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100%: Vendler, Helen Hennessy: The Breaking of Style: Hopkins, Heaney, Graham (the Richard Ellmann Lectures in Modern Literature) Format: Paperback (ISBN: 9780674081215) Harvard University Press, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
54%: Vendler, Helen Hennessy: The Richard Ellman Lectures in Modern Literature The Breaking of Style Hopkins Heaney Graham by 1995 Hardcover (ISBN: 9780674081208) Harvard University Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
The Breaking of Style: Hopkins, Heaney, Graham (the Richard Ellmann Lectures in Modern Literature) Format: Paperback
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The Breaking of Style, Hopkins, Heaney, Graham (1996)
EN PB NWISBN: 9780674081215 bzw. 0674081218, in Englisch, Harvard University Press, Taschenbuch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
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Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening perspectives in the work of three very different poets, her study of changes in style yields a view of the interplay of moral, emotional and intellect... Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening perspectives in the work of three very different poets, her study of changes in style yields a view of the interplay of moral, emotional and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical atmosphere from one person to the next - from nounness to the betweenness of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic freeze-framing to coverage, each with its own meaning in this poet's career. Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels - including the rhythmic, the grammatical and the graphic.Taal: Engels;Afmetingen: 9x210x140 mm;Gewicht: 136,00 gram;Verschijningsdatum: januari 1996;ISBN10: 0674081218;ISBN13: 9780674081215; Engelstalig | Paperback | 1996.
bol.com.
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening perspectives in the work of three very different poets, her study of changes in style yields a view of the interplay of moral, emotional and intellect... Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening perspectives in the work of three very different poets, her study of changes in style yields a view of the interplay of moral, emotional and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical atmosphere from one person to the next - from nounness to the betweenness of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic freeze-framing to coverage, each with its own meaning in this poet's career. Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels - including the rhythmic, the grammatical and the graphic.Taal: Engels;Afmetingen: 9x210x140 mm;Gewicht: 136,00 gram;Verschijningsdatum: januari 1996;ISBN10: 0674081218;ISBN13: 9780674081215; Engelstalig | Paperback | 1996.
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The Breaking of Style: Hopkins, Heaney, Graham (Richard Ellmann Lectures in Modern Literature) (1995)
EN HC NWISBN: 9780674081208 bzw. 067408120X, in Englisch, 100 Seiten, Harvard University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, glenthebookseller.
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next--from "nounness" to the "betweenness" of an adverbial style--shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career. Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels--including the rhythmic, the grammatical, and the graphic. A fine study of three poets and a superb exposition of the craft of poetry, The Breaking of Style revives our lapsed sense of what style means. Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course. , Hardcover, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1995-12-06, Studio: Harvard University Press, Verkaufsrang: 5208393.
Von Händler/Antiquariat, glenthebookseller.
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next--from "nounness" to the "betweenness" of an adverbial style--shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career. Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels--including the rhythmic, the grammatical, and the graphic. A fine study of three poets and a superb exposition of the craft of poetry, The Breaking of Style revives our lapsed sense of what style means. Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course. , Hardcover, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1995-12-06, Studio: Harvard University Press, Verkaufsrang: 5208393.
3
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The Breaking of Style: Hopkins, Heaney, Graham (1996)
EN HC USISBN: 9780674081208 bzw. 067408120X, in Englisch, Harvard University Press, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Anybook Ltd. [312675], Lincoln, United Kingdom.
This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library.
This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library.
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The Breaking of Style: Hopkins, Heaney, Graham (1996)
EN HCISBN: 9780674081208 bzw. 067408120X, in Englisch, Harvard University Press, gebundenes Buch.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, Anybook Ltd.
Harvard University Press, 1996. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library.
Von Händler/Antiquariat, Anybook Ltd.
Harvard University Press, 1996. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library.
5
The Breaking of Style: Hopkins, Heaney, Graham (The Richard Ellmann Lectures in Modern Literature) (1995)
EN PB USISBN: 9780674081215 bzw. 0674081218, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, HPB-Ohio [56525498], Dallas, TX, U.S.A.
Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
6
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The Breaking of Style: Hopkins, Heaney, Graham (the Richard Ellmann Lectures in Modern Literature) (1995)
EN PB USISBN: 9780674081215 bzw. 0674081218, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, HPB-Ohio, OH, Columbus, [RE:5].
Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Paperback.
Von Händler/Antiquariat, HPB-Ohio, OH, Columbus, [RE:5].
Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Paperback.
7
The Breaking of Style: Hopkins, Heaney, Graham (The Richard Ellmann Lectures in Modern Literature) (1995)
EN PBISBN: 9780674081215 bzw. 0674081218, in Englisch, Harvard University Press, Taschenbuch.
Von Händler/Antiquariat, Stock & Trade LLC [58908573], Portland, OR, U.S.A.
A sharp academic trade paper, clean with a tight binding with an unmarked text.From a private smoke free collection.Shipping within 24 hours a tracking number and delivery confirmation.
A sharp academic trade paper, clean with a tight binding with an unmarked text.From a private smoke free collection.Shipping within 24 hours a tracking number and delivery confirmation.
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The Breaking of Style: Hopkins, Heaney, Graham (Richard Ellmann Lectures in Modern Literature) (1995)
EN HC USISBN: 9780674081208 bzw. 067408120X, in Englisch, Harvard University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, 5Boros Books, NJ, SUMMIT, [RE:4].
Some may have high-lighting or writings, some are ex-library. Hard cover.
Von Händler/Antiquariat, 5Boros Books, NJ, SUMMIT, [RE:4].
Some may have high-lighting or writings, some are ex-library. Hard cover.
9
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The Breaking of Style: Hopkins, Heaney, Graham (Richard Ellmann Lectures in Modern Literature) (1995)
EN HC USISBN: 9780674081208 bzw. 067408120X, in Englisch, Harvard University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, More Books, FL, MIAMI, [RE:3].
Hardcover.
Von Händler/Antiquariat, More Books, FL, MIAMI, [RE:3].
Hardcover.
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