THROUGH ANOTHER LENS MY YEARS WITH EDWARD WESTON By - Hardcover *VG*
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Through Another Lens: My Years With Edward Weston (1998)
EN HC USISBN: 9780865475212 bzw. 0865475210, in Englisch, North Point Pr, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, BooksForTheNeedy.com.
North Point Pr, 1998-05. Hardcover. Good. Ships M-F. Good book with general shelf-wear and a mildly turned spine. This is a great reading copy. We protect your purchase with damage-resistant double-layer bubble-wrap packaging where possible. Your purchase helps fund small charities in Ohio, Kentucky, Indiana. *Our delivery standard: order received by 2PM Eastern US time goes out by 4:30 PM M-F.
Von Händler/Antiquariat, BooksForTheNeedy.com.
North Point Pr, 1998-05. Hardcover. Good. Ships M-F. Good book with general shelf-wear and a mildly turned spine. This is a great reading copy. We protect your purchase with damage-resistant double-layer bubble-wrap packaging where possible. Your purchase helps fund small charities in Ohio, Kentucky, Indiana. *Our delivery standard: order received by 2PM Eastern US time goes out by 4:30 PM M-F.
2
Through Another Lens: My Years With Edward Weston (1998)
EN HC USISBN: 9780865475212 bzw. 0865475210, in Englisch, 376 Seiten, North Point Press, gebundenes Buch, gebraucht.
Neu ab: € 105,90 (2 Angebote)
Gebraucht ab: € 52,75 (6 Angebote)
Zu den weiteren 8 Angeboten bei Amazon.de (Int.)
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen, Versandkostenfrei. Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, Nearfine.
Charis Wilson jump starts her recollection of her years with Edward Weston with a visit to Death Valley (where, as model and photographer, they made many of his most famous photographs) for the first time in nearly 50 years. From there she follows the flow of memory. Wilson was just 19 when she first met the 48-year-old photographer. Shortly after that first encounter, Weston jotted the following entry in one of his Daybooks: "I have not opened this book for almost 8 months--and with good reason; I have been too busy, busy living. I notice the last entry was 4-20. On 4-22 a new love came into my life, a most beautiful one, one which will, I believe, stand the test of time." Wilson remembers spotting a "short man in brown clothes" as she scanned a crowded room after a concert; he was Weston. Wilson soon became his model (she is the subject of more than half of his recorded nudes), then his lover, and ultimately his wife. Their relationship seemed to transcend that of artist and muse. The two worked alongside one another, she assisting him in the darkroom, he illustrating texts she wrote. Wilson's memoir is filled with anecdotes about Weston's work methods and personal habits that his admirers will find delightful: Weston wore glasses to focus his shot, then yanked them off to view his subject so that each shot was achieved through a flurry of the glasses flying off and onto the photographer's face; he used a heavy tarp to transform the back of his Ford V-8 into a darkroom; he ambushed the sun, laying in the sand until it illuminated his subject just the way he desired; coated cats' whiskers with butter so they'd lick them, staying in one place long enough for him to take his shot; and had a penchant for foods that would revolt even the most iron stomached. These recollections combined with other details about their lives together, their friendships with Ansel Adams, Imogen Cunningham, Jack London and other luminaries and their work form a comprehensive if roseate view of Weston that is a substantial addition to what we know about the legendary photographer. --Jordana Moskowitz, Gebundene Ausgabe, Label: North Point Press, North Point Press, Produktgruppe: Book, Publiziert: 1998-05, Studio: North Point Press, Verkaufsrang: 617415.
Von Händler/Antiquariat, Nearfine.
Charis Wilson jump starts her recollection of her years with Edward Weston with a visit to Death Valley (where, as model and photographer, they made many of his most famous photographs) for the first time in nearly 50 years. From there she follows the flow of memory. Wilson was just 19 when she first met the 48-year-old photographer. Shortly after that first encounter, Weston jotted the following entry in one of his Daybooks: "I have not opened this book for almost 8 months--and with good reason; I have been too busy, busy living. I notice the last entry was 4-20. On 4-22 a new love came into my life, a most beautiful one, one which will, I believe, stand the test of time." Wilson remembers spotting a "short man in brown clothes" as she scanned a crowded room after a concert; he was Weston. Wilson soon became his model (she is the subject of more than half of his recorded nudes), then his lover, and ultimately his wife. Their relationship seemed to transcend that of artist and muse. The two worked alongside one another, she assisting him in the darkroom, he illustrating texts she wrote. Wilson's memoir is filled with anecdotes about Weston's work methods and personal habits that his admirers will find delightful: Weston wore glasses to focus his shot, then yanked them off to view his subject so that each shot was achieved through a flurry of the glasses flying off and onto the photographer's face; he used a heavy tarp to transform the back of his Ford V-8 into a darkroom; he ambushed the sun, laying in the sand until it illuminated his subject just the way he desired; coated cats' whiskers with butter so they'd lick them, staying in one place long enough for him to take his shot; and had a penchant for foods that would revolt even the most iron stomached. These recollections combined with other details about their lives together, their friendships with Ansel Adams, Imogen Cunningham, Jack London and other luminaries and their work form a comprehensive if roseate view of Weston that is a substantial addition to what we know about the legendary photographer. --Jordana Moskowitz, Gebundene Ausgabe, Label: North Point Press, North Point Press, Produktgruppe: Book, Publiziert: 1998-05, Studio: North Point Press, Verkaufsrang: 617415.
3
Through Another Lens: My Years With Edward Weston (1998)
EN HC USISBN: 9780865475212 bzw. 0865475210, in Englisch, 376 Seiten, Douglas & McIntyre / Not Applicable, gebundenes Buch, gebraucht.
Neu ab: CDN$ 147.00 (2 Angebote)
Gebraucht ab: CDN$ 61.50 (5 Angebote)
Zu den weiteren 7 Angeboten bei Amazon.ca
Lieferung aus: Kanada, Usually ships within 1 - 2 business days, Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, Ergodebooks Ships from USA.
Charis Wilson jump starts her recollection of her years with Edward Weston with a visit to Death Valley (where, as model and photographer, they made many of his most famous photographs) for the first time in nearly 50 years. From there she follows the flow of memory. Wilson was just 19 when she first met the 48-year-old photographer. Shortly after that first encounter, Weston jotted the following entry in one of his Daybooks: "I have not opened this book for almost 8 months--and with good reason; I have been too busy, busy living. I notice the last entry was 4-20. On 4-22 a new love came into my life, a most beautiful one, one which will, I believe, stand the test of time." Wilson remembers spotting a "short man in brown clothes" as she scanned a crowded room after a concert; he was Weston. Wilson soon became his model (she is the subject of more than half of his recorded nudes), then his lover, and ultimately his wife. Their relationship seemed to transcend that of artist and muse. The two worked alongside one another, she assisting him in the darkroom, he illustrating texts she wrote. Wilson's memoir is filled with anecdotes about Weston's work methods and personal habits that his admirers will find delightful: Weston wore glasses to focus his shot, then yanked them off to view his subject so that each shot was achieved through a flurry of the glasses flying off and onto the photographer's face; he used a heavy tarp to transform the back of his Ford V-8 into a darkroom; he ambushed the sun, laying in the sand until it illuminated his subject just the way he desired; coated cats' whiskers with butter so they'd lick them, staying in one place long enough for him to take his shot; and had a penchant for foods that would revolt even the most iron stomached. These recollections combined with other details about their lives together, their friendships with Ansel Adams, Imogen Cunningham, Jack London and other luminaries and their work form a comprehensive if roseate view of Weston that is a substantial addition to what we know about the legendary photographer. --Jordana Moskowitz, Hardcover, Label: Douglas & McIntyre / Not Applicable, Douglas & McIntyre / Not Applicable, Produktgruppe: Book, Publiziert: 1998-02-01, Studio: Douglas & McIntyre / Not Applicable, Verkaufsrang: 1056032.
Von Händler/Antiquariat, Ergodebooks Ships from USA.
Charis Wilson jump starts her recollection of her years with Edward Weston with a visit to Death Valley (where, as model and photographer, they made many of his most famous photographs) for the first time in nearly 50 years. From there she follows the flow of memory. Wilson was just 19 when she first met the 48-year-old photographer. Shortly after that first encounter, Weston jotted the following entry in one of his Daybooks: "I have not opened this book for almost 8 months--and with good reason; I have been too busy, busy living. I notice the last entry was 4-20. On 4-22 a new love came into my life, a most beautiful one, one which will, I believe, stand the test of time." Wilson remembers spotting a "short man in brown clothes" as she scanned a crowded room after a concert; he was Weston. Wilson soon became his model (she is the subject of more than half of his recorded nudes), then his lover, and ultimately his wife. Their relationship seemed to transcend that of artist and muse. The two worked alongside one another, she assisting him in the darkroom, he illustrating texts she wrote. Wilson's memoir is filled with anecdotes about Weston's work methods and personal habits that his admirers will find delightful: Weston wore glasses to focus his shot, then yanked them off to view his subject so that each shot was achieved through a flurry of the glasses flying off and onto the photographer's face; he used a heavy tarp to transform the back of his Ford V-8 into a darkroom; he ambushed the sun, laying in the sand until it illuminated his subject just the way he desired; coated cats' whiskers with butter so they'd lick them, staying in one place long enough for him to take his shot; and had a penchant for foods that would revolt even the most iron stomached. These recollections combined with other details about their lives together, their friendships with Ansel Adams, Imogen Cunningham, Jack London and other luminaries and their work form a comprehensive if roseate view of Weston that is a substantial addition to what we know about the legendary photographer. --Jordana Moskowitz, Hardcover, Label: Douglas & McIntyre / Not Applicable, Douglas & McIntyre / Not Applicable, Produktgruppe: Book, Publiziert: 1998-02-01, Studio: Douglas & McIntyre / Not Applicable, Verkaufsrang: 1056032.
4
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THROUGH ANOTHER LENS: My Years With EDWARD WESTON (1998)
EN HC US FEISBN: 9780865475212 bzw. 0865475210, in Englisch, North Point Press, gebundenes Buch, gebraucht, Erstausgabe, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Balcony Books and Records.
San Francisco: North Point Press. Fine/Fine Dust Jacket. 1998. First Edition. Large Hard Cover. 0865475210 A memoir of her life in the 1930s and 1940s with photographer Edward Weston, by his wife at the time, and sometimes model, Charis Wilson. 376 pages, with index, and 86 photographs throughout. including many previously unpublished family pictures, photographs by friends, and many of Weston's own extraodinary photographs. A fine first edition hardcover in fine dustjacket. .
Von Händler/Antiquariat, Balcony Books and Records.
San Francisco: North Point Press. Fine/Fine Dust Jacket. 1998. First Edition. Large Hard Cover. 0865475210 A memoir of her life in the 1930s and 1940s with photographer Edward Weston, by his wife at the time, and sometimes model, Charis Wilson. 376 pages, with index, and 86 photographs throughout. including many previously unpublished family pictures, photographs by friends, and many of Weston's own extraodinary photographs. A fine first edition hardcover in fine dustjacket. .
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Through Another Lens
EN HC USISBN: 9780865475212 bzw. 0865475210, in Englisch, MacMillan Higher Education, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
9780865475212,0865475210,through,another,lens,wilson, Excellent Marketplace listings for "Through Another Lens" by Wilson starting as low as $8.95! Hardback, Shipping to USA only!
9780865475212,0865475210,through,another,lens,wilson, Excellent Marketplace listings for "Through Another Lens" by Wilson starting as low as $8.95! Hardback, Shipping to USA only!
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