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100%: Clarke, Jay A. [Editor]: Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) (ISBN: 9780865592285) 2009, The Art Institute of Chicago / Yale University Press, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
83%: Clarke, Jay A.: Becoming Edvard Munch: Influence, Anxiety, and Myth (Elgar EU Energy Law series) (ISBN: 9780300119503) Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago)
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Bester Preis: € 8,12 (vom 22.03.2018)1
Becoming Edvard Munch: Influence, Anxiety, and Myth (2009)
EN PB USISBN: 9780865592285 bzw. 0865592284, in Englisch, Art Institute of Chicago, Taschenbuch, gebraucht.
Von Händler/Antiquariat, HPB-Blue [65444979], Dallas, TX, U.S.A.
Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
2
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Becoming Edvard Munch: Influence, Anxiety, and Myth (2009)
EN PB FEISBN: 9780865592285 bzw. 0865592284, in Englisch, The Art Institute of Chicago / Yale University Press, Taschenbuch, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Jeff Hirsch Books, ABAA.
Chicago, IL & New Haven, CT: The Art Institute of Chicago / Yale University Press, 2009. First edition. Softcover. 231 pages. Exhibition catalog for a show that ran February 14 through April 26, 2009. Includes numerous color and black and white illustrations. A very near fine copy in wrappers.
Von Händler/Antiquariat, Jeff Hirsch Books, ABAA.
Chicago, IL & New Haven, CT: The Art Institute of Chicago / Yale University Press, 2009. First edition. Softcover. 231 pages. Exhibition catalog for a show that ran February 14 through April 26, 2009. Includes numerous color and black and white illustrations. A very near fine copy in wrappers.
3
Symbolbild
Becoming Edvard Munch: Influence, Anxiety, and Myth (2009)
EN PB USISBN: 9780865592285 bzw. 0865592284, in Englisch, Art Institute of Chicago, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, Half Price Books Inc, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority! Paperback.
Von Händler/Antiquariat, Half Price Books Inc, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority! Paperback.
4
Symbolbild
Becoming Edvard Munch: Influence, Anxiety, and Myth (2009)
EN PB USISBN: 9780865592285 bzw. 0865592284, in Englisch, Art Institute of Chicago, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, HPB-Sapphire, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cd-om or access codes. Customer service is our top priority! Paperback.
Von Händler/Antiquariat, HPB-Sapphire, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cd-om or access codes. Customer service is our top priority! Paperback.
5
Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) (2009)
EN HC US FEISBN: 9780300119503 bzw. 030011950X, in Englisch, 232 Seiten, Art Institute of Chicago, gebundenes Buch, gebraucht, Erstausgabe.
Neu ab: $34.45 (27 Angebote)
Gebraucht ab: $7.49 (24 Angebote)
Zu den weiteren 51 Angeboten bei Amazon.com
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, hippo_books.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862–1944): he was mentally unstable, as his iconic work The Scream (1893) suggests, and he was radically independent, following his own singular vision. Becoming Edvard Munch: Influence, Anxiety, and Myth persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch’s paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch’s diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. Becoming Edvard Munch features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers. , Hardcover, Ausgabe: 1st, Label: Art Institute of Chicago, Art Institute of Chicago, Produktgruppe: Book, Publiziert: 2009-03-24, Studio: Art Institute of Chicago, Verkaufsrang: 1454959.
Von Händler/Antiquariat, hippo_books.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862–1944): he was mentally unstable, as his iconic work The Scream (1893) suggests, and he was radically independent, following his own singular vision. Becoming Edvard Munch: Influence, Anxiety, and Myth persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch’s paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch’s diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. Becoming Edvard Munch features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers. , Hardcover, Ausgabe: 1st, Label: Art Institute of Chicago, Art Institute of Chicago, Produktgruppe: Book, Publiziert: 2009-03-24, Studio: Art Institute of Chicago, Verkaufsrang: 1454959.
6
Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) (2009)
EN HC NW FEISBN: 9780300119503 bzw. 030011950X, in Englisch, 232 Seiten, Art Institute of Chicago, gebundenes Buch, neu, Erstausgabe.
Neu ab: $34.45 (27 Angebote)
Gebraucht ab: $7.49 (24 Angebote)
Zu den weiteren 51 Angeboten bei Amazon.com
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, SuperBookDeals-.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862–1944): he was mentally unstable, as his iconic work The Scream (1893) suggests, and he was radically independent, following his own singular vision. Becoming Edvard Munch: Influence, Anxiety, and Myth persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch’s paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch’s diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. Becoming Edvard Munch features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers. , Hardcover, Ausgabe: 1st, Label: Art Institute of Chicago, Art Institute of Chicago, Produktgruppe: Book, Publiziert: 2009-03-24, Studio: Art Institute of Chicago, Verkaufsrang: 1454959.
Von Händler/Antiquariat, SuperBookDeals-.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862–1944): he was mentally unstable, as his iconic work The Scream (1893) suggests, and he was radically independent, following his own singular vision. Becoming Edvard Munch: Influence, Anxiety, and Myth persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch’s paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch’s diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. Becoming Edvard Munch features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers. , Hardcover, Ausgabe: 1st, Label: Art Institute of Chicago, Art Institute of Chicago, Produktgruppe: Book, Publiziert: 2009-03-24, Studio: Art Institute of Chicago, Verkaufsrang: 1454959.
7
Becoming Edvard Munch : Influence, Anxiety, and Myth by (1944)
~EN USISBN: 9780300119503 bzw. 030011950X, vermutlich in Englisch, Yale University Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work "The Scream" (1893) suggests, and he was radically independent, following his own singular vision. "Becoming Edvard Munch: Influence, Anxiety, and Myth" persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch's paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch's diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. "Becoming Edvard Munch "features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work "The Scream" (1893) suggests, and he was radically independent, following his own singular vision. "Becoming Edvard Munch: Influence, Anxiety, and Myth" persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch's paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch's diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. "Becoming Edvard Munch "features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers.
8
Becoming Edvard Munch : Influence, Anxiety, and Myth by (1944)
~EN USISBN: 9780300119503 bzw. 030011950X, vermutlich in Englisch, Yale University Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work "The Scream" (1893) suggests, and he was radically independent, following his own singular vision. "Becoming Edvard Munch: Influence, Anxiety, and Myth" persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch's paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch's diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. "Becoming Edvard Munch "features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers.
Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work "The Scream" (1893) suggests, and he was radically independent, following his own singular vision. "Becoming Edvard Munch: Influence, Anxiety, and Myth" persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch's paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch's diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. "Becoming Edvard Munch "features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers.
9
Becoming Edvard Munch: Influence, Anxiety, and Myth (2009)
~EN HC USISBN: 9780300119503 bzw. 030011950X, vermutlich in Englisch, The Art Institute of Chicago, Chicago, gebundenes Buch, gebraucht, guter Zustand.
Von Händler/Antiquariat, PsychoBabel & Skoob Books [2917279], Didcot, Oxfordshire, OXON, United Kingdom.
Hardcover. Very good condition. In unclipped dust jacket. Pages and text fine. RB, Books.
Hardcover. Very good condition. In unclipped dust jacket. Pages and text fine. RB, Books.
10
Symbolbild
Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) (2009)
~EN USISBN: 9780300119503 bzw. 030011950X, vermutlich in Englisch, Art Institute of Chicago, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Powell's Bookstores Chicago.
Art Institute of Chicago. Used - Like New. 2009. Cloth, dj. Folio. 232 pp. Profusely illustrated. (Subject: Art & Graphic Design.).
Von Händler/Antiquariat, Powell's Bookstores Chicago.
Art Institute of Chicago. Used - Like New. 2009. Cloth, dj. Folio. 232 pp. Profusely illustrated. (Subject: Art & Graphic Design.).
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