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100%: Gary Groth: The Comics Journal #304 Author (ISBN: 9781683962649) 2017, Fantagraphics Books, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
41%: Herausgeber: Groth, Gary: The Comics Journal #302 Editor (ISBN: 9781606996034) Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
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1
The Comics Journal #302
EN NWISBN: 9781606996034 bzw. 1606996037, in Englisch, Fantagraphics Books, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Various Arstists, Books, Science Fiction and Fantasy, Graphic Novels, The Comics Journal #302, The Comics Journal #302 has career-spanning interviews with Maurice Sendak (Where the Wild Things Are) and French graphic novel pioneer Jacques Tardi, as well as Art Spiegelman, critics and historians on classic kids' comics. R. Crumb's lawyer, Albert Morse, gets the New Journalism treatment by Bob Levin. Warren Bernard investigates of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: How to Draw Buz Sawyer by Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, and more.
Various Arstists, Books, Science Fiction and Fantasy, Graphic Novels, The Comics Journal #302, The Comics Journal #302 has career-spanning interviews with Maurice Sendak (Where the Wild Things Are) and French graphic novel pioneer Jacques Tardi, as well as Art Spiegelman, critics and historians on classic kids' comics. R. Crumb's lawyer, Albert Morse, gets the New Journalism treatment by Bob Levin. Warren Bernard investigates of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: How to Draw Buz Sawyer by Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, and more.
2
The Comics Journal #302 Gary Groth Editor (2012)
~EN PB NWISBN: 9781606996034 bzw. 1606996037, vermutlich in Englisch, Fantagraphics Books, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Nan machandiz, plis anbakman.
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids’ comics roundtable moderated by Art Speigelman, and much more. The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011’s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012’s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th and 21st century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin’ litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids’ comics roundtable moderated by Art Speigelman, and much more. The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011’s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012’s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th and 21st century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin’ litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
3
The Comics Journal #302 (The Comics Journal) (2013)
EN PB US FEISBN: 9781606996034 bzw. 1606996037, in Englisch, 672 Seiten, Fantagraphics, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Pink Room Books.
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids’ comics roundtable moderated by Art Speigelman, and much more. The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011’s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012’s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th ― and 21st ― century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning ― and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin’ litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics. Yes, Paperback, Ausgabe: 1, Label: Fantagraphics, Fantagraphics, Produktgruppe: Book, Publiziert: 2013-03-06, Studio: Fantagraphics, Verkaufsrang: 838129.
Von Händler/Antiquariat, Pink Room Books.
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids’ comics roundtable moderated by Art Speigelman, and much more. The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011’s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012’s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th ― and 21st ― century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning ― and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin’ litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics. Yes, Paperback, Ausgabe: 1, Label: Fantagraphics, Fantagraphics, Produktgruppe: Book, Publiziert: 2013-03-06, Studio: Fantagraphics, Verkaufsrang: 838129.
4
The Comics Journal #302 (The Comics Journal) (2013)
EN PB NW FEISBN: 9781606996034 bzw. 1606996037, in Englisch, 672 Seiten, Fantagraphics, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, indoobestsellers.
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids’ comics roundtable moderated by Art Speigelman, and much more. The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011’s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012’s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th ― and 21st ― century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning ― and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin’ litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics. Yes, Paperback, Ausgabe: 1, Label: Fantagraphics, Fantagraphics, Produktgruppe: Book, Publiziert: 2013-03-06, Studio: Fantagraphics, Verkaufsrang: 838129.
Von Händler/Antiquariat, indoobestsellers.
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids’ comics roundtable moderated by Art Speigelman, and much more. The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011’s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012’s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th ― and 21st ― century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning ― and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin’ litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics. Yes, Paperback, Ausgabe: 1, Label: Fantagraphics, Fantagraphics, Produktgruppe: Book, Publiziert: 2013-03-06, Studio: Fantagraphics, Verkaufsrang: 838129.
5
Comics Journal #304 (2017)
EN NWISBN: 1683962648 bzw. 9781683962649, in Englisch, Fantagraphics, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten.
The Comics Journal #304 features a conversation with Simon Hanselmann, who discusses how his webcomic became an internationally acclaimed phenomenon. This issue also highlights labor and economics issues facing the medium plus a look at the unfinished ... The Comics Journal #304 features a conversation with Simon Hanselmann, who discusses how his webcomic became an internationally acclaimed phenomenon. This issue also highlights labor and economics issues facing the medium plus a look at the unfinished graphic novel that Geoffrey Hayes was working on before his untimely death in 2017. Also, a peak inside the sketchbook of Sophie Franz, new work by Brazilian cartoonist Laura Lannes and a reconsideration of the comics canon by Shaenon K. Garrity. And more!
The Comics Journal #304 features a conversation with Simon Hanselmann, who discusses how his webcomic became an internationally acclaimed phenomenon. This issue also highlights labor and economics issues facing the medium plus a look at the unfinished ... The Comics Journal #304 features a conversation with Simon Hanselmann, who discusses how his webcomic became an internationally acclaimed phenomenon. This issue also highlights labor and economics issues facing the medium plus a look at the unfinished graphic novel that Geoffrey Hayes was working on before his untimely death in 2017. Also, a peak inside the sketchbook of Sophie Franz, new work by Brazilian cartoonist Laura Lannes and a reconsideration of the comics canon by Shaenon K. Garrity. And more!
6
The Comics Journal #304 Gary Groth Author (2017)
~EN PB NWISBN: 9781683962649 bzw. 1683962648, vermutlich in Englisch, Fantagraphics Books, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Nan machandiz, plis anbakman.
This issue of the award-winning magazine features an interview with Megahex cartoonist Simon Hanselmann and focuses on economics. In this issue of the award-winning magazine, Tasmanian cartoonist Simon Hanselmann discusses how his webcomic — starring a witch, a cat, and an owl — became an internationally acclaimed, best-selling phenomenon. Thematically, #304 highlights labor and economics — the past and the future of organizing a comics union, work-for-hire contracts, and how comic conventions can better serve creators — with the Journal’s hallmark candor. Other features include an exclusive look at the unfinished graphic novel that Eisner and Geisel Award winner Geoffrey Hayes was working on before his untimely death in 2017, a peek inside the lush sketchbook of Sophie Franz, a timely work by Brazilian cartoonist Laura Lannes, and more!
This issue of the award-winning magazine features an interview with Megahex cartoonist Simon Hanselmann and focuses on economics. In this issue of the award-winning magazine, Tasmanian cartoonist Simon Hanselmann discusses how his webcomic — starring a witch, a cat, and an owl — became an internationally acclaimed, best-selling phenomenon. Thematically, #304 highlights labor and economics — the past and the future of organizing a comics union, work-for-hire contracts, and how comic conventions can better serve creators — with the Journal’s hallmark candor. Other features include an exclusive look at the unfinished graphic novel that Eisner and Geisel Award winner Geoffrey Hayes was working on before his untimely death in 2017, a peek inside the lush sketchbook of Sophie Franz, a timely work by Brazilian cartoonist Laura Lannes, and more!
9
The Comics Journal #302
EN USISBN: 9781606996034 bzw. 1606996037, in Englisch, Fantagraphics Books, Fantagraphics Books, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
Gary Groth (Editor),Paperback, Series: Comics Journal Series, English-language edition, Pub by Fantagraphics Books.
Gary Groth (Editor),Paperback, Series: Comics Journal Series, English-language edition, Pub by Fantagraphics Books.
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