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Four Metaphors of Modernism : From Der Sturm to the Societe Anonyme
9 Angebote vergleichen
| Preise | 2017 | 2018 | 2019 |
|---|---|---|---|
| Schnitt | € 0,00 | € 11,33 | € 21,94 |
| Nachfrage |
1
Four Metaphors of Modernism (2018)
EN NW EB DLISBN: 9781452956305 bzw. 1452956308, in Englisch, Univ Of Minnesota Press, Univ Of Minnesota Press, Univ Of Minnesota Press, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, in-stock.
Exploring the significance of metaphor in modern art"Where do the roots of art lie?" asked Der Sturm founder Herwarth Walden. "In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels." Walden's Der Sturm-the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910-1932)-has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice. Jenny Anger traces Walden's aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche-forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York's Société Anonyme (1920-1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction's connection with the real.
Exploring the significance of metaphor in modern art"Where do the roots of art lie?" asked Der Sturm founder Herwarth Walden. "In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels." Walden's Der Sturm-the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910-1932)-has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice. Jenny Anger traces Walden's aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche-forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York's Société Anonyme (1920-1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction's connection with the real.
2
Four Metaphors of Modernism
EN NW EBISBN: 9781517903220 bzw. 151790322X, in Englisch, University of Minnesota Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, E-Book zum download.
Art, Exploring the significance of metaphor in modern art Where do the roots of art lie? asked Der Sturm founder Herwarth Walden. In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels. Walden's Der Sturmthe journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (19101932)has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice. Jenny Anger traces Walden's aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzscheforebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York's Socit Anonyme (19201950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction's connection with the real. eBook.
Art, Exploring the significance of metaphor in modern art Where do the roots of art lie? asked Der Sturm founder Herwarth Walden. In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels. Walden's Der Sturmthe journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (19101932)has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice. Jenny Anger traces Walden's aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzscheforebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York's Socit Anonyme (19201950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction's connection with the real. eBook.
3
Four Metaphors Of Modernism: From Der Sturm To The Société Anonyme
EN NWISBN: 9781517903220 bzw. 151790322X, in Englisch, University of Minnesota Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Jenny Anger, Books, Four Metaphors Of Modernism: From Der Sturm To The Société Anonyme, “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm—the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)—has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche—forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Société Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism.Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
Jenny Anger, Books, Four Metaphors Of Modernism: From Der Sturm To The Société Anonyme, “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm—the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)—has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche—forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Société Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism.Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
4
Four Metaphors Of Modernism: From Der Sturm To The Société Anonyme
EN NWISBN: 9781517903213 bzw. 1517903211, in Englisch, University of Minnesota Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Jenny Anger, Books, Four Metaphors Of Modernism: From Der Sturm To The Société Anonyme, “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm—the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)—has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche—forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Société Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism.Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
Jenny Anger, Books, Four Metaphors Of Modernism: From Der Sturm To The Société Anonyme, “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm—the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)—has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche—forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Société Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism.Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
5
Four Metaphors of Modernism: From Der Sturm to the Société Anonyme
EN NW EBISBN: 9781452956305 bzw. 1452956308, in Englisch, University of Minnesota Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme
EN HC NWISBN: 9781517903213 bzw. 1517903211, in Englisch, University of Minnesota Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Four-Metaphors-of-Modernism~~Jenny-Anger, Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme, Hardcover.
Four-Metaphors-of-Modernism~~Jenny-Anger, Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme, Hardcover.
7
Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme
EN PB NWISBN: 9781517903220 bzw. 151790322X, in Englisch, University of Minnesota Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Four-Metaphors-of-Modernism~~Jenny-Anger, Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme, Paperback.
Four-Metaphors-of-Modernism~~Jenny-Anger, Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme, Paperback.
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