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100%: Naylor, Gillian: The Arts and Crafts Movement (a Study of It's Sources, Ideals and Influence on Design Theory, Isbn #0862940583) (ISBN: 9780862940584) 1990, Trefoil Publications Ltd, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Naylor, Gillian: The Arts and Crafts Movement: A Study of Its Sources, Ideals, and Influence on Design Theory (ISBN: 9780262640183) 1980, MIT Press (MA), in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Gillian Naylor, Illustrator: Over 100 Color & b/w Illustrations: The Arts and Crafts Movement : A Study of Its Sources, Ideals and Influence on Design Theory (ISBN: 9780289709122) 1980, in Englisch, Broschiert.
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88%: Naylor, Gillian: The Arts and Crafts Movement: a Study of Its Sources, Ideals, and Influence on Design Theory (ISBN: 9780262140102) 1971, Erstausgabe, in Englisch.Nur diese Ausgabe anzeigen…
88%: Naylor, Gillian: THE ARTS AND CRAFTS MOVEMENT, A STUDY OF ITS SOURCE, IDEALS AND INFLUENCE ON DESIGN THEORY. (ISBN: 9780289795804) 1971, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
The Arts and Crafts Movement (a Study of It's Sources, Ideals and Influence on Design Theory, Isbn #0862940583)
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The Arts and Crafts Movement: A Study of Its Sources, Ideals, and Influence on Design Theory (1980)
EN PB USISBN: 9780262640183 bzw. 026264018X, in Englisch, The MIT Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Mullen Books, Inc. ABAA / ILAB.
Cambridge, Mass: The MIT Press, 1980. Paperback. VG- with faint general wear. Color-illus. wraps with black lettering on green spine. 208 pp with 101 color and bw plates. Extensive study of the principles and theories underlying the Arts and Crafts movement.
Von Händler/Antiquariat, Mullen Books, Inc. ABAA / ILAB.
Cambridge, Mass: The MIT Press, 1980. Paperback. VG- with faint general wear. Color-illus. wraps with black lettering on green spine. 208 pp with 101 color and bw plates. Extensive study of the principles and theories underlying the Arts and Crafts movement.
2
The Arts and Crafts Movement: A Study of Its Sources, Ideals, and Influence on Design Theory (1980)
EN PB USISBN: 9780262640183 bzw. 026264018X, in Englisch, 208 Seiten, The MIT Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Evolving Lens Bookseller.
The Arts and Crafts Movement was concerned with the ethics as much as with the aesthetics of design. Its supporters were inspired by the idealism of Ruskin and Morris to campaign for a world that was fit to live in; in such a world men would enjoy the freedom to be creative, and this freedom would be expressed, in the words of William Morris, in the development of "a decorative, noble, popular art"—design by the people for the people. This then was the ideal, and in their attempts to achieve it, British designers so revitalized the arts of architecture and design that their efforts were admired and emulated throughout Europe and in America. A program that implied social and moral as well as aesthetic reform, however, had its ambiguities. This book, which is concerned with Arts and Crafts design and theory, discusses these ambiguities. The author shows how Arts and Crafts attitudes were conditioned, on the one hand by efforts of such reformers as Sir Henry Cole to create better standards for manufactured goods and on the other by Ruskinian loathing for machinery. The development of the idea that a corrupt society can never achieve anything of value in art, architecture, and design is traced through the work and theory of Pugin, Ruskin, and Morris. The significance and influence of such organizations as the Century Guild, the Art-Workers' Guild, the Arts and Crafts Exhibition Society, and the Guild of Handicraft is also discussed, as is the work of individual designers, including Gimson, De Morgan, the Martin Brothers, Benson, and Crane. The Arts and Crafts theory, as well as contributing to the development of Art Nouveau, also helped to form the dogma of the Modern Movement; and the conviction that ethics and aesthetics were in some way inseparable was to influence design theory at least until the 1950s. The book is profusely illustrated with photographs, many of them in full color. Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 1980-04-28, Studio: The MIT Press, Verkaufsrang: 4920088.
Von Händler/Antiquariat, Evolving Lens Bookseller.
The Arts and Crafts Movement was concerned with the ethics as much as with the aesthetics of design. Its supporters were inspired by the idealism of Ruskin and Morris to campaign for a world that was fit to live in; in such a world men would enjoy the freedom to be creative, and this freedom would be expressed, in the words of William Morris, in the development of "a decorative, noble, popular art"—design by the people for the people. This then was the ideal, and in their attempts to achieve it, British designers so revitalized the arts of architecture and design that their efforts were admired and emulated throughout Europe and in America. A program that implied social and moral as well as aesthetic reform, however, had its ambiguities. This book, which is concerned with Arts and Crafts design and theory, discusses these ambiguities. The author shows how Arts and Crafts attitudes were conditioned, on the one hand by efforts of such reformers as Sir Henry Cole to create better standards for manufactured goods and on the other by Ruskinian loathing for machinery. The development of the idea that a corrupt society can never achieve anything of value in art, architecture, and design is traced through the work and theory of Pugin, Ruskin, and Morris. The significance and influence of such organizations as the Century Guild, the Art-Workers' Guild, the Arts and Crafts Exhibition Society, and the Guild of Handicraft is also discussed, as is the work of individual designers, including Gimson, De Morgan, the Martin Brothers, Benson, and Crane. The Arts and Crafts theory, as well as contributing to the development of Art Nouveau, also helped to form the dogma of the Modern Movement; and the conviction that ethics and aesthetics were in some way inseparable was to influence design theory at least until the 1950s. The book is profusely illustrated with photographs, many of them in full color. Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 1980-04-28, Studio: The MIT Press, Verkaufsrang: 4920088.
3
The Arts and Crafts Movement : A Study of Its Sources, Ideals and Influence on Design Theory (1980)
EN HC USISBN: 9780289709122 bzw. 0289709121, in Englisch, 208 Seiten, MIT Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, zzgl. Versandkosten.
Von Händler/Antiquariat, Motor_City_Books.
The Arts and Crafts Movement was concerned with the ethics as much as with the aesthetics of design. Its supporters were inspired by the idealism of Ruskin and Morris to campaign for a world that was fit to live in; in such a world men would enjoy the freedom to be creative, and this freedom would be expressed, in the words of William Morris, in the development of "a decorative, noble, popular art"-design by the people for the people. This then was the ideal, and in their attempts to achieve it, British designers so revitalized the arts of architecture and design that their efforts were admired and emulated throughout Europe and in America. A program that implied social and moral as well as aesthetic reform, however, had its ambiguities. This book, which is concerned with Arts and Crafts design and theory, discusses these ambiguities. The author shows how Arts and Crafts attitudes were conditioned, on the one hand by efforts of such reformers as Sir Henry Cole to create better standards for manufactured goods and on the other by Ruskinian loathing for machinery. The development of the idea that a corrupt society can never achieve anything of value in art, architecture, and design is traced through the work and theory of Pugin, Ruskin, and Morris. The significance and influence of such organizations as the Century Guild, the Art-Workers' Guild, the Arts and Crafts Exhibition Society, and the Guild of Handicraft is also discussed, as is the work of individual designers, including Gimson, De Morgan, the Martin Brothers, Benson, and Crane. The Arts and Crafts theory, as well as contributing to the development of Art Nouveau, also helped to form the dogma of the Modern Movement; and the conviction that ethics and aesthetics were in some way inseparable was to influence design theory at least until the 1950s. The book is profusely illustrated with photographs, many of them in full color. Hardcover, Ausgabe: Later Printing, Format: Import, Label: MIT Press, MIT Press, Produktgruppe: Book, Publiziert: 1980, Studio: MIT Press, Verkaufsrang: 8441346.
Von Händler/Antiquariat, Motor_City_Books.
The Arts and Crafts Movement was concerned with the ethics as much as with the aesthetics of design. Its supporters were inspired by the idealism of Ruskin and Morris to campaign for a world that was fit to live in; in such a world men would enjoy the freedom to be creative, and this freedom would be expressed, in the words of William Morris, in the development of "a decorative, noble, popular art"-design by the people for the people. This then was the ideal, and in their attempts to achieve it, British designers so revitalized the arts of architecture and design that their efforts were admired and emulated throughout Europe and in America. A program that implied social and moral as well as aesthetic reform, however, had its ambiguities. This book, which is concerned with Arts and Crafts design and theory, discusses these ambiguities. The author shows how Arts and Crafts attitudes were conditioned, on the one hand by efforts of such reformers as Sir Henry Cole to create better standards for manufactured goods and on the other by Ruskinian loathing for machinery. The development of the idea that a corrupt society can never achieve anything of value in art, architecture, and design is traced through the work and theory of Pugin, Ruskin, and Morris. The significance and influence of such organizations as the Century Guild, the Art-Workers' Guild, the Arts and Crafts Exhibition Society, and the Guild of Handicraft is also discussed, as is the work of individual designers, including Gimson, De Morgan, the Martin Brothers, Benson, and Crane. The Arts and Crafts theory, as well as contributing to the development of Art Nouveau, also helped to form the dogma of the Modern Movement; and the conviction that ethics and aesthetics were in some way inseparable was to influence design theory at least until the 1950s. The book is profusely illustrated with photographs, many of them in full color. Hardcover, Ausgabe: Later Printing, Format: Import, Label: MIT Press, MIT Press, Produktgruppe: Book, Publiziert: 1980, Studio: MIT Press, Verkaufsrang: 8441346.
4
The Arts and Crafts Movement: a Study of Its Sources, Ideals and Influence on Design Theory (1980)
EN HC USISBN: 9780289709122 bzw. 0289709121, in Englisch, Studio Vista, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, zzgl. Versandkosten, Verandgebiet: EUR.
Von Händler/Antiquariat, Anybook Ltd. Lincoln, [RE:4].
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket., 750grams, ISBN: 0289709121. Hardcover.
Von Händler/Antiquariat, Anybook Ltd. Lincoln, [RE:4].
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket., 750grams, ISBN: 0289709121. Hardcover.
5
The Arts and Crafts Movement: A Study of Its Sources, Ideals and Influence on Design Theory (1990)
EN PB USISBN: 9780862940584 bzw. 0862940583, in Englisch, 208 Seiten, Trefoil Publications Ltd, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Reuseaworld.
The Arts and Crafts Movement was concerned with the ethics as much as with the aesthetics of design. Its supporters were inspired by the idealism of Ruskin and Morris to campaign for a world that was fit to live in; in such a world men would enjoy the freedom to be creative, and this freedom would be expressed, in the words of William Morris, in the development of "a decorative, noble, popular art"—design by the people for the people. This then was the ideal, and in their attempts to achieve it, British designers so revitalized the arts of architecture and design that their efforts were admired and emulated throughout Europe and in America. A program that implied social and moral as well as aesthetic reform, however, had its ambiguities. This book, which is concerned with Arts and Crafts design and theory, discusses these ambiguities. The author shows how Arts and Crafts attitudes were conditioned, on the one hand by efforts of such reformers as Sir Henry Cole to create better standards for manufactured goods and on the other by Ruskinian loathing for machinery. The development of the idea that a corrupt society can never achieve anything of value in art, architecture, and design is traced through the work and theory of Pugin, Ruskin, and Morris. The significance and influence of such organizations as the Century Guild, the Art-Workers' Guild, the Arts and Crafts Exhibition Society, and the Guild of Handicraft is also discussed, as is the work of individual designers, including Gimson, De Morgan, the Martin Brothers, Benson, and Crane. The Arts and Crafts theory, as well as contributing to the development of Art Nouveau, also helped to form the dogma of the Modern Movement; and the conviction that ethics and aesthetics were in some way inseparable was to influence design theory at least until the 1950s. The book is profusely illustrated with photographs, many of them in full color. Paperback, Edition: Revised, Format: Import, Label: Trefoil Publications Ltd, Trefoil Publications Ltd, Product group: Book, Published: 1990, Studio: Trefoil Publications Ltd, Sales rank: 6192938.
Von Händler/Antiquariat, Reuseaworld.
The Arts and Crafts Movement was concerned with the ethics as much as with the aesthetics of design. Its supporters were inspired by the idealism of Ruskin and Morris to campaign for a world that was fit to live in; in such a world men would enjoy the freedom to be creative, and this freedom would be expressed, in the words of William Morris, in the development of "a decorative, noble, popular art"—design by the people for the people. This then was the ideal, and in their attempts to achieve it, British designers so revitalized the arts of architecture and design that their efforts were admired and emulated throughout Europe and in America. A program that implied social and moral as well as aesthetic reform, however, had its ambiguities. This book, which is concerned with Arts and Crafts design and theory, discusses these ambiguities. The author shows how Arts and Crafts attitudes were conditioned, on the one hand by efforts of such reformers as Sir Henry Cole to create better standards for manufactured goods and on the other by Ruskinian loathing for machinery. The development of the idea that a corrupt society can never achieve anything of value in art, architecture, and design is traced through the work and theory of Pugin, Ruskin, and Morris. The significance and influence of such organizations as the Century Guild, the Art-Workers' Guild, the Arts and Crafts Exhibition Society, and the Guild of Handicraft is also discussed, as is the work of individual designers, including Gimson, De Morgan, the Martin Brothers, Benson, and Crane. The Arts and Crafts theory, as well as contributing to the development of Art Nouveau, also helped to form the dogma of the Modern Movement; and the conviction that ethics and aesthetics were in some way inseparable was to influence design theory at least until the 1950s. The book is profusely illustrated with photographs, many of them in full color. Paperback, Edition: Revised, Format: Import, Label: Trefoil Publications Ltd, Trefoil Publications Ltd, Product group: Book, Published: 1990, Studio: Trefoil Publications Ltd, Sales rank: 6192938.
6
The Arts and Crafts Movement: a study of its sources, ideals and influence on design theory (1980)
EN HCISBN: 9780289709122 bzw. 0289709121, in Englisch, Studio Vista, gebundenes Buch.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, Anybook Ltd.
Studio Vista, 1980. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. , 750grams, ISBN:0289709121.
Von Händler/Antiquariat, Anybook Ltd.
Studio Vista, 1980. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. , 750grams, ISBN:0289709121.
7
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The Arts and Crafts Movement: A Study of Its Sources, Ideals and Influence on Design Theory
EN USISBN: 9780862940584 bzw. 0862940583, in Englisch, Trefoil Publications Ltd, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, free shipping to: USA.
Von Händler/Antiquariat, Better World Books.
Trefoil Publications Ltd. Used - Good. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
Von Händler/Antiquariat, Better World Books.
Trefoil Publications Ltd. Used - Good. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
8
Symbolbild
Arts and Crafts Movement: a Study of Its Sources, Ideals, and Influence on Design Theory (1980)
EN PB USISBN: 9780262640183 bzw. 026264018X, in Englisch, MIT Press (MA), Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ponce a Time Books.
MIT Press (MA), 1980. Reprint.. Trade paperback. Good. Highlighting/underlining. moderate shelfwear, good service copy, looks good on the outside, structurally sound, has highlighting. Trade paperback (US). Glued binding. 208 p. Audience: General/trade.
Von Händler/Antiquariat, Ponce a Time Books.
MIT Press (MA), 1980. Reprint.. Trade paperback. Good. Highlighting/underlining. moderate shelfwear, good service copy, looks good on the outside, structurally sound, has highlighting. Trade paperback (US). Glued binding. 208 p. Audience: General/trade.
9
The Arts and Crafts Movement: a Study of Its Sources, Ideals and Influence on Design Theory (1980)
EN HC USISBN: 9780289709122 bzw. 0289709121, in Englisch, Studio Vista, gebundenes Buch, gebraucht.
Lieferung aus: Kanada, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, Ensight Books Company, BC, Vancouver, [RE:5].
Very good condition. Covers/pages are very clean. Some wear to edge. Tight binding. Hardcover.
Von Händler/Antiquariat, Ensight Books Company, BC, Vancouver, [RE:5].
Very good condition. Covers/pages are very clean. Some wear to edge. Tight binding. Hardcover.
10
Symbolbild
The Arts and Crafts Movement: A Study of Its Sources, Ideals and Influence on Design Theory (1990)
EN PB USISBN: 9780862940584 bzw. 0862940583, in Englisch, Trefoil Publications Ltd, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Shipping costs to: USA.
Von Händler/Antiquariat, M Godding Books Ltd.
Trefoil Publications Ltd, 1990-08-01. Paperback. Very Good. 208 pages. Illustrated in monochrome. Robust packaging. 1st class post to the UK, Airmail worldwide.
Von Händler/Antiquariat, M Godding Books Ltd.
Trefoil Publications Ltd, 1990-08-01. Paperback. Very Good. 208 pages. Illustrated in monochrome. Robust packaging. 1st class post to the UK, Airmail worldwide.
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