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100%: Albert Boime: Art and the French Commune: Imagining Paris after War and Revolution (ISBN: 9780691029627) Princeton University Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
90%: Albert Boime: Art and the French Commune: Imagining Paris After War and Revolution (ISBN: 9780691015552) 1997, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Art and the French Commune: Imagining Paris after War and Revolution
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Bester Preis: € 3,82 (vom 10.02.2017)1
Art and the French Commune: Imagining Paris After War and Revolution (1997)
EN PB NWISBN: 9780691015552 bzw. 0691015554, in Englisch, Princeton University Press, Taschenbuch, neu.
Lieferung aus: Schweiz, Versandfertig innert 3 Wochen.
Imagining Paris After War and Revolution, ´´Quite stimulating--a heady mix of political and art history. Albert Boime does a first-rate job in sorting out the ways Impressionism was shaped by various political orientations.´´--Philip Nord, Taschenbuch, 01.02.1997.
Imagining Paris After War and Revolution, ´´Quite stimulating--a heady mix of political and art history. Albert Boime does a first-rate job in sorting out the ways Impressionism was shaped by various political orientations.´´--Philip Nord, Taschenbuch, 01.02.1997.
2
Art and French Commune : Imagining Paris after War and Revolution
EN PB USISBN: 9780691015552 bzw. 0691015554, in Englisch, Perseus Distribution, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780691015552,0691015554,french,commune,imagining,paris,after,revolution,albert,boime, Excellent Marketplace listings for "Art and French Commune : Imagining Paris after War and Revolution" by Albert Boime starting as low as $3.24! Paperback, Shipping to USA only!
9780691015552,0691015554,french,commune,imagining,paris,after,revolution,albert,boime, Excellent Marketplace listings for "Art and French Commune : Imagining Paris after War and Revolution" by Albert Boime starting as low as $3.24! Paperback, Shipping to USA only!
3
Art and the French Commune: Imagining Paris After War and Revolution
EN NWISBN: 9780691015552 bzw. 0691015554, in Englisch, Princeton University Press, United States of America, neu.
Lieferung aus: Deutschland, plus shipping, Versandfertig in 1 - 2 Wochen.
Imagining Paris After War and Revolution, "Quite stimulating--a heady mix of political and art history. Albert Boime does a first-rate job in sorting out the ways Impressionism was shaped by various political orientations."--Philip Nord.
Imagining Paris After War and Revolution, "Quite stimulating--a heady mix of political and art history. Albert Boime does a first-rate job in sorting out the ways Impressionism was shaped by various political orientations."--Philip Nord.
4
Art and the French Commune
EN USISBN: 0691029628 bzw. 9780691029627, in Englisch, Princeton University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
art,art history,arts music and photography,design,europe,france,history,history and criticism,history and surveys,humanities, In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
art,art history,arts music and photography,design,europe,france,history,history and criticism,history and surveys,humanities, In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
5
Art and the French Commune
EN USISBN: 0691015554 bzw. 9780691015552, in Englisch, Princeton University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
art,art history,arts music and photography,design,europe,france,history,history and criticism,history and surveys,humanities, In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
art,art history,arts music and photography,design,europe,france,history,history and criticism,history and surveys,humanities, In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
6
Art and the French Commune: Imagining Paris after War and Revolution
EN HC NWISBN: 9780691029627 bzw. 0691029628, in Englisch, Princeton University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Art-and-the-French-Commune~~Albert-Boime, Art and the French Commune: Imagining Paris after War and Revolution, Hardcover.
Art-and-the-French-Commune~~Albert-Boime, Art and the French Commune: Imagining Paris after War and Revolution, Hardcover.
7
Art and the French Commune: Imagining Paris after War and Revolution
EN PB NWISBN: 9780691015552 bzw. 0691015554, in Englisch, Princeton University Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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