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The Odes of John Keats (1983)
~EN HC USISBN: 9780674630758 bzw. 0674630750, vermutlich in Englisch, The Belknap Press of Harvard University Press, gebundenes Buch, gebraucht, guter Zustand, mit Einband.
Lieferung aus: Kanada, Versandkosten nach: DEU.
Von Händler/Antiquariat, Attic Books.
Cambridge, Mass: The Belknap Press of Harvard University Press, 1983. Hardcover. Near fine/Very good. viii, 330 p. 24 cm. 7 b&w illustrations. Grey hardcover in mylar-covered cream dustjacket. Chip in jacket at bottom front. Tiny label on front free endpaper. Odes to: Indolence; Psyche; Nightingale; Grecian Urn; Melancholy; Autumn. Also The Fall of Hyperion. Index.
Von Händler/Antiquariat, Attic Books.
Cambridge, Mass: The Belknap Press of Harvard University Press, 1983. Hardcover. Near fine/Very good. viii, 330 p. 24 cm. 7 b&w illustrations. Grey hardcover in mylar-covered cream dustjacket. Chip in jacket at bottom front. Tiny label on front free endpaper. Odes to: Indolence; Psyche; Nightingale; Grecian Urn; Melancholy; Autumn. Also The Fall of Hyperion. Index.
2
The Odes of John Keats
EN NWISBN: 9780674630765 bzw. 0674630769, in Englisch, Harvard University Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together-that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics. Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth. Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms of inquiry-thematic, linguistic, historical, psychological, and structural-are brought to bear on it at once.
Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together-that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics. Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth. Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms of inquiry-thematic, linguistic, historical, psychological, and structural-are brought to bear on it at once.
3
Odes of John Keats
EN PB USISBN: 9780674630765 bzw. 0674630769, in Englisch, Triliteral, Taschenbuch, gebraucht.
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9780674630765,0674630769,odes,john,keats,helen,vendler, Excellent Marketplace listings for "Odes of John Keats" by Helen H. Vendler starting as low as $7.13! Paperback, Shipping to USA only!
9780674630765,0674630769,odes,john,keats,helen,vendler, Excellent Marketplace listings for "Odes of John Keats" by Helen H. Vendler starting as low as $7.13! Paperback, Shipping to USA only!
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The Odes of John Keats
EN NWISBN: 9780674630765 bzw. 0674630769, in Englisch, Harvard, neu.
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Helen Vendler, Books, Fiction and Literature, The Odes of John Keats, Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics.Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth.Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms of inquiry--thematic, linguistic, historical, psychological, and structural--are brought to bear on it at once.
Helen Vendler, Books, Fiction and Literature, The Odes of John Keats, Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics.Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth.Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms of inquiry--thematic, linguistic, historical, psychological, and structural--are brought to bear on it at once.
5
The Odes of John Keats (Belknap Press)
EN USISBN: 0674630769 bzw. 9780674630765, in Englisch, Belknap Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
criticism and theory,english literature,history and criticism,humanities,literature,literature and fiction,movements and periods,poetry,textbooks, The Odes of John Keats, Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics. Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth. Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms O.
criticism and theory,english literature,history and criticism,humanities,literature,literature and fiction,movements and periods,poetry,textbooks, The Odes of John Keats, Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics. Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth. Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms O.
6
The Odes of John Keats (Belknap Press)
EN USISBN: 0674630750 bzw. 9780674630758, in Englisch, The Belknap Press of Harvard University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
criticism and theory,english literature,history and criticism,humanities,literature,literature and fiction,movements and periods,poetry,textbooks, The Odes of John Keats, Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics. Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth. Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms O.
criticism and theory,english literature,history and criticism,humanities,literature,literature and fiction,movements and periods,poetry,textbooks, The Odes of John Keats, Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics. Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth. Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms O.
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