Explodity - Sound, Image, and Word in Russian Futurist Book Art
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Bester Preis: € 40,92 (vom 03.12.2017)1
Explodity: Sound, Image, And Word In Russian Futurist Book Art (1915)
EN NWISBN: 9781606065082 bzw. 1606065084, in Englisch, Getty Publications, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Nancy Perloff, Books, Art and Architecture, Explodity: Sound, Image, And Word In Russian Futurist Book Art, The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Upon publication, sound recordings of zaum poems featured in the book will be made available at www.getty.edu. .
Nancy Perloff, Books, Art and Architecture, Explodity: Sound, Image, And Word In Russian Futurist Book Art, The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Upon publication, sound recordings of zaum poems featured in the book will be made available at www.getty.edu. .
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Explodity - Sound, Image, and Word in Russian Futurist Book Art
EN HC NWISBN: 9781606065082 bzw. 1606065084, in Englisch, Getty Trust Publications, gebundenes Buch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
EN HC NWISBN: 9781606065082 bzw. 1606065084, in Englisch, Getty Publications, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
Explodity~~Nancy-Perloff, Explodity: Sound, Image, and Word in Russian Futurist Book Art, Hardcover.
Explodity~~Nancy-Perloff, Explodity: Sound, Image, and Word in Russian Futurist Book Art, Hardcover.
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