Von dem Buch Weinzweig: Essays on His Life and Music haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Beckwith, John (EDT)/ Cherney, Brian (EDT): Weinzweig: Essays on His Life and Music (ISBN: 9781554582563) Wilfrid Laurier Univ Pr, Wilfrid Laurier University Press, Wilfrid Laurier University Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
83%: Brian Cherney: Weinzweig: Essays on His Life and Music (ISBN: 9780889209220) Wilfrid Laurier University Press, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
Weinzweig: Essays on His Life and Music - 6 Angebote vergleichen
Bester Preis: € 23,26 (vom 23.04.2017)1
Weinzweig
EN USISBN: 9781554582563 bzw. 1554582563, in Englisch, Wilfrid Laurier Univ Pr, Wilfrid Laurier University Press, Wilfrid Laurier University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, in-stock.
John Weinzweig (1913?2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto?s music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own? in letters, interviews, talks, and writings? plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors? portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www. wlupress. wlu. ca/General/beckwith-cherney-list-of-works-discography. pdfList of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www. wlupress. wlu. ca/G.
John Weinzweig (1913?2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto?s music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own? in letters, interviews, talks, and writings? plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors? portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www. wlupress. wlu. ca/General/beckwith-cherney-list-of-works-discography. pdfList of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www. wlupress. wlu. ca/G.
2
Weinzweig: Essays on His Life and Music
EN NWISBN: 9781554582563 bzw. 1554582563, in Englisch, Wilfrid Laurier University Press, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Books, Biography and Memoir, Weinzweig: Essays on His Life and Music, John Weinzweig (1913–2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto’s music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own – in letters, interviews, talks, and writings – plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors’ portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www.wlupress.wlu.ca/General/beckwith-cherney-list-of-works-discography.pdf List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www.wlupress.wlu.ca/General/beckwith-cherney-cd-notes.pdf Notes and Texts for the CD.].
Books, Biography and Memoir, Weinzweig: Essays on His Life and Music, John Weinzweig (1913–2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto’s music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own – in letters, interviews, talks, and writings – plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors’ portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www.wlupress.wlu.ca/General/beckwith-cherney-list-of-works-discography.pdf List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www.wlupress.wlu.ca/General/beckwith-cherney-cd-notes.pdf Notes and Texts for the CD.].
3
Weinzweig
EN NW EBISBN: 9781554582563 bzw. 1554582563, in Englisch, Wilfrid Laurier University Press, neu, E-Book.
Lieferung aus: Vereinigte Staaten von Amerika, Ebook for download.
Biography & Autobiography, John Weinzweig (19132006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto's music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own in letters, interviews, talks, and writings plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors' portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www.wlupress.wlu.ca/General/beckwith-cherney-list-of-works-discography.pdf List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds ] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www.wlupress.wlu.ca/General/beckwith-cherney-cd-notes.pdf Notes and Texts for the CD .], eBook.
Biography & Autobiography, John Weinzweig (19132006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto's music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own in letters, interviews, talks, and writings plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors' portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www.wlupress.wlu.ca/General/beckwith-cherney-list-of-works-discography.pdf List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds ] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www.wlupress.wlu.ca/General/beckwith-cherney-cd-notes.pdf Notes and Texts for the CD .], eBook.
4
Weinzweig
EN NWISBN: 9781554582563 bzw. 1554582563, in Englisch, Wilfrid Laurier University Press, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
John Weinzweig (1913-2006) was the pie eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky. Berg, and Weber n, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig won the Silver Medal at the 1948 Cultural Olympiad and played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant period for the arts in Canada. He was an influential force as a teacher of composition, both with the Royal Conservatory of Music and with the University of Toronto's music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early twentieth century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own and those of critics and scholars, listeners and performers). The essays are framed by the co editors' portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research the Weinzweig Fonds at Library and Archives Canada. John Beckwith's thirty-eight years with the Faculty of Music, University of Toronto, included seven as its dean and five as founding director of its Institute for Canadian Music. Among his compositions are four operas and many orchestral, choral, chamber, and solo works. A frequent contributor to Canadian and foreign music journals, he is the author of Music Papers (1997) and In Search of Alberto Guerrero (WLU Press, 2006).Since 1972 Brian Cherney has been on the staff of the Faculty.
John Weinzweig (1913-2006) was the pie eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky. Berg, and Weber n, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig won the Silver Medal at the 1948 Cultural Olympiad and played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant period for the arts in Canada. He was an influential force as a teacher of composition, both with the Royal Conservatory of Music and with the University of Toronto's music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early twentieth century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own and those of critics and scholars, listeners and performers). The essays are framed by the co editors' portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research the Weinzweig Fonds at Library and Archives Canada. John Beckwith's thirty-eight years with the Faculty of Music, University of Toronto, included seven as its dean and five as founding director of its Institute for Canadian Music. Among his compositions are four operas and many orchestral, choral, chamber, and solo works. A frequent contributor to Canadian and foreign music journals, he is the author of Music Papers (1997) and In Search of Alberto Guerrero (WLU Press, 2006).Since 1972 Brian Cherney has been on the staff of the Faculty.
Lade…