Von dem Buch Colour, Light and Wonder in Islamic Art Author haben wir 3 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Idries Trevathan: Colour, Light and Wonder in Islamic Art Author (ISBN: 9780863561900) Saqi, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Idries Trevathan: Colour, Light and Wonder in Islamic Art Author (ISBN: 9780863561450) Saqi Books, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
75%: Idries Trevathan: Colour, Light and Wonder in Islamic Art (ISBN: 9780863560606) Saqi Books, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Colour, Light and Wonder in Islamic Art Author - 10 Angebote vergleichen
Bester Preis: € 20,78 (vom 29.04.2020)1
Colour, Light and Wonder in Islamic Art
~EN PB NWISBN: 9780863560606 bzw. 0863560601, vermutlich in Englisch, Saqi Books, Taschenbuch, neu.
The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The 17th-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
2
Colour, Light and Wonder in Islamic Art
~EN PB NWISBN: 9780863560606 bzw. 0863560601, vermutlich in Englisch, Taschenbuch, neu.
The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The 17th-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
3
Colour, Light and Wonder in Islamic Art
~EN HC NWISBN: 9780863561450 bzw. 0863561454, vermutlich in Englisch, Saqi Books, gebundenes Buch, neu.
The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
4
Colour, Light and Wonder in Islamic Art Idries Trevathan Author
~EN NW EB DLISBN: 9780863561900 bzw. 086356190X, vermutlich in Englisch, Saqi, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings.The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour.The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque’s backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings.The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour.The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque’s backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
5
Colour, Light and Wonder in Islamic Art
EN NW EB DLISBN: 9780863561900 bzw. 086356190X, in Englisch, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock, plus shipping.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque’s backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque’s backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
6
Colour, Light and Wonder in Islamic Art
EN NW EB DLISBN: 9780863561900 bzw. 086356190X, in Englisch, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock, plus shipping.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
7
Colour, Light and Wonder in Islamic Art Idries Trevathan Author
~EN HC NWISBN: 9780863561450 bzw. 0863561454, vermutlich in Englisch, Saqi Books, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping.
The experience of colour in Islamic visual culture has historically been overlooked. In his approach to the study of colour in Islamic art, Trevathan creates meaningful dialogue between artistic production, artistic media, and the intellectual, aesthetic and philosophical concepts relating to the subject. Here, he proposes an enlightened new approach to the way we consider colour in Islamic art and architecture. Examining works in relation to their aesthetic contexts, he reveals the relevance of choice colours used in artworks, which in turn provides insights into the pre-modern Muslim experience of colour and aesthetics.The seventeenth-century Masjid-i Shah mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. The building of Masjid-i Shah emerged alongside, or as a result of, a culmination of writings on light and colour by some of the most important scholars in Islamic and Persian history. Trevathan examines the philosophical and mystical traditions that formed the backdrop of the Masjid-i Shah, revealing the differences in how such artworks were conceptualized at the time of creation and how they are received today.Through addressing the artistic production of this masterpiece of Islamic architecture, Trevathan shows that the careful combination of colour and design proportions in Islamic patterns expresses knowledge beyond those perceived in the corporeal world. This includes how the experience of bright and luminous colours may have served an epistemological function leading towards a noetic understanding of God. This suggests that a broader consideration of Islamic aesthetics is required, one that encompasses the potential for sensual experience to prompt a journey beyond sentient knowledge.
The experience of colour in Islamic visual culture has historically been overlooked. In his approach to the study of colour in Islamic art, Trevathan creates meaningful dialogue between artistic production, artistic media, and the intellectual, aesthetic and philosophical concepts relating to the subject. Here, he proposes an enlightened new approach to the way we consider colour in Islamic art and architecture. Examining works in relation to their aesthetic contexts, he reveals the relevance of choice colours used in artworks, which in turn provides insights into the pre-modern Muslim experience of colour and aesthetics.The seventeenth-century Masjid-i Shah mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. The building of Masjid-i Shah emerged alongside, or as a result of, a culmination of writings on light and colour by some of the most important scholars in Islamic and Persian history. Trevathan examines the philosophical and mystical traditions that formed the backdrop of the Masjid-i Shah, revealing the differences in how such artworks were conceptualized at the time of creation and how they are received today.Through addressing the artistic production of this masterpiece of Islamic architecture, Trevathan shows that the careful combination of colour and design proportions in Islamic patterns expresses knowledge beyond those perceived in the corporeal world. This includes how the experience of bright and luminous colours may have served an epistemological function leading towards a noetic understanding of God. This suggests that a broader consideration of Islamic aesthetics is required, one that encompasses the potential for sensual experience to prompt a journey beyond sentient knowledge.
8
Colour, Light and Wonder in Islamic Art
EN NWISBN: 9780863561450 bzw. 0863561454, in Englisch, neu.
The experience of colour in Islamic visual culture has historically been overlooked. In his approach to the study of colour in Islamic art, Trevathan creates meaningful dialogue between artistic production, artistic media, and the intellectual, aesthetic and philosophical concepts relating to the subject. Here, he proposes an enlightened new approach to the way we consider colour in Islamic art and architecture. Examining works in relation to their aesthetic contexts, he reveals the relevance of choice colours used in artworks, which in turn provides insights into the pre-modern Muslim experience of colour and aesthetics. The seventeenth-century Masjid-i Shah mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. The building of Masjid-i Shah emerged alongside, or as a result of, a culmination of writings on light and colour by some of the most important scholars in Islamic and Persian history. Trevathan examines the philosophical and mystical traditions that formed the backdrop of the Masjid-i Shah, revealing the differences in how such artworks were conceptualized at the time of creation and how they are received today. Through addressing the artistic production of this masterpiece of Islamic architecture, Trevathan shows that the careful combination of colour and design proportions in Islamic patterns expresses knowledge beyond those perceived in the corporeal world. This includes how the experience of bright and luminous colours may have served an epistemological function leading towards a noetic understanding of God. This suggests that a broader consideration of Islamic aesthetics is required, one that encompasses the potential for sensual experience to prompt a journey beyond sentient knowledge.
9
Colour, Light and Wonder in Islamic Art
~EN NW EB DLISBN: 9780863561900 bzw. 086356190X, vermutlich in Englisch, Saqi, neu, E-Book, elektronischer Download.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…