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100%: Richard Arsenty; Robert Letellier: Meyerbeer Libretti (ISBN: 9781443846974) Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Robert Letellier;Richard Arsenty: Meyerbeer Libretti (ISBN: 9781443846868) Cambridge Scholars Publishing, United Kingdom of Great Britain and Northern Ireland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Richard Arsenty;Robert Letellier: Meyerbeer Libretti (ISBN: 9781443846875) Cambridge Scholars Publishing, United Kingdom of Great Britain and Northern Ireland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Robert Letellier;Richard Arsenty: Meyerbeer Libretti (ISBN: 9781443846929) 2013, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Richard Arsenty;Robert Letellier: Meyerbeer Libretti (ISBN: 9781443802185) Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Robert Letellier;Richard Arsenty: Meyerbeer Libretti (ISBN: 9781443846950) Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: Robert Letellier;Richard Arsenty: Meyerbeer Libretti (ISBN: 9781443846899) Cambridge Scholars Publishing, United Kingdom of Great Britain and Northern Ireland, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
Meyerbeer Libretti - 10 Angebote vergleichen
Bester Preis: € 16,09 (vom 14.09.2016)1
Meyerbeer Libretti (2013)
EN NW EBISBN: 9781443846929 bzw. 1443846929, in Englisch, Cambridge Scholars Publishing, neu, E-Book.
Lieferung aus: Schweiz, Sofort per Download lieferbar.
Grand Opera 4 L´Africaine, Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer´s libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer´s grands operas, and his final work. By 1860 long-imposed labor had started to tell upon the composer´s health: he knew that he must concentrate on the "e;navigator project"e; which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and Cesar-Victor Perrin, the director of the Opera, entrusted the editing of a performing edition to the famous Belgian musicologist Francois-Joseph Fetis, while the libretto was revised by Melesville. The original title of L´Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story.While L´Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama´s voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are ¬ in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L´Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L´Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin. PDF, 21.02.2013.
Grand Opera 4 L´Africaine, Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer´s libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer´s grands operas, and his final work. By 1860 long-imposed labor had started to tell upon the composer´s health: he knew that he must concentrate on the "e;navigator project"e; which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and Cesar-Victor Perrin, the director of the Opera, entrusted the editing of a performing edition to the famous Belgian musicologist Francois-Joseph Fetis, while the libretto was revised by Melesville. The original title of L´Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story.While L´Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama´s voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are ¬ in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L´Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L´Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin. PDF, 21.02.2013.
2
Meyerbeer Libretti
EN NWISBN: 9781443846929 bzw. 1443846929, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Sofort per Download lieferbar.
Grand Opera 4 L'Africaine, Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer's grands operas, and his final work. By 1860 long-imposed labor had started to tell upon the composer's health: he knew that he must concentrate on the "e;navigator project"e; which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and Cesar-Victor Perrin, the director of the Opera, entrusted the editing of a performing edition to the famous Belgian musicologist Francois-Joseph Fetis, while the libretto was revised by Melesville. The original title of L'Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story.While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L'Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
Grand Opera 4 L'Africaine, Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer's grands operas, and his final work. By 1860 long-imposed labor had started to tell upon the composer's health: he knew that he must concentrate on the "e;navigator project"e; which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and Cesar-Victor Perrin, the director of the Opera, entrusted the editing of a performing edition to the famous Belgian musicologist Francois-Joseph Fetis, while the libretto was revised by Melesville. The original title of L'Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story.While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L'Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
3
Meyerbeer Libretti
EN NWISBN: 9781443846974 bzw. 144384697X, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Sofort per Download lieferbar.
Italian Operas 1 (Romilda e Costanza, Semiramide, Emma di Resburgo, Margherita d'Anjou), Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime unrivalled by any of his contemporaries. This eleven volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts are offered in the most complete versions ever made available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The second volume presents Meyerbeer's first two Italian operas, written early in his decisive sojourn in Italy where for eight years (1816-24) he confronted and assimilated the operatic traditions of bel canto, all the while expanding his own rapidly developing dramatic instincts. His Italian operas divide themselves into three pairs of two. The first pair, Romilda e Costanza (Padua, 1817) and Semiramide (Turin, 1819), have a pure, naive, serene quality, and showed the young composer taking account of pre-Rossininian models while working within the formulae of contemporary melodramma.
Italian Operas 1 (Romilda e Costanza, Semiramide, Emma di Resburgo, Margherita d'Anjou), Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime unrivalled by any of his contemporaries. This eleven volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts are offered in the most complete versions ever made available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The second volume presents Meyerbeer's first two Italian operas, written early in his decisive sojourn in Italy where for eight years (1816-24) he confronted and assimilated the operatic traditions of bel canto, all the while expanding his own rapidly developing dramatic instincts. His Italian operas divide themselves into three pairs of two. The first pair, Romilda e Costanza (Padua, 1817) and Semiramide (Turin, 1819), have a pure, naive, serene quality, and showed the young composer taking account of pre-Rossininian models while working within the formulae of contemporary melodramma.
6
Meyerbeer Libretti
EN NW EB DLISBN: 9781443846929 bzw. 1443846929, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Grand Opera 4 L´Africaine, Grand Opera 4 L´Africaine.
Grand Opera 4 L´Africaine, Grand Opera 4 L´Africaine.
8
Meyerbeer Libretti
EN NW EB DLISBN: 9781443846974 bzw. 144384697X, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9
Meyerbeer Libretti
EN NW EB DLISBN: 9781443846950 bzw. 1443846953, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu, E-Book, elektronischer Download.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Meyerbeer Libretti
EN NW EB DLISBN: 9781443802185 bzw. 1443802182, in Englisch, Cambridge Scholars Publishing, Vereinigtes Königreich Großbritannien und Nordirland, neu, E-Book, elektronischer Download.
Italian Operas 2 (Emma di Resburgo, Margherita d´Anjou), Italian Operas 2 (Emma di Resburgo, Margherita d´Anjou).
Lade…