Von dem Buch Film Noir haben wir 3 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Crowther, Bruce: Film Noir (ISBN: 9780862874025) in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Bruce Crowther: Film Noir (ISBN: 9780753546079) in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
93%: Crowther, Bruce: Film Noir: Reflections in a Dark Mirror (ISBN: 9780826405043) 1989, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Alle lieferbaren Bücher - alle Angebote vergleichen
ISBN: 9780862874025
| Preise | 2017 | 2021 | 2022 | 2023 |
|---|---|---|---|---|
| Schnitt | € 9,00 | € 8,17 | € 9,54 | € 11,50 |
| Nachfrage |
1
Film Noir (2011)
EN NW EBISBN: 9780753546079 bzw. 0753546078, in Englisch, Virgin Digital, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks in... With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 6.02 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van de pagina's is niet toegestaan;Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0753546078;ISBN13: 9780753546079; Engels | Ebook | 2011.
bol.com.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks in... With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 6.02 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van de pagina's is niet toegestaan;Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0753546078;ISBN13: 9780753546079; Engels | Ebook | 2011.
2
Film Noir
EN USISBN: 0862874025 bzw. 9780862874025, in Englisch, Harrap Publishers, Larousse, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
used books,books, Film Noir : Reflections in a Dark Mirror, With the advent of World War II, a new mood of disillusion and foreboding was discernible in a film - a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, which included such classics as Double Indemnity, The Woman in the Window and Sunset Boulevard, emerged as a genre when a French film critic referred to them collectively as film noir.
used books,books, Film Noir : Reflections in a Dark Mirror, With the advent of World War II, a new mood of disillusion and foreboding was discernible in a film - a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, which included such classics as Double Indemnity, The Woman in the Window and Sunset Boulevard, emerged as a genre when a French film critic referred to them collectively as film noir.
3
Film Noir : Reflections in a Dark Mirror by
~EN USISBN: 9780862874025 bzw. 0862874025, vermutlich in Englisch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
With the advent of World War II, a new mood of disillusion and foreboding was discernible in a film - a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, which included such classics as Double Indemnity, The Woman in the Window and Sunset Boulevard, emerged as a genre when a French film critic referred to them collectively as film noir.
With the advent of World War II, a new mood of disillusion and foreboding was discernible in a film - a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, which included such classics as Double Indemnity, The Woman in the Window and Sunset Boulevard, emerged as a genre when a French film critic referred to them collectively as film noir.
4
Film Noir : Reflections in a Dark Mirror by
~EN USISBN: 9780862874025 bzw. 0862874025, vermutlich in Englisch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
With the advent of World War II, a new mood of disillusion and foreboding was discernible in a film - a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, which included such classics as Double Indemnity, The Woman in the Window and Sunset Boulevard, emerged as a genre when a French film critic referred to them collectively as film noir.
With the advent of World War II, a new mood of disillusion and foreboding was discernible in a film - a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, which included such classics as Double Indemnity, The Woman in the Window and Sunset Boulevard, emerged as a genre when a French film critic referred to them collectively as film noir.
5
Film Noir
EN NW EBISBN: 9780862874025 bzw. 0862874025, in Englisch, Ebury Publishing, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, Ebook for download.
Performing Arts, With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema. eBook.
Performing Arts, With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema. eBook.
6
Film Noir (2011)
EN NW EB DLISBN: 9780753546079 bzw. 0753546078, in Englisch, Virgin Digital, Virgin Digital, Virgin Digital, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
7
Film Noir
EN NW EB DLISBN: 9780753546079 bzw. 0753546078, in Englisch, Headline, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir.Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur.Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir.Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur.Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
8
Film Noir (1955)
EN NW EB DLISBN: 9780753546079 bzw. 0753546078, in Englisch, Ebury Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir.Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur.Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir.Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur.Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
9
Symbolbild
Film Noir (1988)
~EN PB USISBN: 9780862874025 bzw. 0862874025, vermutlich in Englisch, Virgin Books, Taschenbuch, gebraucht, guter Zustand.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, medimops [55410863], Berlin, Germany.
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Books.
Von Händler/Antiquariat, medimops [55410863], Berlin, Germany.
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Books.
Lade…