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100%: Bengis, Ingrid: Metro Stop Dostoevsky, Travels in Russian Time (ISBN: 9781429998833) 2003, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Ingrid Bengis: Metro Stop Dostoevsky: Travels in Russian Time (ISBN: 9780865476721) in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
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Bester Preis: € 7,23 (vom 11.07.2016)1
Metro Stop Dostoevsky, Travels in Russian Time (2003)
EN NW EBISBN: 9781429998833 bzw. 1429998830, in Englisch, North Point Press, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both The daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of ... A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both The daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 1429998830;ISBN13: 9781429998833; Engels | Ebook | 2003.
bol.com.
A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both The daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of ... A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both The daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 1429998830;ISBN13: 9781429998833; Engels | Ebook | 2003.
2
Metro Stop Dostoevsky
EN NW EBISBN: 9781429998833 bzw. 1429998830, in Englisch, Farrar, Straus and Giroux, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, E-Book zum download.
Travel, A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both The daughter of Russian migrs, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, navely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked.
Travel, A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both The daughter of Russian migrs, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, navely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked.
3
Metro Stop Dostoevsky (2003)
EN NW EB DLISBN: 9781429998833 bzw. 1429998830, in Englisch, North Point Press, North Point Press, North Point Press, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for bothThe daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked.
A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for bothThe daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked.
4
Metro Stop Dostoevsky: Travels in Russian Time
EN USISBN: 0865476721 bzw. 9780865476721, in Englisch, North Point Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
arts and literature,asia,authors,biographies,general,russia,specific groups,travel,women, A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for bothThe daughter of Russian �migr�s, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, na�vely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a R.
arts and literature,asia,authors,biographies,general,russia,specific groups,travel,women, A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for bothThe daughter of Russian �migr�s, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, na�vely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience. Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting remains a centuries-old preoccuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a R.
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