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Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Solid, scholarly and informative." The Toronto StarJean Pierre Lefebvre is as innovative a filmmaker in his own culture as Jean-Luc Godard is in his. From the 60s to the 80s, his films confirmed the sense of an emerging national cinema in Quebec and were much celebrated at international film festivals. Lefebvre s Il ne faut pas mourir pour ça (1966) was the first Canadian film ever shown at Cannes; Les Dernières Fiançailles (1973) won the top European Catholic Prize in 1974; and Les Fleurs sauvages (1982) received the International Critics Prize at the Cannes film festival in 1983. More recently, Lefebvre has explored the creative potential of video as a visual medium. In Jean Pierre Lefebvre: Vidéaste, Peter Harcourt provides an overview of Lefebvre s films and an incisive consideration of his five-part video project L ge des images (1993 95). Two essays by Lefebvre and a recent interview with him round out this timely look at a director of great distinction and emotive power.

Lieferung aus: Kanada, In Stock, plus shipping.
Books, Entertainment, Jean Pierre Lefebvre: Vidéaste, Jean Pierre Lefebvre is one of the most inventive and prolific of all Canadian filmmakers. From the sixties to the eighties, his films were as much celebrated at international film festivals as are the films of Atom Egoyan today. More recently, Lefebvre has explored the creative potential of video as a visual medium. In Jean Pierre Lefebvre: Vidéaste, Peter Harcourt provides an overview of Lefebvre’s films and an incisive consideration of his five-part video project L’age des Images (1993-95). Two essays by Lefebvre, one a personal account of the influence of Québécois films on his work, the other an argument for a “national cinema”, along with a recent interview with him round out this timely look at a director of great distinction and emotive power. Published by the Toronto International Film Festival. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
arts and literature,biographies,biographies,direction and production,entertainers,history and criticism,humor and entertainment,movies, Jean Pierre Lefebvre: Vid�aste (Cinematheque Ontario Monographs), Solid, scholarly and informative."-The Toronto StarJean Pierre Lefebvre is as innovative a filmmaker in his own culture as Jean-Luc Godard is in his. From the '60s to the '80s, his films confirmed the sense of an emerging national cinema in Quebec and were much celebrated at international film festivals. Lefebvre's Il ne faut pas mourir pour �a (1966) was the first Canadian film ever shown at Cannes; Les Derni�res Fian�ailles (1973) won the top European Catholic Prize in 1974; and Les Fleurs sauvages (1982) received the International Critics' Prize at the Cannes film festival in 1983. More recently, Lefebvre has explored the creative potential of video as a visual medium. In Jean Pierre Lefebvre: Vid�aste, Peter Harcourt provides an overview of Lefebvre's films and an incisive consideration of his five-part video project L'Age des images (1993-95). Two essays by Lefebvre and a recent interview with him round out this timely look at a director of great distinction and emotive power.