In the Garden of I am - 2 Angebote vergleichen
Bester Preis: € 12,48 (vom 07.05.2017)1
In The Garden of I Am
EN NWISBN: 9781550719543 bzw. 1550719548, in Englisch, Guernica Editions, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Max Layton, Books, Fiction and Literature, In The Garden of I Am, Although every poem in this book begins with the same first three words, each is a world unto itself. The poems range in subject from the intensely personal to the profoundly philosophical. Some poems are funny, some deadly serious; some filled with whimsy, some with horror. Stylistically, some poems relish the challenge of metered rhyme while others delight in the loopy unpredictable music of free verse?
Max Layton, Books, Fiction and Literature, In The Garden of I Am, Although every poem in this book begins with the same first three words, each is a world unto itself. The poems range in subject from the intensely personal to the profoundly philosophical. Some poems are funny, some deadly serious; some filled with whimsy, some with horror. Stylistically, some poems relish the challenge of metered rhyme while others delight in the loopy unpredictable music of free verse?
2
In the Garden of I am
EN NWISBN: 9781550719543 bzw. 1550719548, in Englisch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Although every poem in this book begins with the same first three words, each is a world unto itself. The poems range in subject from the intensely personal to the profoundly philosophical. Some poems are funny, some deadly serious; some filled with whimsy, some with horror. Stylistically, some poems relish the challenge of metered rhyme while others delight in the loopy unpredictable music of free verse?
Although every poem in this book begins with the same first three words, each is a world unto itself. The poems range in subject from the intensely personal to the profoundly philosophical. Some poems are funny, some deadly serious; some filled with whimsy, some with horror. Stylistically, some poems relish the challenge of metered rhyme while others delight in the loopy unpredictable music of free verse?
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