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100%: Bettina Boecker: Imagining Shakespeare's Original Audience, 1660-2000 (ISBN: 9781137379979) 2015, Palgrave Macmillan, Palgrave Macmillan, Palgrave Macmillan, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
56%: Boecker, Bettina: Imagining Shakespeare's Original Audience, 1660-2000: Groundlings, Gallants, Grocers (ISBN: 9781137379955) in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
44%: Alexander Tartakovskii: Imagining Shakespeare's Original Audience, 1660-2000 : Groundlings, Gallants, Grocers (ISBN: 9781137379962) in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
Imagining Shakespeare's Original Audience, 1660-2000
10 Angebote vergleichen
Bester Preis: € 88,40 (vom 13.02.2018)1
Imagining Shakespeare's Original Audience, 1660-2000 2015
EN NWISBN: 9781137379955 bzw. 1137379952, in Englisch, Palgrave Macmillan, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
There is a comparative dearth of hard facts on Shakespeare's first audiences. Regardless of this, Shakespeare criticism over the centuries has imagined them in various and often contradictory ways: as rambunctious groundlings, refined gallants, or staunchly middle-class grocers. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself. The book traces the critical fates of the Elizabethan audience from the beginnings of Shakespeare criticism in the long eighteenth century to the end of the twentieth. It shows how and why the people who flocked to the theatres of early modern London metamorphose from an unruly, uncivilised mob to an egalitarian, proto-democratic community held up as a model to later generations.
There is a comparative dearth of hard facts on Shakespeare's first audiences. Regardless of this, Shakespeare criticism over the centuries has imagined them in various and often contradictory ways: as rambunctious groundlings, refined gallants, or staunchly middle-class grocers. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself. The book traces the critical fates of the Elizabethan audience from the beginnings of Shakespeare criticism in the long eighteenth century to the end of the twentieth. It shows how and why the people who flocked to the theatres of early modern London metamorphose from an unruly, uncivilised mob to an egalitarian, proto-democratic community held up as a model to later generations.
2
Imagining Shakespeare's Original Audience, 1660-2000 (2015)
EN NW EB DLISBN: 9781137379979 bzw. 1137379979, in Englisch, Palgrave Macmillan, Palgrave Macmillan, Palgrave Macmillan, neu, E-Book, elektronischer Download.
Lieferung aus: Frankreich, in-stock.
There is a comparative dearth of hard facts on Shakespeare's first audiences. Regardless of this, Shakespeare criticism over the centuries has imagined them in various and often contradictory ways: as rambunctious groundlings, refined gallants, or staunchly middle-class grocers. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself. The book traces the critical fates of the Elizabethan audience from the beginnings of Shakespeare criticism in the long eighteenth century to the end of the twentieth. It shows how - and why - the people who flocked to the theatres of early modern London metamorphose from an unruly, uncivilised mob to an egalitarian, proto-democratic community held up as a model to later generations.
There is a comparative dearth of hard facts on Shakespeare's first audiences. Regardless of this, Shakespeare criticism over the centuries has imagined them in various and often contradictory ways: as rambunctious groundlings, refined gallants, or staunchly middle-class grocers. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself. The book traces the critical fates of the Elizabethan audience from the beginnings of Shakespeare criticism in the long eighteenth century to the end of the twentieth. It shows how - and why - the people who flocked to the theatres of early modern London metamorphose from an unruly, uncivilised mob to an egalitarian, proto-democratic community held up as a model to later generations.
3
Imagining Shakespeare's Original Audience, 1660-2000
EN NW EBISBN: 9781137379955 bzw. 1137379952, in Englisch, Palgrave Macmillan, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, Ebook for download.
Literary Criticism, Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself. eBook.
Literary Criticism, Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself. eBook.
4
Imagining Shakespeare's Original Audience, 1660-2000 : Groundlings, Gallants, Grocers (2000)
EN NW EB DLISBN: 9781137379962 bzw. 1137379960, in Englisch, Cambridge University Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
5
Imagining Shakespeare's Original Audience, 1660-2000 : Groundlings, Gallants, Grocers
EN PB NWISBN: 9781137379955 bzw. 1137379952, in Englisch, Taylor & Francis Ltd, Taschenbuch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
Comparatively little is known about Shakespeare's first audiences.This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
Comparatively little is known about Shakespeare's first audiences.This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
6
Imagining Shakespeare's Original Audience, 1660-2000 (2016)
EN NW EB DLISBN: 9781137379962 bzw. 1137379960, in Englisch, Palgrave Macmillan, Palgrave Macmillan, Palgrave Macmillan, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, in-stock.
Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
7
Imagining Shakespeare's Original Audience, 1660-2000 als eBook von Bettina Boecker (2000)
EN NW EB DLISBN: 9781137379962 bzw. 1137379960, in Englisch, Palgrave Macmillan UK, neu, E-Book, elektronischer Download.
Imagining Shakespeare's Original Audience, 1660-2000 ab 68.49 EURO Groundlings, Gallants, Grocers.
8
Imagining Shakespeare's Original Audience, 1660-2000 (2000)
EN NW EBISBN: 9781137379962 bzw. 1137379960, in Englisch, Springer Nature, neu, E-Book.
Lieferung aus: Deutschland, In Stock, plus shipping.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9
Imagining Shakespeare's Original Audience, 1660-2000
EN NWISBN: 9781137379955 bzw. 1137379952, in Englisch, Springer Science+Business Media, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Imagining Shakespeare's Original Audience, 1660-2000: Groundlings, Gallants, Grocers
EN HC NWISBN: 9781137379955 bzw. 1137379952, in Englisch, Palgrave Macmillan UK, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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