN: 9780520275300 bzw. 0520275306, in Englisch, University of California Press, gebundenes Buch, neu.
BRAND NEW, The Musical Legacy of Wartime France, Leslie A. Sprout, For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II.
The Musical Legacy of Wartime France
ISBN: 9780520955271 bzw. 0520955277, in Englisch, University Of California Press, neu.
The Musical Legacy of Wartime France: For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy`s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger Olivier Messiaen`s Quartet for the End of Time, composed in a German prisoner of war camp Maurice Duruflé`s Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944 and Igor Stravinsky`s Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell-in textbooks, program notes, liner notes, historical monographs, and biographies-about music, France, and World War II. Englisch, Ebook.
The Musical Legacy of Wartime France (1945)
ISBN: 9780520955271 bzw. 0520955277, vermutlich in Englisch, Ingram, neu, E-Book, elektronischer Download.
For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen’s Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Duruflé’s Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky’s Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell—in textbooks, program notes, liner notes, historical monographs, and biographies—about music, France, and World War II. Современная проза/Историческая литература, California Studies in 20th-Century Music, book, EPUB.
The Musical Legacy of Wartime France (2013)
ISBN: 9780520955271 bzw. 0520955277, in Englisch, University of California Press, University of California Press, University of California Press, neu, E-Book, elektronischer Download.
For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Duruflé's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell-in textbooks, program notes, liner notes, historical monographs, and biographies-about music, France, and World War II.
The Musical Legacy of Wartime France (2013)
ISBN: 9780520275300 bzw. 0520275306, in Englisch, University of California Press, gebundenes Buch, neu.
Von Händler/Antiquariat, Media Mall.
University of California Press, 2013. Hardcover. New. SKU: MM-60143708; EAN: 9780520275300.
The Musical Legacy of Wartime France (California Studies in 20th-Century Music) (2013)
ISBN: 9780520275300 bzw. 0520275306, in Englisch, University of California Press, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Midtown Scholar Bookstore, PA, Harrisburg, [RE:4].
Hardcover.