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100%: Amy M. Davis: Good Girls and Wicked Witches, Changing Representations of Women in Disney's Feature Animation, 1937-2001 (ISBN: 9780861969012) 2007, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
82%: Davis, Amy M.: Good Girls and Wicked Witches, Changing Representations of Women in Disney's Feature Animation, 1937-2001 (ISBN: 9780861966738) JOHN LIBBEY & COMPANY LTD, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
31%: Davis, Amy M.: Handsome Heroes and Vile Villains: Masculinity in Disney's Feature Films (ISBN: 9780861967049) 2014, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Good Girls and Wicked Witches, Changing Representations of Women in Disney's Feature Animation, 1937-2001
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Bester Preis: € 22,49 (vom 21.06.2016)1
Handsome Heroes and Vile Villains
EN NW EBISBN: 9780861967049 bzw. 0861967046, in Englisch, Indiana University Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, E-Book zum download.
Performing Arts, From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film's release. eBook.
Performing Arts, From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film's release. eBook.
2
Handsome Heroes and Vile Villains: Masculinity in Disney's Feature Films
EN USISBN: 0861967046 bzw. 9780861967049, in Englisch, John Libbey Publishing, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
used books,books, From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film's release.
used books,books, From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film's release.
3
Good Girls and Wicked Witches (2007)
EN NW EB DLISBN: 9780861969012 bzw. 0861969014, in Englisch, John Libbey Publishing, John Libbey Publishing, John Libbey Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form-the heroine of the animated film-that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form-the heroine of the animated film-that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.
4
Handsome Heroes and Vile Villains: Masculinity in Disney's Feature Films (2014)
EN PB USISBN: 9780861967049 bzw. 0861967046, in Englisch, 276 Seiten, John Libbey Publishing, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Value_Text.
From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film’s release., Paperback, Label: John Libbey Publishing, John Libbey Publishing, Produktgruppe: Book, Publiziert: 2014-01-31, Freigegeben: 2013-12-10, Studio: John Libbey Publishing, Verkaufsrang: 923126.
Von Händler/Antiquariat, Value_Text.
From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film’s release., Paperback, Label: John Libbey Publishing, John Libbey Publishing, Produktgruppe: Book, Publiziert: 2014-01-31, Freigegeben: 2013-12-10, Studio: John Libbey Publishing, Verkaufsrang: 923126.
5
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Good Girls and Wicked Witches: Women in Disney's Feature Animation (2007)
EN PB USISBN: 9780861966738 bzw. 0861966732, in Englisch, John Libbey Publishing, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, HPB-Diamond, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority! Paperback.
Von Händler/Antiquariat, HPB-Diamond, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority! Paperback.
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Good Girls and Wicked Witches, Changing Representations of Women in Disney's Feature Animation, 1937-2001 (2007)
EN NW EBISBN: 9780861969012 bzw. 0861969014, in Englisch, John Libbey Publishing, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which... Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which they were produced. The subject of women and how they were regarded over the course of the twentieth century is not by any means a new subject. Writers, feminists, anti-feminists, politicians, political commentators, psychologists, journalists, celebrities, housewives, students, historians, and many others have written on this subject in varying degrees of depth and seriousness. But in the last century, as a mainly print-based culture gave way to one which is image- and media-based, it was the way these physical/cultural/social expectations were tied together with and within the medium of film, and disseminated in the person of the 'actress' (be she a live woman or a drawing), which became important. It is with the images of women in popular culture - in magazines, on television, on billboards, in calendars, in newsreels, and in films (the medium with which this book is concerned), to name just a few examples, that all of the aspects of American society's changing attitudes towards women were mapped. This book analyses the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 1999. It is based on the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. It attempts to establish the extent to which these characterisations were shaped by wider popular stereotypes. Moreover, because of the nature of the animated film - because it is a unique combination of printed popular culture (as in drawings done for newspapers, books, and magazines) and the twentieth century's later emphasis on more life-like visual media (such as film, television, and various other forms of photography), it is argued here that it is within the most constructed of all moving images of the female form - the heroine of the animated film - that the most telling aspects of Woman as the subject of Hollywood iconography and ideas of American womanhood are to be found. Furthermore, because within American animation it is the work of the Disney Studio which has reigned - and continues to reign - supreme within its field, and because most of the major animated films created in Hollywood have been produced by Walt Disney's studio, it is upon these films that the book concentrates. Productinformatie:Taal: Engels;Oorspronkelijke titel: Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0861969014;ISBN13: 9780861969012;Product breedte: 152 mm;Product hoogte: 19 mm;Product lengte: 229 mm; Engels | Ebook | 2007.
bol.com.
Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which... Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which they were produced. The subject of women and how they were regarded over the course of the twentieth century is not by any means a new subject. Writers, feminists, anti-feminists, politicians, political commentators, psychologists, journalists, celebrities, housewives, students, historians, and many others have written on this subject in varying degrees of depth and seriousness. But in the last century, as a mainly print-based culture gave way to one which is image- and media-based, it was the way these physical/cultural/social expectations were tied together with and within the medium of film, and disseminated in the person of the 'actress' (be she a live woman or a drawing), which became important. It is with the images of women in popular culture - in magazines, on television, on billboards, in calendars, in newsreels, and in films (the medium with which this book is concerned), to name just a few examples, that all of the aspects of American society's changing attitudes towards women were mapped. This book analyses the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 1999. It is based on the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. It attempts to establish the extent to which these characterisations were shaped by wider popular stereotypes. Moreover, because of the nature of the animated film - because it is a unique combination of printed popular culture (as in drawings done for newspapers, books, and magazines) and the twentieth century's later emphasis on more life-like visual media (such as film, television, and various other forms of photography), it is argued here that it is within the most constructed of all moving images of the female form - the heroine of the animated film - that the most telling aspects of Woman as the subject of Hollywood iconography and ideas of American womanhood are to be found. Furthermore, because within American animation it is the work of the Disney Studio which has reigned - and continues to reign - supreme within its field, and because most of the major animated films created in Hollywood have been produced by Walt Disney's studio, it is upon these films that the book concentrates. Productinformatie:Taal: Engels;Oorspronkelijke titel: Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0861969014;ISBN13: 9780861969012;Product breedte: 152 mm;Product hoogte: 19 mm;Product lengte: 229 mm; Engels | Ebook | 2007.
7
Good Girls and Wicked Witches, Changing Representations of Women in Disney's Feature Animation, 1937-2001 (2006)
EN PB NWISBN: 9780861966738 bzw. 0861966732, in Englisch, John Libbey &Amp; Co Ltd, Taschenbuch, neu.
Lieferung aus: Niederlande, 5-7 werkdagen.
bol.com.
Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which... Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which they were produced. The subject of women and how they were regarded over the course of the twentieth century is not by any means a new subject. Writers, feminists, anti-feminists, politicians, political commentators, psychologists, journalists, celebrities, housewives, students, historians, and many others have written on this subject in varying degrees of depth and seriousness. But in the last century, as a mainly print-based culture gave way to one which is image- and media-based, it was the way these physical/cultural/social expectations were tied together with and within the medium of film, and disseminated in the person of the 'actress' (be she a live woman or a drawing), which became important. It is with the images of women in popular culture - in magazines, on television, on billboards, in calendars, in newsreels, and in films (the medium with which this book is concerned), to name just a few examples, that all of the aspects of American society's changing attitudes towards women were mapped. This book analyses the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 1999. It is based on the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. It attempts to establish the extent to which these characterisations were shaped by wider popular stereotypes. Moreover, because of the nature of the animated film - because it is a unique combination of printed popular culture (as in drawings done for newspapers, books, and magazines) and the twentieth century's later emphasis on more life-like visual media (such as film, television, and various other forms of photography), it is argued here that it is within the most constructed of all moving images of the female form - the heroine of the animated film - that the most telling aspects of Woman as the subject of Hollywood iconography and ideas of American womanhood are to be found. Furthermore, because within American animation it is the work of the Disney Studio which has reigned - and continues to reign - supreme within its field, and because most of the major animated films created in Hollywood have been produced by Walt Disney's studio, it is upon these films that the book concentrates.Soort: Met illustraties;Taal: Engels;Oorspronkelijke titel: Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001;Afmetingen: 0x0x0 mm;Gewicht: 650,00 gram;Verschijningsdatum: oktober 2006;Druk: 1;ISBN10: 0861966732;ISBN13: 9780861966738; Engelstalig | Paperback | 2006.
bol.com.
Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which... Good Girls and Wicked Witches: Women in Disney's Feature Animation by Amy Davis looks at how human female characters have been represented during the first 60 years of feature-length animation at Disney. Tallying up which films have had human females in leading roles and analysing how such issues as activity/passivity have been handled, this book re-examines the notion that Disney heroines are rewarded for passivity, and contextualises these films within the larger Hollywood landscape in which they were produced. The subject of women and how they were regarded over the course of the twentieth century is not by any means a new subject. Writers, feminists, anti-feminists, politicians, political commentators, psychologists, journalists, celebrities, housewives, students, historians, and many others have written on this subject in varying degrees of depth and seriousness. But in the last century, as a mainly print-based culture gave way to one which is image- and media-based, it was the way these physical/cultural/social expectations were tied together with and within the medium of film, and disseminated in the person of the 'actress' (be she a live woman or a drawing), which became important. It is with the images of women in popular culture - in magazines, on television, on billboards, in calendars, in newsreels, and in films (the medium with which this book is concerned), to name just a few examples, that all of the aspects of American society's changing attitudes towards women were mapped. This book analyses the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 1999. It is based on the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. It attempts to establish the extent to which these characterisations were shaped by wider popular stereotypes. Moreover, because of the nature of the animated film - because it is a unique combination of printed popular culture (as in drawings done for newspapers, books, and magazines) and the twentieth century's later emphasis on more life-like visual media (such as film, television, and various other forms of photography), it is argued here that it is within the most constructed of all moving images of the female form - the heroine of the animated film - that the most telling aspects of Woman as the subject of Hollywood iconography and ideas of American womanhood are to be found. Furthermore, because within American animation it is the work of the Disney Studio which has reigned - and continues to reign - supreme within its field, and because most of the major animated films created in Hollywood have been produced by Walt Disney's studio, it is upon these films that the book concentrates.Soort: Met illustraties;Taal: Engels;Oorspronkelijke titel: Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001;Afmetingen: 0x0x0 mm;Gewicht: 650,00 gram;Verschijningsdatum: oktober 2006;Druk: 1;ISBN10: 0861966732;ISBN13: 9780861966738; Engelstalig | Paperback | 2006.
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Handsome Heroes and Vile Villains: Masculinity in Disney's Feature Films
EN PB NWISBN: 9780861967049 bzw. 0861967046, in Englisch, John Libbey Publishing, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Mediaoutletdeal1.
John Libbey Publishing. PAPERBACK. 0861967046 *BRAND NEW* Ships Same Day or Next! . New.
Von Händler/Antiquariat, Mediaoutletdeal1.
John Libbey Publishing. PAPERBACK. 0861967046 *BRAND NEW* Ships Same Day or Next! . New.
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Handsome Heroes and Vile Villains: Men in Disney's Feature Animation (2014)
EN PB NWISBN: 9780861967049 bzw. 0861967046, in Englisch, John Libbey & Company, Bloomington, IN, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, GreatBookPrices, IL, Waukegan, [RE:4].
Trade paperback.
Von Händler/Antiquariat, GreatBookPrices, IL, Waukegan, [RE:4].
Trade paperback.
10
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Good Girls & Wicked Witches Changing Representations of Women in Disneys Feature Animation (2007)
EN PB USISBN: 9780861966738 bzw. 0861966732, in Englisch, JOHN LIBBEY & COMPANY LTD, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, Powell's Books, OR, Portland, [RE:5].
Softcover.
Von Händler/Antiquariat, Powell's Books, OR, Portland, [RE:5].
Softcover.
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