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100%: Maria Emilia Fonseca: Touching Art, The Poetics and the Politics of Exhibiting the Tree of Life (ISBN: 9781443835220) Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Maria Emilia Fonseca: Touching Art - The Poetics and the Politics of Exhibiting the Tree of Life (ISBN: 9781443827997) 2011, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
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Touching Art, The Poetics and the Politics of Exhibiting the Tree of Life
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Bester Preis: € 39,17 (vom 17.01.2017)1
Touching Art (2011)
EN NW EBISBN: 9781443827997 bzw. 1443827991, in Englisch, Cambridge Scholars Publishing, neu, E-Book.
Lieferung aus: Schweiz, Sofort per Download lieferbar.
The Poetics and the Politics of Exhibiting the Tree of Life, This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the "e;Africa 2005"e; season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London.This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited.The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning. PDF, 18.01.2011.
The Poetics and the Politics of Exhibiting the Tree of Life, This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the "e;Africa 2005"e; season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London.This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited.The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning. PDF, 18.01.2011.
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Touching Art
EN NW EB DLISBN: 9781443827997 bzw. 1443827991, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, zzgl. Versandkosten.
The Poetics and the Politics of Exhibiting the Tree of Life, The Poetics and the Politics of Exhibiting the Tree of Life.
The Poetics and the Politics of Exhibiting the Tree of Life, The Poetics and the Politics of Exhibiting the Tree of Life.
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Touching Art - The Poetics and the Politics of Exhibiting the Tree of Life
EN NWISBN: 9781443827997 bzw. 1443827991, in Englisch, Cambridge Scholars Publishing, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Touching Art: This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the "e Africa 2005"e season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London.This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited.The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning. Englisch, Ebook.
Touching Art: This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the "e Africa 2005"e season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London.This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited.The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning. Englisch, Ebook.
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Touching Art, The Poetics and the Politics of Exhibiting the Tree of Life (2011)
EN PB NWISBN: 9781443835220 bzw. 1443835226, in Englisch, Maria Emilia Fonseca, Taschenbuch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, ... This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited. The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning.Taal: Engels;Afmetingen: 10x212x148 mm;Gewicht: 204,00 gram;Verschijningsdatum: februari 2011;ISBN10: 1443835226;ISBN13: 9781443835220; Engelstalig | Paperback | 2011.
bol.com.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, ... This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited. The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning.Taal: Engels;Afmetingen: 10x212x148 mm;Gewicht: 204,00 gram;Verschijningsdatum: februari 2011;ISBN10: 1443835226;ISBN13: 9781443835220; Engelstalig | Paperback | 2011.
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Touching Art, The Poetics and the Politics of Exhibiting the Tree of Life (2011)
EN HC NWISBN: 9781443827126 bzw. 1443827126, in Englisch, Cambridge Scholars Publishing, gebundenes Buch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, ... This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited. The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning.Soort: Met illustraties;Taal: Engels;Afmetingen: 19x212x148 mm;Gewicht: 658,00 gram;Verschijningsdatum: februari 2011;ISBN10: 1443827126;ISBN13: 9781443827126; Engelstalig | Hardcover | 2011.
bol.com.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, ... This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the Africa 2005 season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited. The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning.Soort: Met illustraties;Taal: Engels;Afmetingen: 19x212x148 mm;Gewicht: 658,00 gram;Verschijningsdatum: februari 2011;ISBN10: 1443827126;ISBN13: 9781443827126; Engelstalig | Hardcover | 2011.
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Symbolbild
Touching Art: The Poetics and the Politics of Exhibiting the Tree of Life (2012)
EN PB NWISBN: 9781443835220 bzw. 1443835226, in Englisch, Cambridge Scholars Publishing, Taschenbuch, neu.
Von Händler/Antiquariat, Revaluation Books [2134736], Exeter, United Kingdom.
1st unabridged edition. 155 pages. 7.95x5.75x0.39 inches. In Stock.
1st unabridged edition. 155 pages. 7.95x5.75x0.39 inches. In Stock.
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Touching Art: The Poetics and the Politics of Exhibiting the Tree of Life (2011)
EN HC NWISBN: 9781443827126 bzw. 1443827126, in Englisch, 160 Seiten, Cambridge Scholars Publishing, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, Amazon.com.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the 'Africa 2005' season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation will move along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion will be the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited. The discussion will evolve towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning. Hardcover, Ausgabe: New edition, Format: Unabridged, Label: Cambridge Scholars Publishing, Cambridge Scholars Publishing, Produktgruppe: Book, Publiziert: 2011-03-01, Studio: Cambridge Scholars Publishing.
Von Händler/Antiquariat, Amazon.com.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the 'Africa 2005' season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation will move along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion will be the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited. The discussion will evolve towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning. Hardcover, Ausgabe: New edition, Format: Unabridged, Label: Cambridge Scholars Publishing, Cambridge Scholars Publishing, Produktgruppe: Book, Publiziert: 2011-03-01, Studio: Cambridge Scholars Publishing.
8
Touching Art (2012)
EN PB US FEISBN: 9781443835220 bzw. 1443835226, in Englisch, 155 Seiten, Cambridge Scholars Publishing, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Any Book.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Any Book.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9
Touching Art (2012)
EN PB NW FEISBN: 9781443835220 bzw. 1443835226, in Englisch, 155 Seiten, Cambridge Scholars Publishing, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, Amazon.com.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Amazon.com.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Symbolbild
Touching Art: The Poetics and the Politics of Exhibiting the Tree of Life (2011)
EN HC NWISBN: 9781443827126 bzw. 1443827126, in Englisch, Cambridge Scholars Publishing, gebundenes Buch, neu.
Von Händler/Antiquariat, Revaluation Books [2134736], Exeter, United Kingdom.
new edition edition. 160 pages. 8.75x6.25x0.75 inches. In Stock.
new edition edition. 160 pages. 8.75x6.25x0.75 inches. In Stock.
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