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Promised Lands: Modernity, Utopia and Emancipation in the Black Atlantic
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Bester Preis: € 15,97 (vom 30.11.2016)The Black Atlantic: Modernity and Double Consciousness (1993)
ISBN: 9780860914013 bzw. 0860914011, in Englisch, Verso Books, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Anybook Ltd. Lincoln, [RE:4].
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket., 550grams, ISBN: 9780860914013. Hard cover.
The Black Atlantic: Modernity and Double-Consciousness
ISBN: 9780674076068 bzw. 0674076060, in Englisch, HARVARD UNIV PR, Taschenbuch, neu.
Rhein-Team Lörrach, [3332481].
Neuware - Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism. Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the 'double consciousness' of W. E. B. Du Bois to the 'double vision' of Richard Wright to the compelling voice of Toni Morrison. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic. -, Taschenbuch.
The Black Atlantic: Modernity and Double-Consciousness
ISBN: 9780674076068 bzw. 0674076060, in Englisch, HARVARD UNIV PR, Taschenbuch, neu.
Rheinberg-Buch, [3813847].
Neuware - Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism. Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the 'double consciousness' of W. E. B. Du Bois to the 'double vision' of Richard Wright to the compelling voice of Toni Morrison. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic. Taschenbuch.
The Black Atlantic: Modernity and Double Consciousness (1993)
ISBN: 9780860914013 bzw. 0860914011, in Englisch, Verso Books, gebundenes Buch.
Von Händler/Antiquariat, Anybook Ltd.
Verso Books, 1993. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. , 550grams, ISBN:9780860914013.
The Black Atlantic: Modernity and Double-Consciousness (1993)
ISBN: 9780674076068 bzw. 0674076060, in Englisch, 280 Seiten, Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Motor_City_Books.
Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism. Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic. , Paperback, Ausgabe: Reissue, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1993-03-08, Freigegeben: 1995-01-25, Studio: Harvard University Press, Verkaufsrang: 306475.
The Black Atlantic: Modernity and Double Consciousness (1993)
ISBN: 9780860914013 bzw. 0860914011, in Englisch, Verso Books, gebundenes Buch, gebraucht.
This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket.
Promised Lands: Modernity, Utopia and Emancipation in the Black Atlantic (1993)
ISBN: 9780860914013 bzw. 0860914011, in Englisch, 320 Seiten, Verso Books, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, anybookltduk.
This text sketches a critical account of the location of black intellectuals in the modern world following the end of racial slavery. The book explores the reactions of black writers to modernity's colour-coded promises, demonstrating the value of a politicized post-modernism in re-reading black cultural politics and political culture. The lives and writings of key African Americans such as Martin Delany, W.E.B. Dubois, Frederick Douglas and Richard Wright are examined in the light of their experiences outside the US in Europe and Africa. Gilroy provides an extensive discussion of black vernacular cultures, especially music. Moving beyond debates about modernity that confine it to Europe, "Promised Lands" views the black Atlantic as a transnational alternative to black political theory based, often by default, on conceptions of the nation imported from European letters. The black Atlantic is a hetero-cultural formation in which routes count for as much as roots and travelling and displacement are more usual than permanent fixity. This text should be of interest to students and teachers of English Cultural Studies and African and American Studies, as Gilroy presents a thorough indictment of their institutionalized ethnocentrism and inability to see beyond the structures of cultural nationalism and the borders of the nation state. Hardcover, Label: Verso Books, Verso Books, Produktgruppe: Book, Publiziert: 1993-06, Studio: Verso Books, Verkaufsrang: 2569185.
9780674076068 (1995)
ISBN: 9780674076068 bzw. 0674076060, in Englisch, Harvard University Press, Taschenbuch, neu.
Von Händler/Antiquariat, AtRight.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9780674076068 (1995)
ISBN: 9780674076068 bzw. 0674076060, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Goodwill Industries of Central Florida.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen