Von dem Buch Cesare Pugni - KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The Tsar-Maiden haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
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100%: Robert Ignatius Letellier: Cesare Pugni - KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The Tsar-Maiden (ISBN: 9781443835961) 2009, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
75%: Robert Ignatius Letellier: Cesare Pugni, Koniok Gorbunok le Petit Cheval Bossu / The Little Humpbacked Horse: Koniok Gorbunok, Ili Tsar-Devitsa le Petit Cheval Bossu, Ou la Tsar-Demoiselle the Little Humpbacked Horse, or the Tsar-Maiden (ISBN: 9781443835688) 2012, Cambridge Scholars Publishing, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Cesare Pugni - KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The Tsar-Maiden
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| Preise | 2017 | 2019 | 2020 |
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| Schnitt | € 62,96 | € 61,33 | € 57,69 |
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1
Cesare Pugni : KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The Tsar-Maiden (2009)
EN NW EB DLISBN: 9781443835961 bzw. 144383596X, in Englisch, Policy Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements).Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901).Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin's score. A reconstruction of Saint-Leon's original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov's book.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements).Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901).Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin's score. A reconstruction of Saint-Leon's original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov's book.
2
Cesare Pugni : KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The Tsar-Maiden
EN NW EB DLISBN: 9781443835961 bzw. 144383596X, in Englisch, Hodder & Stoughton, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements).Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901).Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin's score. A reconstruction of Saint-Leon's original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov's book.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements).Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901).Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin's score. A reconstruction of Saint-Leon's original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov's book.
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Cesare Pugni, Koniok Gorbunok le Petit Cheval Bossu / The Little Humpbacked Horse: Koniok Gorbunok, Ili Tsar-Devitsa le Petit Cheval Bossu, Ou la Tsar-Demoiselle the Little Humpbacked Horse, or the Tsar-Maiden (2012)
EN PB NWISBN: 9781443835688 bzw. 1443835684, in Englisch, Cambridge Scholars Publishing, Taschenbuch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules... Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements). Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901). Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin's score. A reconstruction of Saint-Leon's original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov's book.Soort: Met illustraties;Taal: Engels;Afmetingen: 9x212x148 mm;Gewicht: 930,00 gram;Verschijningsdatum: februari 2012;ISBN10: 1443835684;ISBN13: 9781443835688; Engelstalig | Paperback | 2012.
bol.com.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules... Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements). Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901). Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin's score. A reconstruction of Saint-Leon's original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov's book.Soort: Met illustraties;Taal: Engels;Afmetingen: 9x212x148 mm;Gewicht: 930,00 gram;Verschijningsdatum: februari 2012;ISBN10: 1443835684;ISBN13: 9781443835688; Engelstalig | Paperback | 2012.
4
Cesare Pugni - KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The Tsar-Maiden
EN NWISBN: 9781443835961 bzw. 144383596X, in Englisch, Cambridge Scholars Publishing, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Cesare Pugni: Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch` Faraona (Pharaoh`s Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer`s death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements).Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901).Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin`s score. A reconstruction of Saint-Leon`s original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov`s book. Englisch, Ebook.
Cesare Pugni: Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet-working closely with Jules Perrot (1810-1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon (1821-1870), Paolo Taglioni (1808-1884), Marius Petipa (1818-1910), and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch` Faraona (Pharaoh`s Daughter) (1862) and Koniok Gorbunok (The Little Humpbacked Horse) (1862). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer`s death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements).Arthur Saint-Leon, famous for Coppelia with Leo Delibes (1870), created The Little Humpbacked Horse to the music of Cesare Pugni for the Imperial Ballet (today the Maryinsky Ballet). The story of Koniok Gorbunok is based on the popular fairy-tale by Petr Yershov (1834), and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The scenario is notable for its humour as well as its fantasy. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Saint-Leon, who chose the subject and the source, and devised the scenario himself. The first performance was on 13 December 1864 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg. The Emperor Alexander II attended the premiere, a great and enduring success. Marius Petipa revived the ballet in 1895 as The Tsar-Maiden for the dancer Pierina Legnani. The work lived on for many years in the repertory of the Imperial Ballet (given in St Petersburg over 200 times), a success continued in Soviet times at the Kirov Ballet, and also the Bolshoi Theatre in Moscow in a version by Alexander Gorsky (1901).Alexander Radunsky choreographed his own version of this ballet to a score by Rodion Shchedrin for the Bolshoi Ballet in 1960, a version of which was filmed with Maya Plisetskaya as the Tsar-Maiden and Vladimir Vasiliev as Ivanushka. In 2009 Alexei Ratmansky choreographed a new version for the Maryinsky Ballet, also using Shchedrin`s score. A reconstruction of Saint-Leon`s original was filmed in 1989 for Russian television with graduates from the Vaganova Academy of Russian Ballet in the lead roles. The film included narrated sections and illustrations from a popular 1964 Russian edition of Yershov`s book. Englisch, Ebook.
5
Cesare Pugni: Koniok Gorbunok Le Petit Cheval Bossu/The Little Humpbacked Horse (2012)
EN PB US FEISBN: 9781443835688 bzw. 1443835684, in Englisch, 160 Seiten, Cambridge Scholars Publishing, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Red Rhino.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet - working closely with Jules Perrot, first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such Esmeralda and the Pas de Quatre (in 1844 and 1845 respectively), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon, Paolo Taglioni, Marius Petipa, and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) and Konyok Gorbunok (The Little Humpbacked Horse) (in 1862 and 1864 respectively). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements). The story of Konyok Gorbunok is based on the popular fairy-tale by Pyotr Yershov, and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Arthur Saint-Leon who chose the theme and devised the scenario himself. The comical fairy-tale provided an opportunity for the confrontation and overlapping of three different worlds: the manners of the old Russian peasantry; the mystique and glamour of the Orient in the Court of the Khan; and the ideal kingdom of the classical dance that is imposed on the first two worlds. Saint-Leon's scenario also helped to establish certain set scene-types with their respective series of formalized dances: the adaptation of the Romantic fantastical transformation scene to an enchanted world (the underwater episode, or a dream sequence), and the pageant of national dances (often functioning as the final celebratory divertissement). These major generic episodes are found in all the big Russian ballets of the following decades The Slavic musical themes used by Pugni, combined with the classical dance, prepared the way for later works like Stavinsky's L'Oiseau de feu and Patrouchka. Despite the confused folklore, the ballet proved an instant success with audiences. The part of the Tsar Maiden was the last creation of Marfa Muravieva. It was frequently revived, most notably by Marius Petipa (St Petersburg, 1895) and by Alexander Gorsky (Moscow, 1901). In fact it became one of the most popular works in the repertory of the Imperial Theatre, and was given in St Petersburg over 200 times. This success extended into the Soviet era. A new ballet of the same title, with libretto by Vainonen and P. Maliarevsky, choreography by Radunsky, and a new score by Rodion Konstantinovich Shchedrin was premiered at the Moscow Bolshoi on 4 March 1960. Paperback, Ausgabe: 1st Unabridged, Format: Unabridged, Label: Cambridge Scholars Publishing, Cambridge Scholars Publishing, Produktgruppe: Book, Publiziert: 2012-02-01, Studio: Cambridge Scholars Publishing, Verkaufsrang: 1971805.
Von Händler/Antiquariat, Red Rhino.
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet - working closely with Jules Perrot, first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such Esmeralda and the Pas de Quatre (in 1844 and 1845 respectively), which still find their place in some modern repertories. He also worked with Arthur Saint-Leon, Paolo Taglioni, Marius Petipa, and some of the greatest dancers of the century. Pugni followed Perrot to Russia and became official composer of the Imperial theatres in St Petersburg where he composed new ballets, notably Doch' Faraona (Pharaoh's Daughter) and Konyok Gorbunok (The Little Humpbacked Horse) (in 1862 and 1864 respectively). His most famous collaboration, with Marius Petipa, dominated these years, lasting until the composer's death on 26 January 1870. Pugni is remarkable for his enormous output of some 300 ballets (either original compositions or in arrangements). The story of Konyok Gorbunok is based on the popular fairy-tale by Pyotr Yershov, and tells of the spectacular deeds of Ivanushka with the help of the magical Little Humpbacked Horse. The ballet is of particular interest as being the first to be based on themes from Russian folklore, a particular interest of Arthur Saint-Leon who chose the theme and devised the scenario himself. The comical fairy-tale provided an opportunity for the confrontation and overlapping of three different worlds: the manners of the old Russian peasantry; the mystique and glamour of the Orient in the Court of the Khan; and the ideal kingdom of the classical dance that is imposed on the first two worlds. Saint-Leon's scenario also helped to establish certain set scene-types with their respective series of formalized dances: the adaptation of the Romantic fantastical transformation scene to an enchanted world (the underwater episode, or a dream sequence), and the pageant of national dances (often functioning as the final celebratory divertissement). These major generic episodes are found in all the big Russian ballets of the following decades The Slavic musical themes used by Pugni, combined with the classical dance, prepared the way for later works like Stavinsky's L'Oiseau de feu and Patrouchka. Despite the confused folklore, the ballet proved an instant success with audiences. The part of the Tsar Maiden was the last creation of Marfa Muravieva. It was frequently revived, most notably by Marius Petipa (St Petersburg, 1895) and by Alexander Gorsky (Moscow, 1901). In fact it became one of the most popular works in the repertory of the Imperial Theatre, and was given in St Petersburg over 200 times. This success extended into the Soviet era. A new ballet of the same title, with libretto by Vainonen and P. Maliarevsky, choreography by Radunsky, and a new score by Rodion Konstantinovich Shchedrin was premiered at the Moscow Bolshoi on 4 March 1960. Paperback, Ausgabe: 1st Unabridged, Format: Unabridged, Label: Cambridge Scholars Publishing, Cambridge Scholars Publishing, Produktgruppe: Book, Publiziert: 2012-02-01, Studio: Cambridge Scholars Publishing, Verkaufsrang: 1971805.
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Cesare Pugni: Koniok Gorbunok, Ili Tsar-devitsa Le Petit Cheval Bossu, Ou La Tsar-demoiselle the Little Humpbacked Horse, or the Tsar-maiden (2012)
EN PB NWISBN: 9781443835688 bzw. 1443835684, in Englisch, Cambridge Scholars Publishing, Taschenbuch, neu.
Von Händler/Antiquariat, Revaluation Books [2134736], Exeter, United Kingdom.
1st unabridged edition. 160 pages. 11.42x8.11x0.55 inches. In Stock.
1st unabridged edition. 160 pages. 11.42x8.11x0.55 inches. In Stock.
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Cesare Pugni: KONIOK GORBUNOK, ILI TSAR-DEVITSA Le Petit Cheval bossu, ou La Tsar-Demoiselle The Little Humpbacked Horse, or The T
EN PB NWISBN: 9781443835688 bzw. 1443835684, in Englisch, Cambridge Scholars Publishing, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Symbolbild
Cesare Pugni: Koniok Gorbunok Le Petit Cheval Bossu/The Little Humpbacked Horse (2012)
EN PB NWISBN: 9781443835688 bzw. 1443835684, in Englisch, Cambridge Scholars Publishing, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, Irish Booksellers [57531671], Rumford, ME, U.S.A.
Von Händler/Antiquariat, Irish Booksellers [57531671], Rumford, ME, U.S.A.
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