From the Forest to the Sea: Emily Carr in British Columbia
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| Preise | 2017 | 2018 | 2022 | 2023 |
|---|---|---|---|---|
| Schnitt | € 36,14 | € 42,50 | € 38,19 | € 34,46 |
| Nachfrage |
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Symbolbild
Milroy, Sarah (signed); Ian Dejardin (eds) James Hart; Jessica Stockholder; Robert Storrie; Gerta Moray; Charles Hill; Marianne Nicolson; Ian Thom; Peter Doig; Karen Duffek; Kathryn Bridge / Art Gallery of Ontario ( Emily Carr related)
From the Forest to the Sea: in British Columbia AGO )(inc. Life The Tow People, #39;s Totem & Forest; #39;s Kitwancool Totems; Weather Dance Mask; Sketchbooks EC; etc) (2014)
~EN HC US SI FEISBN: 9780864928696 bzw. 0864928696, vermutlich in Englisch, Toronto, ON: Art Gallery of Ontario ( AGO ) / Fredericton, NB: Goose Lane Editions, 2014, 1st Edition, First Printing, gebundenes Buch, gebraucht, guter Zustand, signiert, Erstausgabe, mit Einband.
Lieferung aus: Kanada, Versandkosten nach: DEU.
Von Händler/Antiquariat, Leonard Shoup.
Canada: Toronto, ON: Art Gallery of Ontario ( AGO ) / Fredericton, NB: Goose Lane Editions, 2014, 1st Edition, First Printing, 2014. ----------hardcover , about 9.75w x 11.25h inches, a Very Good+ to Near Fine example, looks close to new but there are two black 'x" marks on spine, small area of rubbing on the spine, small nick at upper spine tip, signed without inscription by Milroy, no dustjacket as issued, overseas shipping (anywhere outside of Canada and the USA ) will require additional charges, 303 pages, colour photos and images throughout, a lovely book, ---"Emily Carr captures the natural and cultural landscapes of British Columbia like no other artist before or after her. --This major volume, designed to accompany an exhibition organized by the Dulwich Picture Gallery in London and the Art Gallery of Ontario in Toronto, gathers work from all phases of this extraordinary artist's career — from her delicate early watercolours of the 1890s to her expressive hybrids of the 1930s and 1940s, which carry European and North American Modernist traditions with the formal stylizations of Indigenous design. --Carr's lifelong fascination with British Columbia's original inhabitants transformed her. Visiting First Nations villages up and down the coast, she absorbed the essence of the place she loved so well. Those experiences changed her life and charged her work, inspiring her imagination. --This monumental volume features more than 100 colour reproductions of Carr's work, including some of her most renowned paintings, in dialogue with dozens of indigenous artifacts from the Pacific Northwest: historic masks, baskets, and ceremonial objects by Haida, Kwakwaka'wakw, Nuu-chah-nulth, Salish, Tlingit, and Tsimshian makers. Drawn from public and private collections, including the British Museum, the Pitt Rivers Museum, Horniman Museum and Gardens, and the Museum of Anthropology at the University of British Columbia, these artifacts illuminate Carr's connections to Indigenous cultures. --From the Forest to the Sea features written contributions by Toronto writer and art critic Sarah Milroy; Ian Dejardin, Director of Dulwich Picture Gallery (London) acclaimed contemporary artists Peter Doig and Jessica Stockholder; leading Carr scholars Ian Thom, Charles Hill, Kathryn Bridge, and Gerta Moray; Haida hereditary chief and master carver James Hart; Kwakwaka'wakw artists Corrine Hunt and Marianne Nicolson; and anthropologists Robert Storrie and Karen Duffek. Together, they illuminate Carr's immense legacy and the connections to First Nations culture that inspired her work"---, ---CONTENTS ARE: Foreword / Ian Dejardin and Matthew Teitelbaum -- A life of Emily Carr / Ian Dejardin -- Why Emily Carr matters to Canadians / Sarah Milroy -- Living in the tradition : an indigenous perspective / an interview with Corrine Hunt by Sarah Milroy -- The Tow Hill pole : Emily Carr's totem and forest / James Hart -- The green cubes of Emily Carr / Jessica Stockholder -- Ambiguity in Northwest Coast design / Robert Storrie -- The modern moment : Emily Carr's Kitwancool totems / Gerta Moray -- Blunden Harbour : between photography and painting / Charles Hill -- The weather dance mask / Marianne Nicolson -- Emily Carr : a pioneer on paper / Ian Thom -- Windswept trees / Peter Doig -- Everything is one : a nuu-chah-nulth whaling harpoon head (takami) / Karen Duffek -- The sketchbooks of Emily Carr / Kathryn Bridge., any image directly beside this listing is the actual book and not a generic photo /// SIGNED ---GUARANTEED to be AVAILABLE///. Signed (see description). First Edition. Hard Cover. Near Fine (see desciption)/No Jacket as issued. Illus. by Emily Carr Cover Art. 9.75w x 11.25h Inches.
Von Händler/Antiquariat, Leonard Shoup.
Canada: Toronto, ON: Art Gallery of Ontario ( AGO ) / Fredericton, NB: Goose Lane Editions, 2014, 1st Edition, First Printing, 2014. ----------hardcover , about 9.75w x 11.25h inches, a Very Good+ to Near Fine example, looks close to new but there are two black 'x" marks on spine, small area of rubbing on the spine, small nick at upper spine tip, signed without inscription by Milroy, no dustjacket as issued, overseas shipping (anywhere outside of Canada and the USA ) will require additional charges, 303 pages, colour photos and images throughout, a lovely book, ---"Emily Carr captures the natural and cultural landscapes of British Columbia like no other artist before or after her. --This major volume, designed to accompany an exhibition organized by the Dulwich Picture Gallery in London and the Art Gallery of Ontario in Toronto, gathers work from all phases of this extraordinary artist's career — from her delicate early watercolours of the 1890s to her expressive hybrids of the 1930s and 1940s, which carry European and North American Modernist traditions with the formal stylizations of Indigenous design. --Carr's lifelong fascination with British Columbia's original inhabitants transformed her. Visiting First Nations villages up and down the coast, she absorbed the essence of the place she loved so well. Those experiences changed her life and charged her work, inspiring her imagination. --This monumental volume features more than 100 colour reproductions of Carr's work, including some of her most renowned paintings, in dialogue with dozens of indigenous artifacts from the Pacific Northwest: historic masks, baskets, and ceremonial objects by Haida, Kwakwaka'wakw, Nuu-chah-nulth, Salish, Tlingit, and Tsimshian makers. Drawn from public and private collections, including the British Museum, the Pitt Rivers Museum, Horniman Museum and Gardens, and the Museum of Anthropology at the University of British Columbia, these artifacts illuminate Carr's connections to Indigenous cultures. --From the Forest to the Sea features written contributions by Toronto writer and art critic Sarah Milroy; Ian Dejardin, Director of Dulwich Picture Gallery (London) acclaimed contemporary artists Peter Doig and Jessica Stockholder; leading Carr scholars Ian Thom, Charles Hill, Kathryn Bridge, and Gerta Moray; Haida hereditary chief and master carver James Hart; Kwakwaka'wakw artists Corrine Hunt and Marianne Nicolson; and anthropologists Robert Storrie and Karen Duffek. Together, they illuminate Carr's immense legacy and the connections to First Nations culture that inspired her work"---, ---CONTENTS ARE: Foreword / Ian Dejardin and Matthew Teitelbaum -- A life of Emily Carr / Ian Dejardin -- Why Emily Carr matters to Canadians / Sarah Milroy -- Living in the tradition : an indigenous perspective / an interview with Corrine Hunt by Sarah Milroy -- The Tow Hill pole : Emily Carr's totem and forest / James Hart -- The green cubes of Emily Carr / Jessica Stockholder -- Ambiguity in Northwest Coast design / Robert Storrie -- The modern moment : Emily Carr's Kitwancool totems / Gerta Moray -- Blunden Harbour : between photography and painting / Charles Hill -- The weather dance mask / Marianne Nicolson -- Emily Carr : a pioneer on paper / Ian Thom -- Windswept trees / Peter Doig -- Everything is one : a nuu-chah-nulth whaling harpoon head (takami) / Karen Duffek -- The sketchbooks of Emily Carr / Kathryn Bridge., any image directly beside this listing is the actual book and not a generic photo /// SIGNED ---GUARANTEED to be AVAILABLE///. Signed (see description). First Edition. Hard Cover. Near Fine (see desciption)/No Jacket as issued. Illus. by Emily Carr Cover Art. 9.75w x 11.25h Inches.
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From the Forest to the Sea: Emily Carr in British Columbia
EN HC NWISBN: 9780864928696 bzw. 0864928696, in Englisch, Goose Lane Editions, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
From-the-Forest-to-the-Sea~~Sarah-Milroy, From the Forest to the Sea: Emily Carr in British Columbia, Hardcover.
From-the-Forest-to-the-Sea~~Sarah-Milroy, From the Forest to the Sea: Emily Carr in British Columbia, Hardcover.
3
From the Forest to the Sea
EN NWISBN: 9780864928696 bzw. 0864928696, in Englisch, neu.
Emily Carr captures the natural and cultural landscapes of British Columbia like no other artist before or after her. This major volume, designed to accompany an exhibition organized by the Dulwich Picture Gallery in London and the Art Gallery of Ontario in Toronto, gathers work from all phases of this extraordinary artist's career ? from her delicate early watercolours of the 1890s to her expressive hybrids of the 1930s and 1940s, which carry European and North American Modernist traditions with the formal stylizations of Indigenous design. Carr's lifelong fascination with British Columbia's original inhabitants transformed her. Visiting First Nations villages up and down the coast, she absorbed the essence of the place she loved so well. Those experiences changed her life and charged her work, inspiring her imagination. This monumental volume features more than 100 colour reproductions of Carr's work, including some of her most renowned paintings, in dialogue with dozens of indigenous artifacts from the Pacific Northwest: historic masks, baskets, and ceremonial objects by Haida, Kwakwaka'wakw, Nuu-chah-nulth, Salish, Tlingit, and Tsimshian makers. Drawn from public and private collections, including the British Museum, the Pitt Rivers Museum, Horniman Museum and Gardens, and the Museum of Anthropology at the University of British Columbia, these artifacts illuminate Carr's connections to Indigenous cultures. From the Forest to the Sea features written contributions by Toronto writer and art critic Sarah Milroy; Ian Dejardin, Director of Dulwich Picture Gallery (London); acclaimed contemporary artists Peter Doig and Jessica Stockholder; leading Carr scholars Ian Thom, Charles Hill, Kathryn Bridge, and Gerta Moray; Haida hereditary chief and master carver James Hart; Kwakwaka'wakw artists Corrine Hunt and Marianne Nicolson; and anthropologists Robert Storrie and Karen Duffek. Together, they illuminate Carr ' immense legacy and the connections to First Nation ...
4
From the Forest to the Sea: Emily Carr in British Columbia
EN NWISBN: 9780864928696 bzw. 0864928696, in Englisch, GOOSE LANE EDITIONS, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Sarah Milroy, Books, Art and Architecture, From the Forest to the Sea: Emily Carr in British Columbia, Emily Carr captures the natural and cultural landscapes of British Columbia like no other artist before or after her. This major volume, designed to accompany an exhibition organized by the Dulwich Picture Gallery in London and the Art Gallery of Ontario in Toronto, gathers work from all phases of this extraordinary artist's career — from her delicate early watercolours of the 1890s to her expressive hybrids of the 1930s and 1940s, which carry European and North American Modernist traditions with the formal stylizations of Indigenous design. Carr's lifelong fascination with British Columbia's original inhabitants transformed her. Visiting First Nations villages up and down the coast, she absorbed the essence of the place she loved so well. Those experiences changed her life and charged her work, inspiring her imagination. This monumental volume features more than 100 colour reproductions of Carr's work, including some of her most renowned paintings, in dialogue with dozens of indigenous artifacts from the Pacific Northwest: historic masks, baskets, and ceremonial objects by Haida, Kwakwaka'wakw, Nuu-chah-nulth, Salish, Tlingit, and Tsimshian makers. Drawn from public and private collections, including the British Museum, the Pitt Rivers Museum, Horniman Museum and Gardens, and the Museum of Anthropology at the University of British Columbia, these artifacts illuminate Carr's connections to Indigenous cultures. From the Forest to the Sea features written contributions by Toronto writer and art critic Sarah Milroy; Ian Dejardin, Director of Dulwich Picture Gallery (London) acclaimed contemporary artists Peter Doig and Jessica Stockholder; leading Carr scholars Ian Thom, Charles Hill, Kathryn Bridge, and Gerta Moray; Haida hereditary chief and master carver James Hart; Kwakwaka'wakw artists Corrine Hunt and Marianne Nicolson; and anthropologists Robert Storrie and Karen Duffek. Together, they illuminate Carr's immense legacy and the connections to First Nations culture that inspired her work.
Sarah Milroy, Books, Art and Architecture, From the Forest to the Sea: Emily Carr in British Columbia, Emily Carr captures the natural and cultural landscapes of British Columbia like no other artist before or after her. This major volume, designed to accompany an exhibition organized by the Dulwich Picture Gallery in London and the Art Gallery of Ontario in Toronto, gathers work from all phases of this extraordinary artist's career — from her delicate early watercolours of the 1890s to her expressive hybrids of the 1930s and 1940s, which carry European and North American Modernist traditions with the formal stylizations of Indigenous design. Carr's lifelong fascination with British Columbia's original inhabitants transformed her. Visiting First Nations villages up and down the coast, she absorbed the essence of the place she loved so well. Those experiences changed her life and charged her work, inspiring her imagination. This monumental volume features more than 100 colour reproductions of Carr's work, including some of her most renowned paintings, in dialogue with dozens of indigenous artifacts from the Pacific Northwest: historic masks, baskets, and ceremonial objects by Haida, Kwakwaka'wakw, Nuu-chah-nulth, Salish, Tlingit, and Tsimshian makers. Drawn from public and private collections, including the British Museum, the Pitt Rivers Museum, Horniman Museum and Gardens, and the Museum of Anthropology at the University of British Columbia, these artifacts illuminate Carr's connections to Indigenous cultures. From the Forest to the Sea features written contributions by Toronto writer and art critic Sarah Milroy; Ian Dejardin, Director of Dulwich Picture Gallery (London) acclaimed contemporary artists Peter Doig and Jessica Stockholder; leading Carr scholars Ian Thom, Charles Hill, Kathryn Bridge, and Gerta Moray; Haida hereditary chief and master carver James Hart; Kwakwaka'wakw artists Corrine Hunt and Marianne Nicolson; and anthropologists Robert Storrie and Karen Duffek. Together, they illuminate Carr's immense legacy and the connections to First Nations culture that inspired her work.
5
From the Forest to the Sea : Emily Carr in British Columbia
~EN USISBN: 9780864928696 bzw. 0864928696, vermutlich in Englisch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
From the Forest to the Sea: Emily Carr in British Columbia
~EN NWISBN: 9780864928696 bzw. 0864928696, vermutlich in Englisch, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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