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Virgil's Gaze: Nation and Poetry in the Aeneid
EN NWISBN: 9780691170916 bzw. 0691170916, in Englisch, Princeton University Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
J. D. Reed, Books, Fiction and Literature, Virgil's Gaze: Nation and Poetry in the Aeneid, Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
J. D. Reed, Books, Fiction and Literature, Virgil's Gaze: Nation and Poetry in the Aeneid, Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
2
Virgil's Gaze
EN NWISBN: 9780691170916 bzw. 0691170916, in Englisch, Princeton University Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J.D. Reed argues inVirgil's Gaze, the great Roman epic satisfies this identification only indirectly-if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities-especially Trojan, Carthaginian, Italian, and Greek-oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious-adaptable to a universal nationality, potentially an imperial force-but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J.D. Reed argues inVirgil's Gaze, the great Roman epic satisfies this identification only indirectly-if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities-especially Trojan, Carthaginian, Italian, and Greek-oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious-adaptable to a universal nationality, potentially an imperial force-but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
3
Virgil's Gaze: Nation and Poetry in the Aeneid (2007)
EN HC NWISBN: 9780691127408 bzw. 0691127409, in Englisch, 240 Seiten, Princeton University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 2-3 business days.
Von Händler/Antiquariat, TOTAL BOOKS.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid. , Hardcover, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 2007-01-22, Studio: Princeton University Press, Verkaufsrang: 3432012.
Von Händler/Antiquariat, TOTAL BOOKS.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid. , Hardcover, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 2007-01-22, Studio: Princeton University Press, Verkaufsrang: 3432012.
4
Virgil's Gaze: Nation and Poetry in the Aeneid (2007)
EN HC USISBN: 9780691127408 bzw. 0691127409, in Englisch, 240 Seiten, Princeton University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, academybookshop.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid. , Hardcover, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 2007-01-22, Studio: Princeton University Press, Verkaufsrang: 3432012.
Von Händler/Antiquariat, academybookshop.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid. , Hardcover, Label: Princeton University Press, Princeton University Press, Produktgruppe: Book, Publiziert: 2007-01-22, Studio: Princeton University Press, Verkaufsrang: 3432012.
5
Virgil's Gaze: Nation and Poetry in the Aeneid
EN HC NWISBN: 9780691127408 bzw. 0691127409, in Englisch, Princeton University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Virgils-Gaze~~J-D-Reed, Virgil's Gaze: Nation and Poetry in the Aeneid.
Virgils-Gaze~~J-D-Reed, Virgil's Gaze: Nation and Poetry in the Aeneid.
6
Virgil´s Gaze: Nation and Poetry in the Aeneid
EN NWISBN: 9780691127408 bzw. 0691127409, in Englisch, Princeton Univ Pr, neu.
Focusing on questions of narratology, intertextuality, and ideology, ´´Virgil´s Gaze´´ offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed´s wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the ´´Aeneid´´.
8
Virgil's Gaze: Nation and Poetry in the Aeneid
EN NWISBN: 9780691127408 bzw. 0691127409, in Englisch, Princeton University Press, Vereinigte Staaten von Amerika, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Versandfertig innerhalb von 3 Wochen.
Nation and Poetry in the Aeneid, Focusing on questions of narratology, intertextuality, and ideology, "Virgil's Gaze" offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the "Aeneid".
Nation and Poetry in the Aeneid, Focusing on questions of narratology, intertextuality, and ideology, "Virgil's Gaze" offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the "Aeneid".
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