Songs and Musicians in Fifteenth Century Europe. (Variorum Collected Studies)
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Songs and Musicians in Fifteenth Century Europe. (Variorum Collected Studies) (1996)
EN HC USISBN: 9780860785613 bzw. 0860785610, in Englisch, Ashgate Publishing, Limited, Aldershot, United Kingdom, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Cosmo Books [7867], Shropshire., United Kingdom.
336 Pages. Some marking to both sides of the board. The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how. Contents: English song repertories of the mid-fifteenth century; Robertus de Anglia and the Oporto song collection; Review of Julia Boffey: Manuscripts of English Courtly Love Lyrics in the later Middle Ages; Dunstable, Bedyngham and O rosa bella; The contenance angloise: English influence on continental composers of the fifteenth century; French as a courtly language in fifteenth-century Italy: the musical evidence; A glimpse of the lost years: Spanish polyphonic song, 1450-70; Polyphonic song in the Florence of Lorenzo´s youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence?; Prenez sur moy: Okeghem´s tonal pun; Texting in the chansonnier of Jean de Montchenu; Specific information on the ensembles for composed polyphony, 1400-1474; The performing ensembles in Josquin´s sacred music; 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion; Embellishment and Urtext in the fifteenth-century song repertories; Additions and Corrections; Index of names and texts; Index of manuscripts. Size: 22.6 x 14.7 x 2.5 Cm.
336 Pages. Some marking to both sides of the board. The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how. Contents: English song repertories of the mid-fifteenth century; Robertus de Anglia and the Oporto song collection; Review of Julia Boffey: Manuscripts of English Courtly Love Lyrics in the later Middle Ages; Dunstable, Bedyngham and O rosa bella; The contenance angloise: English influence on continental composers of the fifteenth century; French as a courtly language in fifteenth-century Italy: the musical evidence; A glimpse of the lost years: Spanish polyphonic song, 1450-70; Polyphonic song in the Florence of Lorenzo´s youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence?; Prenez sur moy: Okeghem´s tonal pun; Texting in the chansonnier of Jean de Montchenu; Specific information on the ensembles for composed polyphony, 1400-1474; The performing ensembles in Josquin´s sacred music; 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion; Embellishment and Urtext in the fifteenth-century song repertories; Additions and Corrections; Index of names and texts; Index of manuscripts. Size: 22.6 x 14.7 x 2.5 Cm.
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Symbolbild
Songs and Musicians in Fifteenth Century Europe. (Variorum Collected Studies) (1996)
EN HC USISBN: 9780860785613 bzw. 0860785610, in Englisch, Ashgate Publishing, Limited, Aldershot, United Kingdom, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Cosmo Books [7867], Shropshire., United Kingdom.
336 Pages. Back board is a little warped. The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how. Contents: English song repertories of the mid-fifteenth century; Robertus de Anglia and the Oporto song collection; Review of Julia Boffey: Manuscripts of English Courtly Love Lyrics in the later Middle Ages; Dunstable, Bedyngham and O rosa bella; The contenance angloise: English influence on continental composers of the fifteenth century; French as a courtly language in fifteenth-century Italy: the musical evidence; A glimpse of the lost years: Spanish polyphonic song, 1450-70; Polyphonic song in the Florence of Lorenzo´s youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence?; Prenez sur moy: Okeghem´s tonal pun; Texting in the chansonnier of Jean de Montchenu; Specific information on the ensembles for composed polyphony, 1400-1474; The performing ensembles in Josquin´s sacred music; 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion; Embellishment and Urtext in the fifteenth-century song repertories; Additions and Corrections; Index of names and texts; Index of manuscripts. Size: 22.6 x 14.7 x 2.5 Cm.
336 Pages. Back board is a little warped. The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how. Contents: English song repertories of the mid-fifteenth century; Robertus de Anglia and the Oporto song collection; Review of Julia Boffey: Manuscripts of English Courtly Love Lyrics in the later Middle Ages; Dunstable, Bedyngham and O rosa bella; The contenance angloise: English influence on continental composers of the fifteenth century; French as a courtly language in fifteenth-century Italy: the musical evidence; A glimpse of the lost years: Spanish polyphonic song, 1450-70; Polyphonic song in the Florence of Lorenzo´s youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence?; Prenez sur moy: Okeghem´s tonal pun; Texting in the chansonnier of Jean de Montchenu; Specific information on the ensembles for composed polyphony, 1400-1474; The performing ensembles in Josquin´s sacred music; 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion; Embellishment and Urtext in the fifteenth-century song repertories; Additions and Corrections; Index of names and texts; Index of manuscripts. Size: 22.6 x 14.7 x 2.5 Cm.
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Songs and Musicians in Fifteenth Century Europe. (Variorum Collected Studies) (1996)
EN PB NWISBN: 9780860785613 bzw. 0860785610, in Englisch, Taschenbuch, neu.
Von Händler/Antiquariat, Cosmo Books [7867], Shropshire., SAL, United Kingdom.
336 Pages. NEW. The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how. Contents: English song repertories of the mid-fifteenth century; Robertus de Anglia and the Oporto song collection; Review of Julia Boffey: Manuscripts of English Courtly Love Lyrics in the later Middle Ages; Dunstable, Bedyngham and O rosa bella; The contenance angloise: English influence on continental composers of the fifteenth century; French as a courtly language in fifteenth-century Italy: the musical evidence; A glimpse of the lost years: Spanish polyphonic song, 1450-70; Polyphonic song in the Florence of Lorenzo´s youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence?; Prenez sur moy: Okeghem´s tonal pun; Texting in the chansonnier of Jean de Montchenu; Specific information on the ensembles for composed polyphony, 1400-1474; The performing ensembles in Josquin´s sacred music; 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion; Embellishment and Urtext in the fifteenth-century song repertories; Additions and Corrections; Index of names and texts; Index of manuscripts. 22.6 x 14.7 x 2.5 Cm.
336 Pages. NEW. The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how. Contents: English song repertories of the mid-fifteenth century; Robertus de Anglia and the Oporto song collection; Review of Julia Boffey: Manuscripts of English Courtly Love Lyrics in the later Middle Ages; Dunstable, Bedyngham and O rosa bella; The contenance angloise: English influence on continental composers of the fifteenth century; French as a courtly language in fifteenth-century Italy: the musical evidence; A glimpse of the lost years: Spanish polyphonic song, 1450-70; Polyphonic song in the Florence of Lorenzo´s youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence?; Prenez sur moy: Okeghem´s tonal pun; Texting in the chansonnier of Jean de Montchenu; Specific information on the ensembles for composed polyphony, 1400-1474; The performing ensembles in Josquin´s sacred music; 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion; Embellishment and Urtext in the fifteenth-century song repertories; Additions and Corrections; Index of names and texts; Index of manuscripts. 22.6 x 14.7 x 2.5 Cm.
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Symbolbild
Songs and Musicians in the Fifteenth Century (Hardback) (1996)
EN HC NWISBN: 9780860785613 bzw. 0860785610, in Englisch, Ashgate Publishing Group, United Kingdom, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository US [58762574], Slough, United Kingdom.
Language: English Brand New Book. These studies on song repertories and performance practice in the 15th century examine the widely dispersed traces of English song, leading to enquiries into the distribution and international currents of the song repertory in Italy and Spain. Instrument and voice problems are also covered.
Von Händler/Antiquariat, The Book Depository US [58762574], Slough, United Kingdom.
Language: English Brand New Book. These studies on song repertories and performance practice in the 15th century examine the widely dispersed traces of English song, leading to enquiries into the distribution and international currents of the song repertory in Italy and Spain. Instrument and voice problems are also covered.
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Songs and Musicians in the Fifteenth Century (Collected Studies Series, 519) (1996)
EN HC NWISBN: 9780860785613 bzw. 0860785610, in Englisch, 336 Seiten, Variorum, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, -Daily Deals-.
These studies on song repertories and performance practice in the 15th century examine the widely dispersed traces of English song, leading to enquiries into the distribution and international currents of the song repertory in Italy and Spain. Instrument and voice problems are also covered. Hardcover, Label: Variorum, Variorum, Produktgruppe: Book, Publiziert: 1996-03, Studio: Variorum, Verkaufsrang: 4524909.
Von Händler/Antiquariat, -Daily Deals-.
These studies on song repertories and performance practice in the 15th century examine the widely dispersed traces of English song, leading to enquiries into the distribution and international currents of the song repertory in Italy and Spain. Instrument and voice problems are also covered. Hardcover, Label: Variorum, Variorum, Produktgruppe: Book, Publiziert: 1996-03, Studio: Variorum, Verkaufsrang: 4524909.
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